CONTENT ADVISORY
sexist language/situations
South Korea2025122 minKorean with English subtitlesCanadian Premiere2slgbtq+, Available Online
Pride celebrations are coming up, and Manok, the feisty owner of a venerable lesbian bar in Seoul, is preparing for the annual party. Except the younger organizers want a new vibe, leaving Manok’s bar on the fringes. Irritated at her obsolescence, Manok closes the bar out of spite and moves back to her rural hometown with a fresh start on her mind. But is that possible in a town run by her ex-husband? If anybody can do it, Manok can.
Featuring an endearing ensemble of country characters led by Mal-bok Yang as Manok, Manok is a chaotic fish-out-of-water comedy with musical numbers, political campaigns, and a little romance. As zany as it sounds, it never strays from its heartfelt journey of redefining oneself through life’s challenges, and of finding (and keeping) friends and lovers along the way.
– Aram Siu Wai Collier
Mal-bok Yang, Jae-yun Sung, Wan-kyu Park
OFFICIAL SELECTION
BFI Flare: London LGBTQIA+ Film Festival, 2025
Bucheon International Fantastic Film Festival, 2025
AWARDS
Korean Fantastic Audience Award, Bucheon International Fantastic Film Festival, 2025
Yu-jin Lee
Born in 1991, Yu-jin Lee studied film at the Korea National University of Arts. Lee has won awards for her various short films at the Asiana International Short Film Festival and Jeju Women’s Film Festival. She has consistently explored comedy and drama genres, with Manok marking her feature debut.
8 Nov, 2025 3:30 pm
TIFF Lightbox C4PG
CONTENT ADVISORY
sexist language/situations
IN PERSON & ONLINE ACCESSIBILITY


IN PERSON & ONLINE: This film is being presented with English subtitles for all spoken dialogue (no sound cues indicated).
Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a Q&A immediately after the screening with director Yu-jin Lee.

We each bring our own style to the table — whether that's upholding tradition or breaking it, following the rules or bending them. These films explore familial complexity through play, transformation, agency, and hope.
Defiance can loudly turn heads around, or remain subtle and carefully camouflaged. Between these styles, this programme sees longings vary from self-preservation, justice, vengeance, and spectacle.
This workshop spotlights the Sari-Sari Xchange Assetory, a storytelling-led virtual asset library prototype created with and for the Asian diaspora. Participants will be asked to bring an object with a personal meaning, which they will learn how to scan and create a 3D reproduction of. They will also be able to share what memories, stories, and histories the object holds and contribute to the SSX Assetory if they wish.
Japan, Philippines2024102:00Tagalog, JapaneseNorth American PremiereAvailable Online, Directed By Women, Drama, First Feature
In Japan’s aging society, kodokushi — the lonely death of the elderly — has become disturbingly common. Divorced salaryman Yoji (Lily Franky) is confronted with this reality when he discovers his neighbour’s decomposing body. The shocking experience forces him to face his solitude, deepened by his own mother’s ageing. Seeking escape and connection, he follows a caretaker to Manila, where his choice takes an unexpected turn.
Diamonds in the Sand explores the contrasts between two distinct Asian cultures. While reflecting on the isolation faced by many people in modern society, the film also captures the warmth, vitality, and complexity of family life in the Philippines. Within this vibrant setting, bonds bring both joy and hardship, connection and obligation. This is a bittersweet story of acceptance, the courage and impact of our personal choices, and the search for meaning within oneself and community alike.
– Rolando Basmayor
Lily Franky
Maria Isabel Lopez
Soliman Cruz
OFFICIAL SELECTION
Tokyo FILMeX, 2024
Udine Far East Film Festival, 2025
Taipei Film Festival, 2025
AWARDS
Best Debut Feature
Udine Far East Film Festival, 2025
Janus Victoria
Janus Victoria, a Manila-based writer-director, creates documentaries and films on human-place connections. She’s made six shorts, including Myth of Manila, as well as the documentary Encounters with Silence. Diamonds in the Sand is her debut feature.
8 Nov, 2025 5:15 pm
TIFF Lightbox C3IN PERSON & ONLINE ACCESSIBILITY



IN PERSON & ONLINE: This film is being presented with English subtitles for all spoken dialogue (no sound cues indicated).
Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a Q&A immediately after the screening with director Janus Victoria moderated by Reel Asian artistic director Aram Siu Wai Collier.

From sharing meals to counting planes and planting beans, these films lead us through stories of unexpected vulnerability, resilience, and companionship. Come for the screening and stick around for delightful creative activities for all ages to enjoy together!
Celebrate the launch of the Sari-Sari Xchange Assetory, a storytelling-led virtual asset library prototype created with and for the Asian diaspora, and play with mobile resource units designed to facilitate the making and exhibition of XR creative works.
Hang out with us for Festival Happy Hour, open to the public! Grab a drink and join in on the casual activities each day.
USA2025106 minEnglishToronto Premiere2slgbtq+, Bisexual, Comedy, Directed By Women, First Feature, Gay, Non-binary, Transgender
She’s been cursed. Literally. And she needs $1,000 for the hex-breaking cure. AP (played by director Annapurna Sriram) embarks on a sex worker’s odyssey through pre-millenium Trashtown, U.S.A., where the grass is brown and the cops are kinky. Desperate for a life reset, AP embarks on a scooter-driven adventure with her always-and-forever-tethered ex-lover Danni. Through strip clubs, celebrity mansions, and fortune tellers around every corner, fans of John Waters and 1990s Gregg Araki films will love Sriram’s world-building and her campy, crude, queer take on the buddy film genre.
Fucktoys is a darkly humorous tale about the uphill battle of carving out a new life for oneself and the risks it takes to do it. Sriram’s directorial debut kicks down the door for a new wave of American sexploitation films, while its anarchist spirit is a call to challenge mainstream American filmic conventions.
– Khanh Tudo
Annapurna Sriram
Sadie Scott
Big Freedia
OFFICIAL SELECTION
SXSW Film Festival, 2025
BFI London Film Festival, 2025
Fantasia Film Festival, 2025
AWARDS
Special Jury Award for a Multi-Hyphenate, SXSW Film Festival, 2025
Annapurna Sriram
Originally from Nashville, Tenn., Annapurna Sriram holds a bachelor’s degree in acting from Rutgers University. Her most cherished previous work includes Jesse Eisenberg’s The Spoils, Wallace Shawn’s Evening at the Talk House, and her work in the independent feature film Feral. Fucktoys is her directorial debut.
8 Nov, 2025 8:30 pm
TIFF Lightbox C3AA
CONTENT ADVISORY
Sexual acts, violence, strong language, death, drug use
IN PERSON ACCESSIBILITY


This film is scheduled to be presented fully captioned (all dialogue subtitled + sound cues indicated).
Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
We each bring our own style to the table — whether that's upholding tradition or breaking it, following the rules or bending them. These films explore familial complexity through play, transformation, agency, and hope.
Join us for the closing event of the 29th Reel Asian, "So You Think You Can Pitch" Live Finale. Five emerging filmmaking teams will compete for a prize package to help realize their short films.
K-pop? Yes, please. Demons? Sure! Hunters? OK, what? Here’s the story: Rumi, Zoey, and Mira are HUNTR/X, a world-renowned K-pop group who ALSO hunt demons to protect humans from the underworld. But one of them has a secret that could disrupt all they’ve worked for.
Canada2025110 minEnglish, Cantonese, Mandarin with English subtitlesToronto Premiere
Finch and Midland, an intersection in Scarborough, is like many others in the suburbs of Canada's largest city. But every intersection has a story to tell. Timothy Yeung’s Finch & Midland focuses on four stories from the wave of Hong Kong immigrants who came to Canada in the 1990s hoping for a new life: a former pop singer trying to reconnect with his daughter; a woman caring for her elderly mother while yearning for love; a single mother who works in a massage parlour and dreams of becoming a realtor; and a factory manager confronted with a glass ceiling.
Through strip malls, harsh lights, and dark nights, Finch & Midland reinterprets the stories of the community Yeung grew up in, and stars an impressive ensemble cast led by Anthony Wong Chau‑sang. Yeung’s film is an important addition to the recent movement of local cinematic stories from Scarborough that connect to universal themes.
– Aram Siu Wai Collier
Anthony Wong
Patrick Tam
Harriet Yeung
Theresa Lee
Nina Paw
OFFICIAL SELECTION
Vancouver International Film Festival, 2025
Hong Kong Asian Film Festival, 2025
Golden Horse Film Festival, 2025
AWARDS
Anthony Wong Nominated for Best Supporting Actor, Golden Horse Film Festival, 2025
Timothy Yeung
Timothy Yeung is a Canadian-born Chinese filmmaker and holds a master of fine arts from New York University. A TIFF Filmmaker Lab alumnus, his short 90 Days was acquired by Sundance Selects. He won the MAS Award at the Busan Asian Project Market in 2018.
9 Nov, 2025 3:30 pm
TIFF Lightbox C214A
CONTENT ADVISORY
drug use, nudity, racist language/situations, sexist language/situations, coarse language, sex
IN PERSON ACCESSIBILITY:


This film is being presented with English subtitles for all spoken dialogue (no sound cues indicated).
Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a Q&A immediately after the screening with director Timothy Yeung, moderated by Reel Asian industry and education manager Samir Ballou.

A man's attempt at burglary goes wrong when he’s overpowered and captured by the apartment’s elderly owner. Things take a turn for the curiouser when it’s revealed there is a human-sized plaster cast in which the old man has encased his dead wife. To win his freedom, the burglar merely has to accompany the owner to the desert to bury him along with his wife.
Reuniting with the cast of her highly acclaimed 2017 festival hit, Village Rockstars, Rima Das returns with a standalone sequel centering Dhunu, now a teenager, who lives in a small village in Assam, India, and dreams of becoming a musician. While Dhunu and her friends navigate the vulnerable transition between childhood and adulthood, weighing new responsibilities and priorities, the elders around them face harsher circumstances brought on by predatory land developers and climate change, affecting their livelihoods and sense of community.
The discussion will explore how festivals can better support accessibility — from accommodating filmmakers with disabilities and reaching diverse audiences, to guiding creators on inclusive practices like budgeting for captioning.
Canada, Japan2025105 minEnglish, Japanese with English subtitlesToronto Premiere
Kana, a struggling visual artist, returns to Japan after years away in Vancouver to attend her beloved grandmother’s funeral. The familiar cadence of family dynamics endure and yet, everything feels different. While in Tokyo, Kana discovers her grandfather had a love of his life outside of his arranged marriage to her grandmother. Meanwhile, Kana reluctantly confronts her own messy romantic past with old flame Hiro to see if the embers of their love still flicker.
Adapted from a play and short film of the same name, powerhouse actor-writer-director Mayumi Yoshida presents an impressively romantic first feature, beautifully lensed across two timelines. Yoshida deftly balances swooning, dreamlike nostalgia with the universal realities of distance, time, and circumstance.
– Aram Siu Wai Collier
Mayumi Yoshida
Hana Kino
Ryo Tajima
OFFICIAL SELECTION
Vancouver International Film Festival, 2025
Mayumi Yoshida
Mayumi Yoshida 吉田真由美 is a Vancouver-based director, actor, and writer whose global upbringing shapes her “in-betweener” storytelling. An alum of TIFF Writer’s Studio and Warner Bros. Discovery Access, she directed the Juno-nominated Different Than Before, has won SXSW’s Jury Award, and screened at Oscar- and BAFTA-qualifying festivals.
9 Nov, 2025 7:00 pm
TIFF Lightbox C2PG
CONTENT ADVISORY
Death and dying
IN PERSON ACCESSIBILITY:


This film is being presented with English subtitles for all spoken dialogue (no sound cues indicated).
Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.

Join us for a Q&A immediately after the screening with director Mayumi Yoshida, producer Nach Dudsdeemaytha, moderated by Reel Asian artistic director Aram Siu Wai Collier.
9:30PM at CSI Spadina
Join us at CSI Spadina for the Centrepiece Gala Party after the screening of AKASHI
9:30PM at CSI Spadina



A calm & quiet zone will be available at this event. If you require accessibility accommodation for this event, please click the link below.
The 29th edition of Reel Asian is about to unfold! Celebrate with us at Tha Phae Tavern!
Ever since astronaut-in-training Celeste was a child, Robot has served as a surrogate parent while her mother explored the galaxy. When Celeste starts a months-long mission after graduation, the pair must explore the unknowns of life without each other.
Enter worlds that feel both impossibly extreme and unsettlingly real. Thrust against the grain, these protagonists take back control of their narrative, despite forces that seek to define them otherwise.
USA202598 minEnglish, Vietnamese with English subtitlesCanadian PremiereDocumentary, First Feature
How far would you go to uncover a family history that has been purposefully buried? What are the consequences of resurfacing these stories to fulfil your own?
In an extremely candid documentary, filmmaker Tony Nguyen embarks on a scrappy investigation to reconnect to his father, who was estranged from his family due to the Vietnam War. Challenging family members who don’t want to disturb the dust, Nguyen is determined to find the potential truth, and the value of it. Nguyen’s film is a rollercoaster ride of DIY detective work to uncover family secrets, ultimately questioning the role and power of a filmmaker.
On the 50th anniversary of the end of the Vietnam War, YEAR OF THE CAT offers a sincere look at piecing together a family story post war, offering a personal reflection of how displacement and trauma gets passed down to a generation who are now parents.
– Khanh Tudo
Tony Nguyen
Tony Nguyen is an Oakland, Calif.-based filmmaker whose work explores the Vietnamese refugee experience (Enforcing the Silence, Giap’s Last Day at the Ironing Board Factory) and the overlooked stories of individuals and communities that make up the fabric of the town (Fresh Frozen, I See Me).
11 Nov, 2025 7:30 pm
Innis Town HallPG
Ticketing is required for the in-cinema presentation of this title, but tickets are free. Limit 2 tickets. This event will have open seating – sit anywhere in the venue that isn’t specifically reserved.
This film is available online from Nov 10–19, 2025
CONTENT ADVISORY
Discussions of sexual violence
IN PERSON & ONLINE ACCESSIBILITY



IN PERSON: This film is being presented with English subtitles for all spoken dialogue (no sound cues indicated).
ONLINE: This film is being presented with English subtitles for all spoken dialogue in closed captions (no sound cues indicated).
Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a Q&A immediately after the screening with director Tony Nguyen moderated by Vinh Nguyen.

Vinh Nguyen
Moderator
Vinh Nguyen is a writer and educator. He is the author of The Migrant Rain Falls in Reverse. His film criticism can be found in Current (The Criterion Collection), MUBI Notebook, and Ricepaper Magazine. In 2025, he curated “Flights: Vietnam on Film” for TIFF Cinematheque.
These films explore desire, both interpersonally and intrapersonally. Between quietly blossoming desires and glowing inner temptations, this collection strides toward you with a sly wink, a shy smile, and a glimmer in its eye.
Reel Asian and the Writers Guild of Canada present a candid conversation on the pathways and pitfalls of building a sustainable career in screenwriting.
This immersive workshop will introduce the practice of traditional tai chi. Participants will experience its calm, flowing movements under the guidance of Mr. Zuo, a sixth-generation successor of traditional Yang-style tai chi.
India202472 minHindi, KurukhCanadian PremiereAvailable Online
Nehma belongs to the Oraon tribe and lives with her children on the outskirts of Jharkhand, India. Embroiled in a custody battle and a messy divorce, she secures a job at an AI data-labelling centre under the supervision of a stern manager. As we watch her navigate the steep learning curve of her new job and quickly confront the stark realities of biased data, the distortions in the very systems designed to help us become impossible to ignore.
In this remarkably fresh and timely narrative, director Aranya Sahay invites us to consider the volume of marginalized labour and detailed proficiency required to uphold the current growth of AI and our reliance on it. Serving as a cautionary reminder that technology may never replace human wisdom and indigenous knowledge systems, Humans in the Loop is as bold as it is urgent in its depiction of the cracks in widely held perceptions of progress and modernity.
– Mariam Zaidi
Sonal Madhushankar
Ridhima Singh
Gita Guha
OFFICIAL SELECTION
MAMI Mumbai Film Festival, 2024
International Film Festival of Kerala, 2024
Indian Film Festival of Los Angeles, 2025
AWARDS
Grand Jury Prize, Best Feature, Indian Film Festival of Los Angeles, 2025
Aranya Sahay
Aranya Sahay is an Indian filmmaker based out of Mumbai. He studied direction at the Film and Television Institute of India and went on to assist Imtiaz Ali and Patrick Graham as an associate director and director’s assistant. Sahay has directed five short films, of which two have screened at the Mumbai International Film Festival, SiGNS Film Festival and Jaffna International Cinema Festival.
12 Nov, 2025 7:30 pm
Innis Town HallPG
Ticketing is required for the in-cinema presentation of this title, but tickets are free. Limit 2 tickets. This event will have open seating – sit anywhere in the venue that isn’t specifically reserved.
IN PERSON & ONLINE ACCESSIBILITY



IN PERSON & ONLINE: This film is being presented with English subtitles for all spoken dialogue (no sound cues indicated).
Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a virtual Q&A immediately after the screening with director Aranya Sahay and Anita Li, moderated by Mariam Zaidi.

Anita Li
Publisher & CEO
Anita Li is publisher and CEO of The Green Line, an award-winning news outlet in Toronto that delivers community-driven solutions journalism. She also recently served as Journalism Innovator-in-Residence at Toronto Metropolitan University. With over two decades of industry experience across North America, Anita is recognized for her expertise in community-driven journalism, news entrepreneurship and media innovation.
Hang out with us for Festival Happy Hour, open to the public! Grab a drink and join in on the casual activities each day.
We each bring our own style to the table — whether that's upholding tradition or breaking it, following the rules or bending them. These films explore familial complexity through play, transformation, agency, and hope.
Wind down mid-festival with us at 401 Richmond’s lower lobby for a cozy Happy Hour Mini-Market in partnership with Pamplepuss. Shop our limited custom #ReelAsian29 collection, designed by local artists, and enjoy a few friendly rounds of mahjong with the community.
USA202596 minEnglish, Korean
K-pop? Yes, please. Demons? Sure! Hunters? OK, what?
Here’s the story: Rumi, Zoey, and Mira are HUNTR/X, a world-renowned K-pop group who ALSO hunt demons to protect humans from the underworld. But one of them has a secret that could disrupt all they’ve worked for.
The disparate elements of the global sensation K-Pop Demon Hunters don’t seem like they’d work, but they're what make it perfect. The devil (or demon) is in the details, featuring a specificity that distinguishes it from the crowd through a celebration of Korean culture with its relatable characters, animation motifs, and absolute bangin' soundtrack.
It’s all the brainchild of creator and co-director Maggie Kang, who grew up in Toronto and attended Sheridan College. And we’re proud to have her join us in a hometown singalong celebration of K-Pop Demon Hunters. So grab your little "Soda Pop" and show them "How It's Done", cuz we’re gonna be "Golden".
– Aram Siu Wai Collier
Arden Cho
May Hong
Ji-young Yoo
Ahn Hyo-seop
Lee Byung-hun
Maggie Kang, Chris Appelhans
Maggie Kang was born in Seoul and grew up in Toronto, where she attended Sheridan College and studied classical animation. Currently, Kang is a director at Sony Pictures Animation.
Chris Appelhans is a director at Sony Pictures Animation, having studied illustration at the ArtCenter College of Design in Pasadena, Calif. He resides in Los Angeles with his wife Maurene and their cat.
10 Nov, 2025 7:30 pm
Hot Docs Ted Rogers CinemaPG
Reduced-price tickets for students, seniors, and arts workers are not available for this event. Discounts & promo codes are not valid for this event. Badge redemptions are not available.
IN PERSON ACCESSIBILITY:

Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a Q&A with production designer Helen Chen immediately after the screening.

Helen Chen
Production Designer
Mingjue Helen Chen is a visual development artist and production designer currently based in Los Angeles. She graduated Academy of Art University in 2010 and has been working in the animation industry since, with clients like Walt Disney Animation Studios, Warner Brothers studios, Paramount Animation, Netflix Animation, and Sony Pictures Animation. Notable projects include Frankenweenie, Wreck-It Ralph, Big Hero 6, Wish Dragon, Raya and the Last Dragon, and most recently served as Production Designer for Netflix and Sony Pictures Animation’s KPop Demon Hunters.
Michelle Wong
Producer
Michelle Wong is a producer at Sony Pictures Animation, who most recently produced the global hit KPop Demon Hunters, now streaming on Netflix.
Wong produced Sony Pictures Animation’s 2021 original animated musical Vivo, which featured original songs from Lin-Manuel Miranda, the creative force behind the Broadway smash Hamilton.
Wong was one of the first Sony Pictures Animation employees, joining the studio in 2002. She went on to serve as the visual development coordinator on Cloudy with a Chance of Meatballs, an editorial APM on the comedy hit Hotel Transylvania, and production manager on Hotel Transylvania 2. Prior to producing Vivo, she produced the studio’s 2017 feature, Surf’s Up 2: WaveMania.
Wong graduated with a degree in graphic design.
Reuniting with the cast of her highly acclaimed 2017 festival hit, Village Rockstars, Rima Das returns with a standalone sequel centering Dhunu, now a teenager, who lives in a small village in Assam, India, and dreams of becoming a musician. While Dhunu and her friends navigate the vulnerable transition between childhood and adulthood, weighing new responsibilities and priorities, the elders around them face harsher circumstances brought on by predatory land developers and climate change, affecting their livelihoods and sense of community.
Robert A. Nakamura a.k.a. Bob is a legend of Asian American media as an educator, activist, and filmmaker. His frequent collaborator, Tadashi Nakamura, or Tad, has always known he wanted to make a film about his dad’s life. But when Bob is diagnosed with Parkinson’s disease, the urgency to make the film becomes more pronounced.
Join us for the closing event of the 29th Reel Asian, "So You Think You Can Pitch" Live Finale. Five emerging filmmaking teams will compete for a prize package to help realize their short films.
Canada202599 minEnglish, KoreanDirected By Women, Documentary
In There Are No Words, award-winning filmmaker Min Sook Lee searches for stories of her mother, Song Ji Lee, who died by suicide when Lee was just 12 years old. Through an intimate archive, Lee confronts public, private, and imagined histories in the wake of trauma while negotiating her relationship with her aging father, who met her mother while serving in the Korean Counterintelligence Corps under dictator Park Chung Hee in 1960s Korea. Despite being an unreliable narrator, Lee’s father is her last direct tie to her mother.
Lee turns the camera on herself to trace her experiences from Toronto to her birthplace in South Korea's Hwasun County and back, documenting tender efforts to speak her mother into collective memory. There Are No Words is a brave meditation on grief, loss, memory, and longing, reminding us that even when language fails us, there is still so much to say.
– Jasmine Gui
OFFICIAL SELECTION
Toronto International Film Festival, 2025
Min Sook Lee
Min Sook Lee is an award-winning director with acclaimed documentaries including Migrant Dreams (2016) and The Real Inglorious Bastards (2012). As an associate professor at OCAD University, Lee’s area of research and practice focuses on the intersections of art and social change in labour, border politics, migration, and social justice movements.
13 Nov, 2025 7:30 pm
Innis Town HallAA
Ticketing is required for the in-cinema presentation of this title, but tickets are free. Limit 2 tickets. This event will have open seating – sit anywhere in the venue that isn’t specifically reserved.
CONTENT ADVISORY
suicide, depictions of mental illness, self-harm, trauma, death/dying, discussions of sexual and gendered violence
IN PERSON ACCESSIBILITY

This film is scheduled to be presented fully captioned (all dialogue subtitled + sound cues indicated). This screening will have a Held Space on-site on the third floor. A Held Space is a calm setting hosted by HELD Agency where you can decompress. This space has a designated Active Listener present, who uses a Peer-Based approach to support you through discussing, distracting, and/or de-escalating – whatever you choose and need in the moment. The Active Listener will be available for attendees throughout this event until 10:30pm.
Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
York University’s Korean Office for Research and Education with funds from the Academy of Korean Studies, and the University of Toronto’s Centre for the Study of Korea
Join us for a Q&A immediately after the screening with director Min Sook Lee moderated by Hoa Nguyen.

Hoa Nguyen
Moderator
Hoa Nguyen is a poet and educator teaching writing and poetics at Toronto Metropolitan University. Her books include Red Juice, the Griffin Prize-nominated Violet Energy Ingots, and A Thousand Times You Lose Your Treasure, a finalist for the National Book Award and the General Governor’s Literary Award.
The 29th edition of Reel Asian is about to unfold! Celebrate with us at Tha Phae Tavern!
Nehma belongs to the Oraon tribe and lives with her children on the outskirts of Jharkhand, India. Embroiled in a custody battle and a messy divorce, she secures a job at an AI data-labelling centre under the supervision of a stern manager. As we watch her navigate the steep learning curve of her new job and quickly confront the stark realities of biased data, the distortions in the very systems designed to help us become impossible to ignore.
A discussion on artist labour conditions and funding challenges. The IMAA team will present on the Alliance’s resources including the Fee Schedule, the Resource Access Network and the Advocacy Toolkit, followed by a reception and mingling portion. Attendees will have the opportunity to connect with the Alliance team, industry leaders, artists, and peers. Free and open to the public!
Canada2024110 minEnglishDirected By Women, Drama
What would you give up to ensure a world with no war, no poverty, and a stable climate? Your phone? Your car? Your life? That’s the question that looms over Ann Marie Fleming’s near-future fable, where the solution to our world's ills is for humans to die by their 50th year.
It’s not all doom and gloom. For teenage Kiah (Keira Jang), it’s her first day of work as a Documenter. Her world of peace in sun-soaked Powell River, B.C., is all she knows, and she's getting trained by Daniel (Joel Oulette), a seasoned convener of death ceremonies. Meanwhile, Ellie (Sandra Oh) puts on a parent’s brave face for Kiah’s venture into adulthood while making her own empty-nest arrangements.
Veteran director and Reel Asian alum Fleming tackles this existential yarn with warmth and charm, while never avoiding the tough questions: What would you give up? And how do you reconcile the horrors with the beauty of this remarkable world?
– Aram Siu Wai Collier
Sandra Oh
Keira Jang
Joel Oulette
OFFICIAL SELECTION
Toronto International Film Festival, 2024
Vancouver International Film Festival, 2024
Tallinn Black Nights Film Festival, 2024
Ann Marie Fleming
Ann Marie Fleming was born in Okinawa and is now based in Vancouver. Her body of work as a filmmaker includes fiction, documentary, and animation. She’s directed short films including You Take Care Now (1990) and Blue Skies (2002), and features such as The Magical Life of Long Tack Sam (2003) and Window Horses (2016). Can I Get a Witness? (2024) is her latest film.
13 Nov, 2024 7:00 pm
Hot Docs Ted Rogers CinemaAA
Please be advised that there will be no badgeholder redemptions for opening night. Badgeholders must purchase tickets for this show.
CONTENT ADVISORY
Depictions of death and dying, self-harm
Please find a list of local and affordable resources below that are arranged alphabetically by name, with the focus or format of their support.
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This film is scheduled to be presented fully captioned (all dialogue subtitled + sound cues indicated). Live ASL will be present and projected on screen for the introduction and Q&A. Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Information on available captions will be added soon, thank you for your patience.

Join us for a Q&A immediately after the screening with director Ann Marie Fleming.
Join us at CSI Annex for the Opening Night Gala Party after the screening of CAN I GET A WITNESS?.
PWYC at the door!
9:30PM at CSI Annex

Enchanted Booth will be joining us at this year’s gala with their Mirror Photo Booth, so make sure to stop by their booth for a fun photo experience.
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This space is wheelchair and step-free accessible via a staff-operated lift.
The rest of the venue, including the accessible washrooms, is all on one level.
This event may include loud music, flashing lights, and crowds. A calmer,
quieter respite room is available for those with environmental
sensitivities.
Please click below to advise us of your access needs for this event.
Closing out the 28th Toronto Reel Asian International Film Festival, join us for the live So You Think You Can Pitch competition.
It’s the holidays, and Ben Santhanaraj shows up to Sri Lanka to see Suzanne Hopper, his long-distance partner who works there. Unfortunately, Suzanne’s been informed she now has to work through the holidays, thwarting their dream vacation plans (and his amorous intentions). They decide to go along with their itinerary, her laptop in tow, but nothing seems to work out as planned, leading to candid conversations and chaotic twists. Will their relationship endure — or have they grown too far apart?
We’re excited to be presenting “Bestiary” at this year’s festival, featuring a troupe of fantastical creatures in mid-flight, dreamed up by artist Wenting Li. Come experience them in transit, full of whimsy and uncanny energy at The Commons, at 401 Richmond during festival hours.