Canada199487 minEnglish, Hindi, Bhilali, Marathi, GujaratiAvailable Online
Director's Note
Narmada: A Valley Rises launched my career as a documentary filmmaker — but more importantly, it was the film that transformed the way I see the world. Made against all odds, the film stands as a testament of endurance and persistence.
Researching, shooting, and completing this film fundamentally changed my point of view as a socially committed filmmaker. It took me into the heart of a people’s struggle and forced me to reckon with the realities and brutalities of large-scale development projects in India. It taught me that filmmaking can be an act of solidarity, not just observation. And yet it is also a film that could only have been made in Canada, and one that was also informed by my engagement with Indigenous issues as a diasporic filmmaker.
– Ali Kazimi
AWARDS
Best Director, Best Political Documentary, Special Mention Best Film, Hot Docs, 1995
Golden Gate Award, San Francisco International Film Festival, 1995
Golden Plaque Award, Chicago International Film Festival, 1995
Ali Kazimi
Ali Kazimi is an Indian-born and -raised Governor General’s Award–winning filmmaker whose work deals with issues of race, history, and memory. He is a cinema professor at York University, where he has also served as department chair. Kazimi was also Reel Asian’s 2021 Canadian Spotlight Artist.
8 Nov, 2025 10:15 am
TIFF Lightbox C4GA
IN PERSON & ONLINE ACCESSIBILITY
IN PERSON: This film is being presented with English subtitles for all spoken dialogue (no sound cues indicated).
ONLINE: This film is being presented with English subtitles for all spoken dialogue in closed captions (no sound cues indicated).
Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a Q&A immediately after the screening with director Ali Kazimi moderated by Reel Asian Programmer Mariam Zaidi.
A man's attempt at burglary goes wrong when he’s overpowered and captured by the apartment’s elderly owner. Things take a turn for the curiouser when it’s revealed there is a human-sized plaster cast in which the old man has encased his dead wife. To win his freedom, the burglar merely has to accompany the owner to the desert to bury him along with his wife.
Situated in a modest retail complex in Quetta, Pakistan, is a small photo studio plastered with framed images of clients posing with women they don't know, guns they don’t own, and motorcycles they’ve never ridden. “Make it look real” is the instruction given to the photo studio owner, Muhammad Sakhi, who earnestly captures his clients’ desires and ambitions through staged, saturated, and heavily doctored photographs.
Kana, a struggling visual artist, returns to Japan after years away in Vancouver to attend her beloved grandmother’s funeral. The familiar cadence of family dynamics endure and yet, everything feels different. While in Tokyo, Kana discovers her grandfather had a love of his life outside of his arranged marriage to her grandmother. Meanwhile, Kana reluctantly confronts her own messy romantic past with old flame Hiro to see if the embers of their love still flicker.
Founded in Toronto in 1997, Reel Asian is Canada’s largest pan-Asian film festival and a year-round cultural organization dedicated to championing Asian and Asian diasporic artists and storytellers. What began as a grassroots film festival has grown into a national platform supporting filmmakers and audiences through screenings, education, industry initiatives, artist development, and community programming presented across Toronto, the GTA, and online across Canada.
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