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Malaysia202184 minMalay, English, Chinese with English subtitlesNorth American PremiereDrama
Aman, a young aspiring writer, moved to Kuala Lumpur to follow his dreams, but all he has is his late father’s old car and nowhere to live. To make ends meet, he uses his room on wheels to illegally earn money through a driving-service app. This is how he meets Bella, a student from Penang. When Bella asks Aman to become her private driver for her night job in return for a place to stay, Aman agrees.
The two lost souls form an unlikely solidarity in front of the beautiful yet stark black and white backdrop of Kuala Lumpur. Its unique imagery could be a reflection of how Aman sees the world as a colourblind person, but also a metaphor for his bleak and bittersweet reality as he struggles to find a place he can call home. Will things turn out for the better?
- June Kim
Amerul Affendi
Mei Fen Lim
OFFICIAL SELECTION
Jogja-NETPAC Asian Film Festival, 2020
Udine Far East Film Festival, 2021
Muzzamer Rahman
Muzzamer Rahman is a rising filmmaker and a name to watch. When Hail, Driver! was put on hold due to financial restraints, he filmed Takut Ke Tak (2020), which was completed and released just before it.
A mysterious tiger walks through the forest, barely revealing itself, save for a few rare and magical glimpses. This allegorical fiction begins Pallavi Paul’s description of systemic police violence in Delhi, India, based on events suppressed from official history.
If it had to be summed up, Code Name: Nagasaki is a documentary shot by Fredrik S. Hana, following his close friend and film protagonist Marius Lunde on his journey to connect with his estranged mother, who cut ties with the family when Lunde was a child, and relocated to Japan. The experience of watching the film, however, far exceeds this tidy storyline.
Shy, sheltered, middle-aged Joshua lives with his elderly parents and is desperately lonely as he longs for a wife. When he’s suddenly forced into a caretaking role for his family, Joshua goes further adrift into isolation, and his Scarborough bungalow feels like a prison. Help arrives unexpectedly when his cousin Marisol flies in from overseas to help—except now, Joshua finds himself confronted with emotions and experiences he’s never had before.