The Festival Lounge is at 401 Richmond St W, Suite 440
Join us for an evening of quiet time records! Kid Koala hosts a "quiet time" event, playing hours of his favorite music to work, draw, code, write or knit to. Bring your creative projects.
Since 2009, Kid Koala has been hosting Music To Draw To sessions—a series of events focused on community and creativity. People come to draw, sculpt, write, paint, knit, and code in a cozy environment conducive to working. Kid Koala curates a 4-5 hour set of quiet time music to keep everyone in their creative zones. It has grown to become a very popular community event and continues to be invited to cities around the world. We are thrilled to host Kid Koala to play in our space while you enjoy some tunes, tea, and snacks while you draw or continue working on that creative project or hobby.
Eric San (Kid Koala)
Kid Koala is a Montreal-based scratch DJ, film composer, theatre producer and visual artist. He has released 5 solo albums, and contributed to several feature film soundtracks including The Great Gatsby, Looper, Baby Driver and Scott Pilgrim vs. the World. He has toured with the likes of Radiohead, Deltron 3030 and The Preservation Hall Jazz Band. He has written and illustrated the award-winning graphic novels Nufonia Must Fall and Space Cadet. He is known for his imaginative live productions such as Vinyl Vaudeville, Satellite Turntable Orchestra, and The Storyville Mosquito, each of which expresses his unique form of storytelling with music, animation, film and interactive entertainment.
20 Nov, 2024 7:00 pm
to 11:00 pm
Festival LoungeThe Festival Lounge is at 401 Richmond St W, Suite 440
The building is wheelchair and step-free accessible via a ramp & button operated door.
The event space, including the accessible washrooms, are on the 4th floor, accessible via an elevator.
Please click below to advise us of your access needs for this event.
CREATURA is a multimedia cross-programming stream at the 28th Reel Asian Film Festival, spotlighting the strange, wild, and untamed — concepts historically used to marginalize. This session will explore how these concepts manifest through stories of endangered traditions and reimagined realities. The documentary THE LAST OF THE SEA WOMEN provides a vivid portrayal of South Korean fisherwomen preserving an ancient practice amidst modern developments. Meanwhile, UNIVERSAL LANGUAGE, set in a reimagined Canada where Farsi and French are official languages, presents a surreal world where societal norms are upended and loneliness is a common experience. Both films vividly embody the spirit of CREATURA by pushing the boundaries of human experience and challenging conventional perspectives.
20 Nov. 4:30 pm
Fresh off its world premiere at TIFF, Amar Wala’s SHOOK serves as an ideal case study for filmmakers, particularly those transitioning from shorts to feature films. Set in Scarborough, Ont., the film captures the area's multicultural essence and reflects on identity, place, and personal growth through rich, site-specific details. This panel explores the craft of the film, the intricate score, and the writing process, capturing a slice of life that local audiences can resonate with. As a family story, SHOOK presents a narrative that showcases the beauty of everyday life, balancing complex personal narratives with broader cultural commentary. By examining Wala’s experience with Shook, we'll shed light on how an honest love letter to a city and its diverse communities can be crafted.
14 Nov. 5:30 pm
Join us for an in-depth conversation about Ann Marie Fleming's CAN I GET A WITNESS?, Reel Asian's opening night film this year. This thought-provoking movie examines a near-future society grappling with climate change, mortality, and the value of life. Fleming draws inspiration from her personal experiences, including her time in Vancouver's West End and the environmental upheaval of Stanley Park.
14 Nov. 2:30 pm