Set up on a pre-arranged date by their old-fashioned Indian parents, Ravi (Karan Soni) and Rita (Geraldine Viswanathan) seem to have nothing in common, which makes their first encounter comically awkward.
Cafe owner Kato closes up shop on an ordinary night only to be interrupted by a voice from the TV: his own voice, two minutes in the future. As Kato investigates the strange occurrence, the night and time itself start to unravel. Kato’s friends and colleagues get enveloped into his time warp, and the results are hilarious, calamitous and existential.
Since the advent of cinema and the forced colonization of the islands, Hawai’i stories on film have too often been told by outsiders. Reel Asian is bringing a spotlight onto two acclaimed Hawai’i-made dramatic feature films, WAIKIKI and I WAS A SIMPLE MAN.
If it had to be summed up, Code Name: Nagasaki is a documentary shot by Fredrik S. Hana, following his close friend and film protagonist Marius Lunde on his journey to connect with his estranged mother, who cut ties with the family when Lunde was a child, and relocated to Japan. The experience of watching the film, however, far exceeds this tidy storyline.
Damascus Dreams is a reflexive documentary essay presented in a series of sections framed by voiceovers of Serri and her father. The film explores and interrogates the fraught notions of dreams, and memories of “home,” moving loosely through old video footage of the family home in Syria, interviews with Syrians who had to leave or flee because of the civil war, conversations between Serri and her father, and poetic, dreamlike sequences.
Monica (Sujata Day), a former spelling-bee champion, lives at home with her ailing mother and tutors young spelling-bee hopefuls whose parents hover around, in hopes that their children will follow in her footsteps. When she is offered a dream job in another city, she considers accepting it, until her estranged brother Sonny (Ritish Rajan) shows up unexpectedly, opening up old wounds and familial tensions.
Seo, the director of a romance, is at his wit’s end trying to finish his film. Editor Park has been brought in to help fix it. But it’s not your typical post-production problems of recalibrating the film’s story structure. This film is haunted.
Deep in the night, Fai and his friends are sleeping on the streets of Sham Shui Po, the poorest district in Hong Kong. The police arrive without notice and clear out their belongings, their makeshift homes reduced to roadside trash. With the help of social worker Ms. Ho, Fai takes the case to court, while he and his friends struggle to create a new home.
Due to popular demand, we're screening ISLANDS once again, for free on the last night of our 25th anniversary festival at the Hot Docs Ted Rogers Cinema at 4PM ET.
Aman, a young aspiring writer, moved to Kuala Lumpur to follow his dreams, but all he has is his late father’s old car and nowhere to live. To make ends meet, he uses his room on wheels to illegally earn money through a driving-service app. This is how he meets Bella, a student from Penang.
On the pastoral North Shore of Oahu, Hawaii, the end is near for Masao, an ill and elderly man with regrets to spare. As he looks back, his family history, dreams, and mythology swirl around him as ghosts he carries with him in his final days.
After being met with the destabilizing news of her parents’ divorce, Angie, a teenage, mixed-race Asian girl, reckons with her multiracial identity and sexual awakening in this quirky coming-of-age story.
Ann Kaneko’s Manzanar, Diverted invokes this history to tell the story of generations of women: Native American, Japanese American WWII incarcerees, and environmentalists, fighting for the future of the valley. Through a mix of testimonials, archival, and aerial photography, Kaneko weaves intersectional histories with the urgency of the present.
Hsiao-chi has never been an ordinary girl. She is always a step faster than everyone else, perhaps too fast for her to connect with anyone romantically. With Valentine’s Day approaching, Hsiao-chi’s anxious about finding someone. When she finds herself the dream date, she goes to bed looking forward to Valentine’s Day. But to her surprise and disappointment, she wakes up on February 15. Maybe A-tai, the bus driver who is a step slower than everyone else, has the answer to her missing Valentine’s Day.
Shy, sheltered, middle-aged Joshua lives with his elderly parents and is desperately lonely as he longs for a wife. When he’s suddenly forced into a caretaking role for his family, Joshua goes further adrift into isolation, and his Scarborough bungalow feels like a prison. Help arrives unexpectedly when his cousin Marisol flies in from overseas to help—except now, Joshua finds himself confronted with emotions and experiences he’s never had before.
Our Opening Night presentation is the in-person screening of ISLANDS on November 10 at 7:30pm at the Hot Docs Ted Rogers Cinema. Guests in attendance include director Martin Edralin, and cast members Sheila Lotuaco and Esteban Comilang.
It starts simple enough. In town on a stopover, years after she transitioned, Kris is meeting her college ex-girlfriend Naomi again for the first time. But seeing an ex is never simple. As the evening unfolds, the past inevitably creeps back into their conversations.
In a society different from what we know, a hotel in Taipei welcomes suicidal people and assists them in committing the act by providing several methods that they can choose from. Over the course of one night, a receptionist starts to defy the rules and develops an unusual friendship with a hotel guest who can't make up her mind if she wants to live or die.
A mysterious tiger walks through the forest, barely revealing itself, save for a few rare and magical glimpses. This allegorical fiction begins Pallavi Paul’s description of systemic police violence in Delhi, India, based on events suppressed from official history.
In the electrifying lead-up to the multi-city Aurat March (Women’s March) in Pakistan, director Anam Abbas follows grassroots organizers as they navigate a deeply surveilled and violent environment to assert a growing, nation-wide feminist movement. Negotiating freedoms with fearful relatives and dodging constant scrutiny, activists move with unbreakable commitment to galvanizing their communities with a radical feminist agenda.
Mi-yeon seems to be living the perfect life as a choirmaster and the wife of a successful man. In comparison, her sisters Hee-sook and Mi-ok seem to be miserable, making Mi-yeon frustrated. But in the shadow behind her perfect smile, Mi-yeon’s also suffering from the three sisters’ shared childhood trauma that they’ve yet to come to terms with.
At a top-ranking educational institution like Lowell High School in San Francisco, seniors are emotionally exhausted as they prepare for the rigorous application process to get accepted to one of their dream Ivy League universities.
Kea can’t make ends meet, even while working as a luau dancer, karaoke-bar hostess, and elementary school Hawaiian-language teacher. After a violent altercation with her boyfriend, Kea accidentally hits a homeless man with her car. Not wanting to involve the authorities, she decides to take care of the mysterious man herself.
Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from Asia and the Asian diaspora. Works include films and videos by artists in Canada, the U.S., Asia and all over the world. As Canada’s largest pan-Asian film festival, Reel Asian provides a public forum for Asian media artists and their work, and fuels the growing appreciation for Asian cinema in Canada.
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