Accessibility
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This programme is presented with a mix of open captions and English subtitles. Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Canada, Indonesia, New Zealand, Singapore, South Korea, USA2022-2023TRT: 1h43English, Hindi, Māori, Farsi, Indonesian, Korean2slgbtq+, Animation, Comedy, Directed By Women, Documentary, Drama, Experimental, Family-friendly, Immigrant stories, Mystery
More to the situation than what it seems, these shorts choose to examine, tease, and redefine the forces that pull us to make a decision.
*Directors in attendance starred.

USA202313 minEnglishDirected By Women, Drama
Maggie, a young Asian American sound artist, grapples with her imposter syndrome as it takes on new extremes at her first artist's residency.

*Annie Ning
Annie Ning is a filmmaker from Suzhou, China, currently based in NYC, where she is pursuing her MFA in screenwriting/directing at Columbia University.
Canada20229 minEnglishComedy, Documentary, Experimental
Pixels of the Orient appropriates Western media depictions of East Asia for a psychedelic and comedic exploration of ahistorical East Asian aesthetics and identity.

*Warren Chan
Warren Chan is a video artist and curator with a focus on experimental works that analyze digital and new media technologies.

New Zealand202313 minEnglish, Hindi, Māori with English subtitlesDrama, Family-friendly, Immigrant stories
When Anu, a recent widow, moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

Pulkit Arora
Pulkit Arora is a writer-director based in India and New Zealand. His directorial work focuses on identity, faith and belonging.
Canada202314 minEnglish, Farsi with English subtitles2slgbtq+, Comedy, Directed By Women, Drama
An Iranian Canadian girl reluctantly makes a new friend when the new student from Iran offers to help fix her ruined unibrow — for her, a symbol of the Iranian heritage she tries desperately to hide from the world.

*Nedda Sarshar
Nedda Sarshar is an emerging filmmaker and writer who loves to tell stories that centre queer women of colour and their immigrant families. Sarshar won Reel Asian’s Pitch Competition in 2021 with this work.

Singapore202211 minEnglish Animation, Comedy, Directed By Women, Experimental
In the strange, polarized world of Hands and Butts, a single act of violence toward an oppressed Butt sets the mediaverse ablaze.

Calleen Koh
Calleen Koh finds joy in turning serious societal issues into wacky stories using her crazy sexy characters, like anthropomorphic sushis, phallic Crayola-coloured children or walking butts in her manic animated films.

Indonesia202318 minIndonesian with English subtitlesDrama
Working as a fisherman to support his small family, Ucup is used to consuming his catch from the sea until one day something strange happens that makes him realize something about his daily meal.

Muhammad Heri Fadli
Muhammad Heri Fadli is from Central Lombok, Indonesia, and just finished his master’s degree at the University Technology Mara in visual communication and new media.

South Korea202224 minKorean with English subtitlesDirected By Women, Mystery
Kyu-ho, an ordinary office worker, receives an interview request from a famous writer and agrees to talk to her.

*ROH Do-hyeon
Do-hyeon Roh has held various jobs in the field, such as a lighting technician for a commercial film and a web novelist after signing a contract with a publisher.
PG
Content Warning: Depictions of dead marine life
11 Nov, 2023 7:30 pm
TIFF Bell Lightbox C4–

This programme is presented with a mix of open captions and English subtitles. Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
The Sari-Sari Xchange is a project that seeks to amplify Asian representation in the creative emerging media industries in Canada, particularly through a community-building residency program that engages artists with digital and extended reality (XR) technologies such as virtual and augmented reality, 360 cinema, game-engine animation, and 3D scanning.
Chloe Abrahams’ debut feature, is an enveloping, hypnotic, urgently personal meditation on family, memory, identity, violence, and love.
Ho-jun, a flailing actor, has found relative success as a social media influencer, hawking fishing hacks. He preps his live stream at his preferred fishing spot, only to be disrupted by an obnoxious stranger whose bad vibes are ruining the morning.