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Announcing the 2022 Fire Horse Award Recipient

Keith Lock

In true celebration of Asian Heritage Month, we’re excited to announce that filmmaker Keith Lock will be the first recipient of the Fire Horse Award! The $25,000 cash award is being presented annually to an Asian Canadian individual who has made an extraordinary contribution to the film and media-arts community.

Lock has been making experimental, documentary, and dramatic films since 1969 and is considered one of Canada’s first Chinese Canadian filmmakers. Lock’s experimental feature EVERYTHING EVERYWHERE AGAIN ALIVE (1975) was selected in 2020 by AGO Film Curator Jim Shedden as one of the “100 Best Canadian Films of All Time”. Lock collaborated as cinematographer on several Michael Snow films including TWO SIDES TO EVERY STORY (1974), which was selected as one of TIFF’s 150 Essential Works of Canadian Cinema.

As a leader and pioneer Lock was the founding Chair of the country’s first film co-op, the Toronto Filmmaker’s Co-op, which became LIFT (Liaison of Independent Filmmakers of Toronto). LIFT continues to operate as the largest artist-run media arts co-op in the country and just last year celebrated its 40th anniversary. Lock also founded “New Films”, the first regular screenings of independent and experimental films in Toronto, which led to the establishment of storied underground film film production and exhibition centre The Funnel in 1977.

Keith Lock will be presented with his award at a ceremony on May 31st hosted by Reel Asian.

Award-winning actor Sandra Oh pledges $50k to establish annual $25k award

“I’m thrilled to join Reel Asian in wholeheartedly supporting the Fire Horse Award,” said Sandra Oh. “By honouring trailblazers of the Asian Canadian media arts community, we are recognizing ourselves. It deeply matters who makes our images, and to these pioneers we owe a debt—and our promise to keep striving to tell our stories to the world. Let’s pause to celebrate those who blazed those trails—it’s beautiful and necessary. And I can’t wait for the next 25 years.”

Canadian film and television star Sandra Oh has committed $10,000 per year to the prize for the next five years. This contribution matches a generous lead donation from an anonymous donor. Ongoing contributions from the Reel Asian community will ensure the sustainability of the award for years to come.

Fire Horse Award Nominators

Elaine Chang
Professor at University of Guelph

Elaine Chang is a media, cinema, and cultural studies professor at the University of Guelph and a practicing screenwriter and poet. Her most recent work includes an essay on teaching Asian North American mystery literature and cinema forthcoming from the Modern Language Association, feature screenplays for a comedy and a political thriller, and a scholarly monograph on literary adaptation for the screen.

Richard Fung
Professor at OCAD University

Richard Fung is a video artist, writer and Professor Emeritus in the Faculty of Art at OCAD University.

The Fire Horse Award recognizes one Asian Canadian member of the film and media-arts community. This member demonstrates qualities of the Chinese zodiac symbol in their work: Fire Horses are changemakers, creative thinkers, and visionary leaders who significantly impact the larger community. The award was created on the occasion of Reel Asian’s 25th Anniversary in 2021 to honour Reel Asian founder Anita Lee whose groundbreaking work and determination has made Reel Asian a staple in Canada’s festival landscape.

For Reel Asian, Asian Heritage Month provides an opportunity to reflect on our community’s cinematic history and to revisit past favourites that have made historic contributions to the Asian Canadian experience.

Think of past trips you’ve taken across Canada, around the world, or even during a walk through your home city  — chances are, you’ve come across a Chinese restaurant. Surely you’ve wondered about the stories behind the people and the food.

In the early 2000s, filmmaker Cheuk Kwan travelled the globe over the course of four years and documented stories for his beloved Chinese Restaurants series, which takes us from Turkey to Mauritius, India to Norway, Trinidad to South Africa, and many points in between. Throughout the 15 episodes, Kwan weaves together profiles of these small businesses to tell the story of migration, adventure, and an enduring spirit of the Chinese diaspora.  

Reel Asian is proud to present the complete Chinese Restaurants documentary series for the first time since its initial release nearly 20 years ago. Grouped into five programmes of three episodes each, all 15 episodes are available exclusively online throughout the month of May. Enjoy the films, and please join us for a conversation between author and filmmaker Cheuk Kwan and Toronto Star food reporter Karon Liu on May 2nd!

Enjoy this free VOD pass to Cheuk Kwan’s entire Chinese Restaurants Collection. Your pass automatically enters you for a raffle to win Cheuk Kwan’s book Have You Eaten Yet? 

Your VOD pass also includes a live-stream of the Director’s Talk with Cheuk Kwan in conversation with Karon Liu. This live 2-hr event will stream starting at 7PM ET on Monday, May 2, 2022. You can join in the chat and even ask questions remotely!

CHEUK KWAN'S CHINESE RESTAURANTS COLLECTION

Song of the Exile

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Song of the Exile tells the story of the Chinese diaspora told through its most recognizable and enduring icon – the family-run Chinese restaurant. Filmmaker Cheuk Kwan brings us into the lives of extraordinary families in Israel, South Africa and Turkey, as they share moving stories of displacement and belonging.

Kien is a Vietnamese refugee and a devout Christian who evangelizes Chinese migrant workers while running a restaurant in Haifa.  His children, meanwhile, variously negotiate their complex identities as Christian Chinese Israelis in a Jewish homeland surrounded by Arab states.

Ying started Cape Town’s first Chinese restaurant in 1947.  Today his widow Onkuen and his daughter continue his legacy.  Through them, we glimpse a South Africa struggling to address the bitter injustices and betrayals of its apartheid past.

Wang, a Chinese Muslim who established Istanbul’s oldest Chinese restaurant, fled Chinese Communists in 1949 with his family in a dramatic trek over the Himalayas, thereby earning a place in urban legend as the man who ‘walked from China’.

Together these family histories illustrate the wider story of Chinese migration, settlement and integration, and celebrate the resilience and complexity of the Chinese diaspora.  Set against events that have sparked some of the past century’s most dramatic global migrations, these stories illustrate communities whose culture and identity are held together by a kinship that is stronger than nationalism and politics.

On The Islands

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On The Islands tells story of the Chinese diaspora told through its most recognizable and enduring icon – the family-run Chinese restaurant.  Filmmaker Cheuk Kwan takes us on a tour of restaurants in Mauritius, Trinidad, and Cuba, showing us Chinese communities that have become an integral part of these sensual and seductive islands in the sun.

In the middle of the Indian Ocean, Colette, an innovative self-taught chef, serves up inventive new dishes combining Chinese, Creole and Indian flavors in her Mauritian restaurant. Colette, together with other members of the Hakka Chinese community, gives us insights into the Hakka Chinese and their conservative traditions and values.

In San Fernando, we find a rags-to-riches story of restaurant owner Maurice whose passion for quality and service has won him widespread affection and respect while members of his family dance to the infectious beat of Trinidad’s annual Carnival.

In Havana, Alejandro runs a home for Chinese elderly and supports it by operating a restaurant on the side.  Meanwhile, we go beyond the ‘Chinese Fantasy’ the Cuban government has created in Chinatown to discover a community that has now become truly Cuban.

Together, these community and personal histories illustrate the wider story of Chinese migration, settlement and integration and celebrate the resilience and complexity of the Chinese diaspora today in these interracial and multicultural island melting pots.

Three Continents

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Three Continents tells the story of the Chinese diaspora through its most recognizable and enduring icon – the family-run Chinese restaurant. Filmmaker Cheuk Kwan journeys to the ‘Big Island’ of Madagascar, inside the Arctic Circle in Norway, and the Canadian Prairies, exploring the long history of Chinese migration and settlement in three continents.

Did the Chinese come to Madagascar in the 15th century, years before the Europeans? This question is answered as we visit a restaurant run by a third-generation Chinese Malagasy and the oldest Chinese immigrant on the fourth largest island of the world.

Michael has opened one of very few Chinese restaurants inside the Arctic Circle. As he promotes his Hong Kong-style efficiency, his Chinese kitchen staff openly discusses how they came to Europe illegally to the restaurant trade.

Chinese workers came to Canada in the 19th century to build the trans-continental railroad, but by 1923, the country passed the Chinese Exclusion Act. Against these odds, Jim came to Outlook, Saskatchewan as a “paper son” using a dead child’s identity.

Together, these community and personal histories illustrate the wider story of Chinese migration, settlement and integration and celebrate the resilience and complexity of the Chinese diaspora. They highlight the fluidity and highly personal nature of identity, and the human impulse to connect both with the past and with those amongst whom we find ourselves.

Latin Passions

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Latin Passions tells the story of the Chinese diaspora through its most recognizable and enduring icon – the family-run Chinese restaurant. Filmmaker Cheuk Kwan visits Latin American cities of Lima, Sao Paulo and Buenos Aires encountering restaurant owners enthralled in their passion for cooking, soccer and tango.

Lima-born Luis is a medical doctor who took over a rundown restaurant in the city’s Chinatown.  The charming and outgoing doctor hosts Chinese cooking shows on TV and promotes the marriage of his ancestors’ holistic medicine and health-conscious cuisine.

Lee and his future wife swam from China to Macau, and freedom, during China’s Cultural Revolution in the 1960’s. On the eve of the 2002 World Cup final, their son, Luis, recounts his passion for football and what it means to grow up Chinese-Brazilian.

77-year old Chiang came to Buenos Aires in the 1960’s and became the “Spring Roll King” of Argentina. While his family lives elsewhere in this planet, he lives his remaining years amidst the melancholy music of the seductive tango.

Together, these stories illustrate the wider story of Chinese migration, settlement and integration and celebrate the resilience and complexity of the Chinese diaspora. They highlight the fluidity and highly personal nature of identity, and the human impulse to find passions in life.

Beyond Frontiers

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Beyond Frontiers tells the story of the Chinese diaspora through its most recognizable and enduring icon – the family-run Chinese restaurant.  Filmmaker Cheuk Kwan travels to the cities of India and into the jungles of Brazilian Amazon and come face to face with Chinese communities who have transcended geographical, political, and social frontiers.

The Yeh brothers were born in Calcutta and suffered from the aftermath the 1962 Sino-Indian border conflict.  Today, the four brothers reminisce what it was like to grow up Chinese in India as emigration decimated the once vibrant and prosperous community.

Taiwan immigrant Jack first established his restaurant thirty years ago in the Amazon city of Manaus.  While contemplating retirement, his business-savvy US-educated son, Eddy, navigates his own unique identity – Chinese in heart but Brazilian in spirit.

The brothers Nini and Baba Ling grew up in a Chinese-Indian family. As Nini contemplates his retirement from the restaurant business, Baba is forging ahead with Nanking, the re-incarnated name of a landmark restaurant his father established in 1947.

Together, these community and personal histories illustrate the wider story of Chinese migration and settlement and celebrate the resilience and complexity of the Chinese diaspora.  They highlight the fluidity and highly personal nature of identity, and the struggle of ethnic minorities to break through cultural and racial boundaries.

Reel Asian Stands with the BSO & the Reelworld Screen Institute

8 Apr, 2022

At this year’s Canadian Screen Awards, the winner of the Best Direction in a DocumentaryBarry Avrich, stated “…this is a testament that there are so many Black stories in Canada that need to be told, it doesn’t matter who tells them, we just need to tell them.”  We at the Toronto Reel Asian International Film Festival profoundly disagree.

For years we have watched as our community has been grossly misrepresented onscreen and our stories told by others. At a time when we have finally begun seeing more authentic stories about ourselves being told onscreen, it was deeply disappointing to hear a filmmaker proclaim that it “doesn’t matter” who tells the stories of Black Canadians. We express solidarity with the Black community who have heard and experienced this harmful sentiment for too long. It demonstrates how out of touch the industry establishment is and how overdue it is to provide greater support to BIPOC creators.

 

We stand in solidarity with the Black Screen Office and the Reelworld Screen Institute, whose statements appear below.

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A film from Daniels and starring Michelle Yeoh, Ke Huy Quan, Stephanie Hsu, Jenny Slate, Harry Shum Jr., with James Hong and Jamie Lee Curtis. EVERYTHING EVERYWHERE ALL AT ONCE – In Theaters April 1.

Enter the Everything Everywhere All At Once Giveaway

Reel Asian is hosting a private in-person community screening of Everything Everywhere All At Once on March 30 at a downtown Toronto theatre. We’ve partnered with 4 local Asian-owned businesses in an I-spy style contest to increase your chance of winning a prize pack that includes tickets to the screening and top-secret swag from the movie.

Ways to enter:
1. Visit one of the 4 community partners (listed below) and snap a picture of the hidden googly eyes. Post the picture on Facebook, Twitter, or Instagram (stories or post) and tag the applicable business, @reelasian, and @elevation_pics.

  • Ruru Baked (659 Lansdowne Ave)
  • LA LA Bakeshop Annex (346 A Bloor St W)
  • Cuchara (1102 College St)
  • Shred (1265 Bloor St W)

2. Repost the giveaway post from @reelasian.

3. Comment and tag a friend on any of the Everything Everywhere All At Once Giveaway posts featuring artwork by jayymadethis on @reelasian or the community partners’ Instagram accounts.

Unlimited entries. Contest runs March 24 to March 27, 2022. All entrants will be entered in a raffle and winners will be notified by March 28, 2022 with event details.

Presenting Partner

 

Community Partners

      

Introducing Anniversary Animations Artists for Reel Asian 25

10 Nov, 2021

In celebration of Reel Asian’s 25th Anniversary, the festival commissioned three short works to be shown before each film during the festival. Made with their own interpretation of this year’s theme, “Here for the Bigger Picture,” we are proud to introduce the artists selected and invite you to read their artist statement below. The full animations can be seen at the festival in the opening sequences and will also be revealed on Reel Asian’s Instagram as the festival days progress.

To Bloom Like The Universe Does
by Sab Meynert

Artist statement: A short animation to follow the flow of the ever-intertwining rhythm of life, between vast transformations of the natural world, the inflections of our human emotions, and the seemingly-static elements of our atomic structures on earth.

Artist Bio: Sab Meynert is an artist based in ON, Canada. Her work spins poetic imagery & text to weave maps of visceral emotions and the multiformity of life’s infinitely unfolding nature. Between published artist multiples, national & international gallery shows, grant-funded bodies of work, collaborative initiatives with musicians & artists both local and international, her world-distributed book work, and animation work that ties all these in, Meynert is an embodiment of the artist working in dynamic multiplicity.

Cinema in Motion
by Leslie Supnet

Artist Statement: For Reel Asian’s 25th Anniversary commission, I wanted to integrate the history of cinema and celebrate Reel Asian’s milestone achievement while looking ahead towards the future of the festival. I re-animated one of Eadweard Muybridge’s The Horse in Motion (1878) cabinet cards, that illustrate locomotion in a sequential series of images that were a technical and conceptual breakthrough for filmmaking. By using various video and film textures, countdown leader and digital animation techniques, I wanted to celebrate the materials of film making as well as the passage of time with Reel Asian there for the bigger picture.

Artist Bio: Leslie Supnet is a Filipino Canadian contemporary experimental animator and filmmaker who creates media works that explore themes of loss and change. Using animation, live-action, found footage and material exploration, Supnet’s process is guided by lyricism and personal archeology. Leslie completed her MFA in Film at York University in 2016. She has taught animation in the community at various artist-run centres in Canada and through TIFF’s Reel Comfort program. Leslie is currently a Sessional Instructor at OCAD University.

Their portal
by Kevin Pham

Artist Statement: This piece is a homage to the unsung Asian films and TV that were a staple in immigrant households and places of work. Their presence was a constant, whether it was the focus of attention or white noise in the background. They offered comfort and a sense of home to diasporic Asians who were navigating the challenges of a foreign culture, language, and land. That alone speaks to the significance of these works, independent of critical acclaim.

Artist Bio: Kevin Pham is a motion designer based in Toronto, ON. He is a first generation Canadian and of Vietnamese descent. The nuances of reconciling these two disparate parts of his identity are often at the root of his work. His preferred modes of expression are animation, photography and illustration.

The Toronto Reel Asian International Film Festival is celebrating its 25th festival in 2021. Started in 1997, Reel Asian is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. Works include films and videos by Asian-identifying artists in Canada, the U.S., Asia and all over the world.

Here For The Bigger Picture

Reel Asian is commissioning three original short animated videos to celebrate the landmark 25th festival based on our theme “Here For the Bigger Picture” which exemplifies the spirit of cinema and our endeavours for the future. The videos will be featured in the festival’s marketing and festival screenings in November 2021. 

We’re looking for original short videos that will:

  • Engage with and be based on the theme “Here For The Bigger Picture” 
  • Be between 15-60 seconds
  • Use sound and/or music
  • Be used for promotions on social and pre-roll before festival screenings
  • Completed by Oct 13, 2021

Honorarium provided to selected artists. 

Deadline to apply is August 20, 2021. 

We are no longer accepting applications.

Announcing the 2021 Unsung Voices Participants

23 Jul, 2021

The Toronto Reel Asian International Film Festival is excited to announce this year’s Unsung Voices participants! The Unsung Voices Summer Youth Video Production Workshop will provide young Asian Canadians who have a keen interest in film and media art the chance to express themselves as artists, learn from professionals in the field, and to produce a distinctly Asian Canadian story on screen. The films made will receive a world premiere at the 25th Toronto Reel Asian International Film Festival in November 2021. Read more about the selected participants below!

Ganesh Thava

Ganesh Thava is a Tamil-Canadian writer, director and gardening enthusiast. He especially seeks to explore the intersectionalities within these lived experiences through the lenses of ethnicity, status and sexuality. Above all, as a creator, his goal is always to create rich, exciting, challenging spaces for diverse voices to express their most profound, most complex truths.

@ganesh.thava

James Legaspi

Living and working in Brampton, Ontario, James Legaspi is an emerging Filipino-Canadian artist who received an HBA from the University of Toronto in 2021. Through video and text, Legaspi explores experiences of race, gender, class, and their intersections with the artist’s familial history.

@jacapatil

Harman Kang

Residing in Treaty 6 territory, Harman currently works as a housing worker and is an avid TV nerd and football fanatic. This summer she makes her very first foray into film: a western-horror short based in rural Alberta.

@hamukang

Weeda Azim

Weeda Azim is an emerging Afghan-Canadian writer and filmmaker based in Toronto. Her ultimate goal is to embrace chaos and failure in her work, to create in order to understand herself, and to meet like-minded individuals along the way.

@wozymo

Reel Asian welcomes new board members

23 Jul, 2021

The Toronto Reel Asian International Film Festival is pleased to announce the recent appointment of four new members to the current board of directors (above, from L to R: Kristle Bautista, Michael Fukushima, Aron Levitz, Sydney Wong):

Kristle Bautista is an award-winning author, course director at York University’s Faculty of Liberal Arts and Professional Studies, and HR advisory within the Canadian Aerospace industry. Kristle’s published book, The Pivotal Moment, was celebrated as a #1 new release and bestseller within weeks of release in both Canada and the US, and is in the process of becoming a feature film. Her global HR advisory, mentorship and training experience spans across the aerospace, business consulting, not-for-profit, and food and consumer packaged goods industries over nearly 20 years. She has successfully delved into different industries, fascinated with what makes employees tick, and the common thread between HR professionals — the thing that makes us all human.

In his 36-year career, Michael Fukushima has been an animator, a filmmaker, a producer, and more recently, executive producer of the NFB’s English Animation Studio. He’s a member of the AMPAS® Academy, with over 200 films (and some nice awards) under his belt. His last films, by Oscar®-winners Alison Snowden and David Fine, and Torill Kove, were each Academy Award® nominees. His final NFB film is Joanna Quinn’s AFFAIRS OF THE ART. Freshly retired from the NFB, Fukushima is enjoying the freedom to ski all winter and cycle the rest of the time, cherry-picking the film work that most interests him. As a longtime member of Reel Asian’s advisory committee, Michael has already contributed to the organization as a years-long jury member for our Pitch! competition, a contributor to our AnimAsian award, and general all-around supporter.

Aron Levitz is President of Wattpad WEBTOON Studios, where he leads a visionary team of global entertainment and publishing experts to create data-backed, fan-driven hit TV shows, films, and books from WEBTOON and Wattpad. Levitz pioneered Wattpad’s adaptation business, launching Wattpad Studios in 2016 and serving as the company’s global studio head until the creation of Wattpad WEBTOON Studios. In just a few short years, Levitz grew Wattpad Studios from a concept to global leader in creating can’t-miss entertainment. 

 Prior to his role as Head of Wattpad Studios, Levitz was Head of Business Development at Wattpad, building the company’s monetization strategy and native advertising solution. He was also instrumental in launching the Wattpad Stars program that gives top influencers access to a variety of opportunities.

Sydney Wong is a Business Development Strategist at Corus Entertainment with the digital team. Her focus is on the Global News website and video licensing partnerships.

Her background in media and project management, has propelled her to work in television programming, producing live-action and animated shows, and short film distribution. Sydney has served on juries and panels at the Toronto Youth Shorts and Hamilton Film Festival. She is passionate about sharing the Asian experience through various forms of media in order to drive significant change in our community.

We very much look forward to working with these outstanding individuals as we move toward our special 25th-anniversary festival this fall, and beyond! WELCOME!

#UntilTomorrow campaign celebrates Reel Asian’s history during Asian Heritage Month

1 May, 2021

Last year we launched the #UntilTomorrow campaign, which took us through Reel Asian’s history as we revisited films from our past programming by launching the official Reel Asian online archive. What was initially a response to uncertain and unprecedented times has become a new tradition of taking the time to pause, reflect, and press play on old favourites. Scroll through old programme guides and revisit notes and details of the festival that has grown from a weekend-long event to a 10-day international attraction. Watch the films that inspire every aspect of our mission of championing diverse storytelling, and revisit the filmmakers whose stories lit up the big screen and ignited a passion for years to come.

These films touch on everything — family, friendships, identity, romance, race, politics, religion, unanswered questions, and endless “what-ifs.” Standing the test of time or as a clear capsule of the times, these cinematic gems from Asia and the Asian diaspora are yours to explore this Asian Heritage month.

Thank you to our special sponsor

Reel Asian says “Ok, See You” to Kim’s Convenience

13 Apr, 2021

The news that Kim’s Convenience was going to end after this season came as a shock to all who loved the show. Many, many articles have already been written about the suddenness of the announcement and the outcry from fans to tie up loose ends was immediate — even Saturday Night Live got on the “Save Kim’s” bandwagon. But to the Reel Asian community, this show was more than just proof that a show full of Asian faces could draw a worldwide audience.

Paul Sun-Hyung Lee, Jean Yoon, Simu Liu, Andrea Bang and Andrew Phung — the people behind the beloved onscreen characters — elevated the show to cult status among the self-described super fans known as Kimbits. The stars of Kim’s Convenience created characters that were familiar and relatable to those of us who grew up in immigrant households. Generous with their time, gracious to their fans and always thinking about how to give back to their community, the cast earned the adoration of their following. Reel Asian considered them as part of our extended family, and we were able to connect them directly to our community on numerous occasions over the years.

Back in 2012, long before Marvel came calling, Simu Liu made his film debut in a short made by a first-time filmmaker in RA’s inaugural Unsung Voices, our free summer-long film production program for youth. The next year, he took part in the program himself, directing and starring in a short called OPEN GYM.  Fast-forward to 2017: Kim’s was in its second season and already a huge hit. As part of RA’s industry program, a lucky group of audience members got to watch an episode of Kim’s prior to airing, then had the chance to ask cast members Lee, Yoon and Liu some deep and probing questions afterwards. In 2019, Andrea Bang took part in the festival’s first-ever “live read”, reading from a script written by filmmaker Yung Chang; Andrew Phung hosted our lunar new year fundraiser just before the pandemic shut everything down, then recorded one of our anti-piracy videos for the 2020 festival; and coming full circle, Paul Sun-Hyung Lee chose Reel Asian’s Unsung Voices program as the beneficiary of a fundraiser he co-organized with US culture writer Jeff Yang — a special online table reading of the pilot episodes of FRESH OFF THE BOAT and KIM’S CONVENIENCE by each show’s respective cast members.

Of course, none of this would’ve been possible without the show’s writer and creator, Ins Choi, who took his successful Fringe Festival run to higher heights, showing the world that a story by and about Asians could have universal appeal.

Like so many others, we’re big fans of the show and it pains us to see it all come to an end so abruptly. But there’s no doubt that we haven’t seen the last of this talented and beloved group of actors — and we will continue to do what we can to push people through the doors they opened for Asian creatives on both sides of the camera. Thank you, Paul, Jean, Simu, Andrea, Andrew and Ins, for giving us the most realistic representation of an Asian Canadian family *and* Canadian culture ever before seen on screen, week after week for five years. The gap you’re leaving behind won’t easily be filled, and we’ll miss you.

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