A man's attempt at burglary goes wrong when he’s overpowered and captured by the apartment’s elderly owner. Things take a turn for the curiouser when it’s revealed there is a human-sized plaster cast in which the old man has encased his dead wife. To win his freedom, the burglar merely has to accompany the owner to the desert to bury him along with his wife.
Kana, a struggling visual artist, returns to Japan after years away in Vancouver to attend her beloved grandmother’s funeral. The familiar cadence of family dynamics endure and yet, everything feels different. While in Tokyo, Kana discovers her grandfather had a love of his life outside of his arranged marriage to her grandmother. Meanwhile, Kana reluctantly confronts her own messy romantic past with old flame Hiro to see if the embers of their love still flicker.
In Japan’s aging society, kodokushi — the lonely death of the elderly — has become disturbingly common. Divorced salaryman Yoji (Lily Franky) is confronted with this reality when he discovers his neighbour’s decomposing body.
Finch and Midland, an intersection in Scarborough, is like many others in the suburbs of Canada's largest city. But every intersection has a story to tell.
Director's Note NARMADA: A VALLEY RISES launched my career as a documentary filmmaker — but more importantly, it was the film that transformed the way I see the world. Made against all odds, the film stands as a testament of endurance and persistence.
She’s been cursed. Literally. And she needs $1,000 for the hex-breaking cure. AP embarks on a sex worker’s odyssey through pre-millenium Trashtown, U.S.A., where the grass is brown and the cops are kinky. Desperate for a life reset, AP embarks on a scooter-driven adventure with her always-and-forever-tethered ex-lover Danni.
Nehma belongs to the Oraon tribe and lives with her children on the outskirts of Jharkhand, India. Embroiled in a custody battle and a messy divorce, she secures a job at an AI data-labelling centre under the supervision of a stern manager. As we watch her navigate the steep learning curve of her new job and quickly confront the stark realities of biased data, the distortions in the very systems designed to help us become impossible to ignore.
K-pop? Yes, please. Demons? Sure! Hunters? OK, what? Here’s the story: Rumi, Zoey, and Mira are HUNTR/X, a world-renowned K-pop group who ALSO hunt demons to protect humans from the underworld. But one of them has a secret that could disrupt all they’ve worked for.
Situated in a modest retail complex in Quetta, Pakistan, is a small photo studio plastered with framed images of clients posing with women they don't know, guns they don’t own, and motorcycles they’ve never ridden. “Make it look real” is the instruction given to the photo studio owner, Muhammad Sakhi, who earnestly captures his clients’ desires and ambitions through staged, saturated, and heavily doctored photographs.
Pride celebrations are coming up, and Manok, the feisty owner of a venerable lesbian bar in Seoul, is preparing for the annual party. Except the younger organizers want a new vibe, leaving Manok’s bar on the fringes. Irritated at her obsolescence, Manok closes the bar out of spite and moves back to her rural hometown with a fresh start on her mind. But is that possible in a town run by her ex-husband? If anybody can do it, Manok can.
Feng Xia, 53, lives a modest but decent life in Montreal: She has a house and is married with two children. But she finds herself growing dissatisfied with her loveless marriage and cloistered life of obligation. After taking a conversational French class, Feng Xia finds the city has opened up to her in new ways, including curious dalliances with dating apps. There, she meets Camille, a Quebecois woman who challenges her spiritually and sexually. Their affair awakens Feng Xia’s long-buried desires during a glowing Montreal summer.
Akam’s comfortable routine as a literature teacher in Oslo is disrupted by an uncle he’s never met, Khdr, who overstays his welcome on an unannounced visit from Iranian Kurdistan.
Ever since astronaut-in-training Celeste was a child, Robot has served as a surrogate parent while her mother explored the galaxy. When Celeste starts a months-long mission after graduation, the pair must explore the unknowns of life without each other.
Ever since astronaut-in-training Celeste was a child, Robot has served as a surrogate parent while her mother explored the galaxy. When Celeste starts a months-long mission after graduation, the pair must explore the unknowns of life without each other.
In THERE ARE NO WORDS, award-winning filmmaker Min Sook Lee searches for stories of her mother, Song Ji Lee, who died by suicide when Lee was just 12 years old. Through an intimate archive, Lee confronts public, private, and imagined histories in the wake of trauma while negotiating her relationship with her aging father, who met her mother while serving in the Korean Counterintelligence Corps under dictator Park Chung Hee in 1960s Korea.
Robert A. Nakamura a.k.a. Bob is a legend of Asian American media as an educator, activist, and filmmaker. His frequent collaborator, Tadashi Nakamura, or Tad, has always known he wanted to make a film about his dad’s life. But when Bob is diagnosed with Parkinson’s disease, the urgency to make the film becomes more pronounced.
Reuniting with the cast of her highly acclaimed 2017 festival hit, Village Rockstars, Rima Das returns with a standalone sequel centering Dhunu, now a teenager, who lives in a small village in Assam, India, and dreams of becoming a musician. While Dhunu and her friends navigate the vulnerable transition between childhood and adulthood, weighing new responsibilities and priorities, the elders around them face harsher circumstances brought on by predatory land developers and climate change, affecting their livelihoods and sense of community.
How far would you go to uncover a family history that has been purposefully buried? What are the consequences of resurfacing these stories to fulfil your own? In an extremely candid documentary, filmmaker Tony Nguyen embarks on a scrappy investigation to reconnect to his father, who was estranged from his family due to the Vietnam War.
Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from Asia and the Asian diaspora. Works include films and videos by artists in Canada, the U.S., Asia and all over the world. As Canada’s largest pan-Asian film festival, Reel Asian provides a public forum for Asian media artists and their work, and fuels the growing appreciation for Asian cinema in Canada.
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