Absence|Presence is a series of panel conversations, screenings, and workshops reintroducing Desh Pardesh to Reel Asian’s audiences and community. Desh Pardesh was a multidisciplinary arts and culture festival that engaged with the political issues of South Asia and its diasporas through a multi-day festival and conference, taking place in Toronto every year from the late 1980s until 2001. The festival programmed works and conversations about feminism, class, sexuality, access, disability, race, caste, imperialism, and capitalism, centring the voices and experiences of underrepresented and marginalized voices within the South Asian diaspora. Absence|Presence seeks to honour and remember the histories of radical arts and culture spaces like Desh that paved the way for numerous queer diasporic art collectives and programs in the city, including the South Asian Visual Arts Centre (SAVAC). From 2013 to 2017, SAVAC worked on an oral-history project aimed at collecting the stories of the organizers, artists, participants, and community activists behind the festival.
Absence|Presence Arts Workshop - Meme-making as political action
Artist: Saba Akhtar
The tools used to create independent and shareable content have drastically changed over the last two decades, influencing the immediacy and frequency of the reaction to our political climate. Participants will be encouraged to find their comedic voice in political commentary by using found resources such as magazines, newspapers, and photographs to create their own memes based on original or viral concepts.
10 Nov, 2021
to 19 Nov, 2021
GA
The shorts in this program include works screened two decades ago at Desh Pardesh, as well as films made last year by a cohort of South Asian and Indo Caribbean emerging filmmakers who participated in Inside Out Festival’s Short Film Lab.
Aman, a young aspiring writer, moved to Kuala Lumpur to follow his dreams, but all he has is his late father’s old car and nowhere to live. To make ends meet, he uses his room on wheels to illegally earn money through a driving-service app. This is how he meets Bella, a student from Penang.
Desh Pardesh ended in 2001, in large part due to a massive cut in public arts funding. Two decades later, organizers and artists from the festival discuss the impact of the festival and the ways in which we can learn from the success and challenges of running an unapologetic and political arts festival in the city of Toronto.