Canada199745 minEnglishDocumentary
Spanning over a decade from 1984 to 1996, Shooting Indians: A Journey with Jeffrey Thomas is a portrait of Jeffrey Thomas, a self-described “Urban Iroquois” photographer, exploring the influences on his life that led him to his career. The work of Edward Curtis, an American photographer from the turn of the century, forced Thomas to closely examine how Indigenous Peoples had been photographed in the past. Starting the film as a foreign student in 1984, Kazimi begins to unravel the hidden history of the land that he has chosen as his home.
Certificate of Merit, Golden Gate Awards, San Francisco International Film Festival, 1998
Nominee, Best Short Documentary, Genie Awards, 1997
Nominee, Best Arts Documentary, Hot Docs International Documentary Film Festival, 1998
Ali Kazimi
Ali Kazimi is Reel Asian’s Canadian Artist Spotlight in 2021. Appropriately for our 25th festival, the documentary filmmaker, media artist, activist, author, and educator has been a fixture in the Asian Canadian community, and we celebrate his over three decades of vital contributions to Canadian media. In 2019, Kazimi became the first Indo Canadian to receive the Governor General’s Award for Lifetime Achievement in Visual and Media Arts award winner. His documentary and media-arts work deals with race, social justice, migration, and memory, and emphasizes essential connections across racialized communities, between personal and public, through past and present.
Born, raised, and educated in India, Kazimi came to Canada to study film production at York University in 1983. Two decades later, after receiving over two-dozen awards and honours as an independent filmmaker, Kazimi returned to York, where he is currently an associate professor in the cinema and media arts department.
10 Nov, 2021
to 19 Nov, 2021
GA
Seo, the director of a romance, is at his wit’s end trying to finish his film. Editor Park has been brought in to help fix it. But it’s not your typical post-production problems of recalibrating the film’s story structure. This film is haunted.
In a society different from what we know, a hotel in Taipei welcomes suicidal people and assists them in committing the act by providing several methods that they can choose from. Over the course of one night, a receptionist starts to defy the rules and develops an unusual friendship with a hotel guest who can't make up her mind if she wants to live or die.
In the electrifying lead-up to the multi-city Aurat March (Women’s March) in Pakistan, director Anam Abbas follows grassroots organizers as they navigate a deeply surveilled and violent environment to assert a growing, nation-wide feminist movement. Negotiating freedoms with fearful relatives and dodging constant scrutiny, activists move with unbreakable commitment to galvanizing their communities with a radical feminist agenda.
Founded in Toronto in 1997, Reel Asian is Canada’s largest pan-Asian film festival and a year-round cultural organization dedicated to championing Asian and Asian diasporic artists and storytellers. What began as a grassroots film festival has grown into a national platform supporting filmmakers and audiences through screenings, education, industry initiatives, artist development, and community programming presented across Toronto, the GTA, and online across Canada.
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