In collaboration with the Independent Media Arts Alliance, Reel Ideas will co-host a three-day mini-conference focused on artist advocacy, fair pay, and building an equitable arts ecosystem.
Tues, Nov 11 - 6:30PM
What’s Brewing Panel: A discussion on artist labour conditions and funding challenges, followed by a reception and mingling portion. Free and open to the public!
Wed, Nov 12 - 11:00AM
Fee Schedule & Resource Access Network Workshop: Practical guidance on compensation standards and navigating support systems. Free and designed for artists and media arts organizations!
Thu, Nov 13 - 10:00AM
Closed sessions for minicon delegates only.
All sessions aim to strengthen the skills and networks of arts administrators and cultural workers, offering tools to navigate an industry with systemic barriers while supporting underrepresented filmmakers.
11 Nov, 2025
to 13 Nov, 2025
Commons Lobby at 401 Richmond Street401 Richmond Street West, Toronto, ON M5V 3A8

If you require accessibility accommodation for the What’s Brewing Panel, please click the link below.
If you require any accessibility accommodations or have questions about venue accessibility, please contact Samir at samir@reelasian.com
Join us for a conversation with directors and filmmakers Mayumi Yoshida, Janus Victoria, Timothy Yeung, and Nach Dudsdeemaytha on the creative, logistical, and personal realities of co-producing films across borders. Each filmmaker brings a unique perspective on how shooting overseas shaped their debut features - from financing and creative collaboration to the evolution of personal and cultural perspective.
K-pop? Yes, please. Demons? Sure! Hunters? OK, what? Here’s the story: Rumi, Zoey, and Mira are HUNTR/X, a world-renowned K-pop group who ALSO hunt demons to protect humans from the underworld. But one of them has a secret that could disrupt all they’ve worked for.
In THERE ARE NO WORDS, award-winning filmmaker Min Sook Lee searches for stories of her mother, Song Ji Lee, who died by suicide when Lee was just 12 years old. Through an intimate archive, Lee confronts public, private, and imagined histories in the wake of trauma while negotiating her relationship with her aging father, who met her mother while serving in the Korean Counterintelligence Corps under dictator Park Chung Hee in 1960s Korea.