The Consulate General of the Republic of Korea in Toronto has generously made 25 tickets to this screening free. Free tickets are limited to 2 per order, while supplies last.
South Korea2024114 minKoreanInternational PremiereAvailable Online, Drama, Family-friendly
Feeling stuck, young fisherman Yong-su sees no hope in his future - like a fish in a net. As a last resort, he plans an insurance scam by staging his disappearance, hoping to provide a better life for his Vietnamese wife and his ageing mother. At the centre of this scheme is his captain, Yeong-guk (Yoon Joo-sang), who reluctantly reports Yong-su missing. However, when Yong-su’s mother (Yang Hee-kyung) refuses to connect her son’s disappearance with his death, the white lie snowballs into something harder to chew.
The Land of Morning Calm is the sophomore feature of Park Ri-woong of The Girl on a Bulldozer (2022), and as before, he touches upon pressing social issues. It’s an examination of interracial marriages and insurance scams, but more so, a heartbreaking study of the different forms of families, sacrificial love, and the struggles in making a living. The brilliant performances will wrench your hearts.
– June Kim
Yoon Joo-sang
Yang Hee-kyung
Khazsak
Park Jong-hwan
OFFICIAL SELECTION
Busan International Film Festival, 2024
Park Ri-woong
Park Ri-woong studied journalism at Korea University and directing at Korea National University of Arts. His debut feature The Girl on a Bulldozer (2022) won multiple awards including the Best New Director at the Grand Bell Awards.
14 Nov, 2024 8:00 pm
TIFF Lightbox C4AA
The Consulate General of the Republic of Korea in Toronto has generously made 25 tickets to this screening free. Free tickets are limited to 2 per order, while supplies last.
CONTENT ADVISORY
Depictions of smoking and drinking; coarse language
–


This film is scheduled to be presented with subtitles for all spoken dialogue (no sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Information on available captions will be added soon, thank you for your patience.
Community Supporter
Join us for an exclusive Work-In-Progress presentation of SPACE CADET, a captivating animated film directed by Kid Koala. Work-In-Progress events at Reel Asian give audience members a chance to explore the development stages of a piece of work. In this session, we will hear insights from the creative team of SPACE CADET, including director Kid Koala, head of story and production designer Lillian Chan, and artistic director Corinne Merrell, who will guide us through the artistic process and illustrate how animation brings this heartfelt narrative to life.
So you have a great idea for a documentary—what’s next? Join our panel of Producers and Directors as they break down the journey of transforming a concept into a compelling finished project. From the early stages of research, fundraising, and story development, to navigating production challenges and securing distribution, this discussion will cover the essential steps and strategies for bringing a documentary idea to life. Gain insights on pitching to funders, the importance of crafting diverse and authentic narratives, and how to collaborate with key stakeholders in the industry. Whether you’re just starting out or looking to refine your approach, this session will provide valuable takeaways from experienced professionals who have successfully turned their ideas into reality.
Trouble seems to follow Jie and his family. Training to be a competitive fencer, Jie is lost, haunted by the childhood memory of a near-drowning incident with his menacing older brother Han. Years later, a teenage Han is imprisoned after killing a competitor during a fencing match (by accident, he swears). Meanwhile, Jie's mother has been spiteful and distant ever since, with no love to give her younger son. So when Han is finally released from prison, Jie is desperate to have some family love restored — and eager for some helpful fencing and boyfriend dating tips, too. But is Han’s reformed presence for real?
China202393 minCantoneseDrama, First Feature
While picking juicy lychees on an endless summer day, Ting is uneasy. She’s on the verge of marriage in her hometown in mainland China. Her father will not be there. He long ago left her and her mother to stay with his preferred family in Hong Kong — part of the legacy of men from the region who had extramarital affairs in China in the 1980s and '90s. Before she ties the knot, Ting ventures to Hong Kong to find the father she’s never known. While on her journey, she finds she has other loose ends to tie up, too.
Luscious imagery, moody music, and sultry summer vibes saturate Guangdong filmmaker Choy Ji’s first feature film with wistful longing for love in another place, another time. Through Ting and her family story, Director Choy brilliantly displays the Hong Kong of his own youth — mysterious and magical, distant despite being so close.
– Aram Siu Wai Collier
Lin Dongping
Sunny Sun
Eddy Au-Yeung
Pan Jie
OFFICIAL SELECTION
Busan International Film Festival, 2023
Rotterdam International Film Festival, 2024
Hong Kong International Film Festival, 2024
Choy Ji
Choy Ji was born in 1988 in Chaozhou, Guangdong, China. His works have won the Best Short Film at the China Independent Film Festival, and have been selected for the Busan International Short Film Festival and the Tampere Film Festival. Borrowed Time is his first feature film, and premiered at the 28th Busan International Film Festival.
14 Nov, 2024 8:00 pm
TIFF Lightbox C5PG
Tickets for the in-cinema presentation have gone into advance rush. No more public advance tickets are available. Please join the rush line on the day of the screening when we will release unclaimed holds and reserves.
We can usually get everyone in the rush line in but rush tickets are strictly subject to availability and not guaranteed. Rush lines start an hour before the first screening of the day so the earlier you join the rush line the better your chances.
In-


This film is scheduled to be presented with subtitles for all spoken dialogue (no sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
At the heart of this captivating coming-of-age sports film is Ashley Chea, a Cambodian American basketball marvel whose high school career we follow. Hailing from a lower-class immigrant family that sought safety in the U.S. after the Khmer Rouge came to power, Chea is given the opportunity to attend a private school and thus pursue a coveted college basketball career. While her parents work vigorously at their doughnut store and can’t attend her games, Chea bonds with her Japanese American coach, who helps her with doctor's appointments and even attaining her driver’s licence.
This programme invites audiences into a storytelling dialogue between imagineNATIVE and Reel Asian on the solidarity between Indigenous and settler Asian people. Tenacious and confrontational, this collection transports resilience from the past and into the present.
Loud and expressive, reflexive yet playful, this programme, in the spirit of Creatura, makes room for all our mushy and monstruous emotions. Come for the screening, stick around for the delightful arts activities for all ages to enjoy together!
Canada202393 minEnglish, Mandarin, CantoneseCanadian PremiereAvailable Online, Comedy, Drama, First Feature
Shan, an immigrant from Dongbei, China, settles in Markham, Ont., a suburb known for its welcoming Chinese community. There, Kevin, a fellow Dongbei local, pulls him into a scheme to rob a Japanese restaurant stealing business from Chinese locals. After the heist goes horribly wrong, they delve into the streets of Markham in a series of chaotic episodes. Fresh Off Markham functions as a satirical anthology, highlighting experiences and dilemmas that some Chinese immigrants encounter amidst relocation.
Paying homage to the best of modern cinema, Kurt Yuen, Cyrus Lo, and Trevor Choi’s feature directorial debut successfully interweaves stories of the diasporic experience in with Markham. They keep generational history in mind, while providing a meaningful look at greed, interracial conflict, and the cost of immigration. Daring, decisive, and tonally diverse, Fresh Off Markham’s charm is rooted in its bold specificity, bringing an often overlooked Greater Toronto Area community to film.
– Amreen Kullar
Nian Chang
Howard Li
Edmond Clark
Jessica Chan
OFFICIAL SELECTION
Hong Kong International Film Festival, 2024
Beijing International Film Festival, 2024
Kurt Yuen, Cyrus Lo, Trevor Choi
Kurt Yuen was born and raised in Hong Kong, and is a graduate of the Hong Kong Film Director’s Guild Masterclass.
Cyrus Lo strives to tell meaningful stories through film. His debut short Aftershock (2023) was an official selection at Vancouver Asian Film Festival.
Trevor Choi is a graduate of the Hong Kong Film Director’s Guild Masterclass, and his short film Ouroboros (2018) screened at the 42nd New York Asian American International Film Festival.
15 Nov, 2024 5:30 pm
TIFF Lightbox C3AA
Tickets for the in-cinema presentation have gone into advance rush. No more public advance tickets are available. Please join the rush line on the day of the screening when we will release unclaimed holds and reserves.
We can usually get everyone in the rush line in but rush tickets are strictly subject to availability and not guaranteed. Rush lines start an hour before the first screening of the day so the earlier you join the rush line the better your chances.
CONTENT ADVISORY
Nudity, violence, racist language; depictions of blood and gore, smoking, drinking
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This film is scheduled to be presented with subtitles for all spoken dialogue (no sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a Q&A immediately after the theatrical presentation with directors Kurt Yuen, Cyrus Lo, and Trevor Choi.

Layla is a struggling Palestinian drag queen who often finds creative ways to make ends meet, surrounded by a small, supportive group of close friends within the North London queer scene. A stuffy corporate event performance goes terribly wrong, making Layla and their outrageous antics go viral, and they meet the seemingly-dull-in-comparison marketing executive Max. Despite their very different worlds, a transformative love affair ensues, much to the annoyance of their close friends, who are highly skeptical of how healthy or affirming this relationship could possibly be.
At the heart of this captivating coming-of-age sports film is Ashley Chea, a Cambodian American basketball marvel whose high school career we follow. Hailing from a lower-class immigrant family that sought safety in the U.S. after the Khmer Rouge came to power, Chea is given the opportunity to attend a private school and thus pursue a coveted college basketball career. While her parents work vigorously at their doughnut store and can’t attend her games, Chea bonds with her Japanese American coach, who helps her with doctor's appointments and even attaining her driver’s licence.
What does greatness look like? What does it take to be great? In the documentary Ashima, greatness looks like Ashima Shiraishi, a modest but determined 13-year old Japanese American rock-climbing prodigy. For her demanding father, Hisatoshi, a former Butoh dancer and Ashima’s coach, greatness requires discipline and intense focus. Together, they’ve embarked to South Africa to climb Golden Shadow, a famous V14 boulder, for Ashima to become the youngest woman to ever climb it.
Canada202485 minEnglishToronto PremiereAvailable Online, Directed By Women, Drama
Deep in debt, with a house and a university-bound kid, plus a marriage on the rocks, reformed gambler Lucky sees his luck run out after getting scammed in a tax-fraud scheme. Ashamed and desperate to keep it from his family, he returns to underground backroom gambling dens, playing for big payouts to relieve the debt and win back his family’s favour. Meanwhile, each family member, unaware of Lucky’s troubles but feeling the money crunch, too, resorts to unsavoury means to dig out of their hole.
With deeply resonant characters, Gillian McKercher’s second feature film is a gripping family drama that displays great empathy for her characters and their struggles while showing Calgary's significant Chinese community rarely seen in Canadian cinema. Terry Chen (Sight), Olivia Cheng (Warrior), and Andrew Phung (Run The Burbs) star in an ensemble of actors with Prairie roots that further ground the film to its setting and to so many families' hardships.
– Aram Siu Wai Collier
Terry Chen
Olivia Cheng
Conni Miu
Andrew Phung
OFFICIAL SELECTION
Calgary International Film Festival, 2024
Vancouver International Film Festival, 2024
Gillian McKercher
Gillian McKercher is a Canadian writer, director, producer, and co-founder of Kino Sum Productions. McKercher’s first feature film as writer/director, Circle of Steel, won an Audience Award at the 2018 Calgary International Film Festival. She developed her sophomore feature film, Lucky Star, as a resident at the Canadian Film Centre and with the additional support of the CFC/Netflix Project Development Accelerator and Harold Greenberg Fund.
16 Nov, 2024 5:00 pm
TIFF Lightbox C3PG
CONTENT ADVISORY
Depictions of gambling, mental illness, trauma, smoking, drinking
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This film is scheduled to be presented fully captioned (all dialogue subtitled + sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Information on available captions will be added soon, thank you for your patience.
Join us for a Q&A immediately after the screening with director Gillian McKercher.

What does greatness look like? What does it take to be great? In the documentary Ashima, greatness looks like Ashima Shiraishi, a modest but determined 13-year old Japanese American rock-climbing prodigy. For her demanding father, Hisatoshi, a former Butoh dancer and Ashima’s coach, greatness requires discipline and intense focus. Together, they’ve embarked to South Africa to climb Golden Shadow, a famous V14 boulder, for Ashima to become the youngest woman to ever climb it.
Pulling you in closer, these films traverse the ebbs and flows of infatuation, fascination, longing, desire, and the release of letting go — all this to possibly feel our true selves more intimately.
Sit in on this exclusive screening and deep dive of LATE BLOOMER, the groundbreaking series from the creative mind of Jasmeet Raina (Jus Reign). Centred on Jasmeet Dutta's life, the show unpacks family expectations, intergenerational relationships, and racial identity in ways rarely seen on Canadian TV. We’ll screen Episode 1: "Nudes" and Episode 4: "The Turban," offering a glimpse into Jasmeet’s complex journey as he navigates personal desires that go against familial pressures. Stick around to hear from the creative team about how Late Bloomer has landed in the community, and how it will continue to shape these conversations in real life.
USA2024110 minEnglishCanadian PremiereAvailable Online, Comedy, Drama, First Feature, Romance
It’s the holidays, and Ben Santhanaraj shows up to Sri Lanka to see Suzanne Hopper, his long-distance partner who works there. Unfortunately, Suzanne’s been informed she now has to work through the holidays, thwarting their dream vacation plans (and his amorous intentions). They decide to go along with their itinerary, her laptop in tow, but nothing seems to work out as planned, leading to candid conversations and chaotic twists. Will their relationship endure — or have they grown too far apart?
Ben and Suzanne, A Reunion In 4 Parts is the continuation of a 10-year partnership with its lead actors (Sathya Sridharan and Anastasia Olowin) and director Shaun Seneviratne, where they made three short films exploring Ben and Suzanne’s relationship. Seneviratne writes and directs a charming and relatable “will they, won’t they?” romantic comedy deftly placed in a context of interracial dating, gender expectations, and diasporic alienation.
– Aram Siu Wai Collier
Sathya Sridharan
Anastasia Olowin
OFFICIAL SELECTION
SXSW, 2024
Indian Film Festival of Los Angeles, 2024
Bentonville Film Festival, 2024
AWARDS
Best Brooklyn Project, Brooklyn Film Festival, 2024
Shaun Seneviratne
Shaun Seneviratne is a writer and director of emo movies. He teaches at the Brooklyn STEAM Center, co-hosts RohmerCast, and runs Redacted Screenings. He’s based in New York City.
15 Nov, 2024 5:30 pm
TIFF Lightbox C4AA
CONTENT ADVISORY
Strobing lights; depictions of smoking, drinking
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This film is scheduled to be presented fully captioned (all dialogue subtitled + sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Information on available captions will be added soon, thank you for your patience.
Join us for a Q&A immediately after the theatrical presentation with director Shaun Seneviratne.

Creatura is a multimedia stream of programming that draws inspiration from the strange, wild, and untamed: descriptions historically used to label, discipline and exclude people. Whether it be for unrecognizable ways of being, or unacceptable actions and behaviours, to be a creature is to exist at the edge of what it means to be human. Creatura programming aims to engage with all variations of this label across the spectrum, from the mystical and uncanny to the unruly and abhuman.
We’re excited to be presenting “Bestiary” at this year’s festival, featuring a troupe of fantastical creatures in mid-flight, dreamed up by artist Wenting Li. Come experience them in transit, full of whimsy and uncanny energy at The Commons, at 401 Richmond during festival hours.
Trivial or not, these short films push and push ... and push. Is it provocation, retaliation, or sheer determination? Regardless of the answer, how far might you be willing to go?
U.K.202499 minEnglish, ArabicToronto Premiere2slgbtq+, Drama, First Feature, LGBTQ+ Filmmakers, Romance
Layla is a struggling Palestinian drag queen who often finds creative ways to make ends meet, surrounded by a small, supportive group of close friends within the North London queer scene. A stuffy corporate event performance goes terribly wrong, making Layla and their outrageous antics go viral, and they meet the seemingly-dull-in-comparison marketing executive Max. Despite their very different worlds, a transformative love affair ensues, much to the annoyance of their close friends, who are highly skeptical of how healthy or affirming this relationship could possibly be.
Amrou Al-Kadhi’s assured direction shines just as brightly as Bilal Hasna’s breakout performance in this fun, flashy, and tender directorial debut packed with the catchiest club hits and an abundance of sparkles. As a complicated and lovable Layla navigates familial expectations, close friendships, and their own identity, what emerges is a proud queer love story that at its core celebrates self-love, freedom, and community.
– Mariam Zaidi
Bilal Hasna
Louis Greatorex
Safiyya Ingar
OFFICIAL SELECTION
Sundance, 2024
BFI London, 2024
Vancouver Queer, 2024
Amrou Al-Kadhi
Amrou Al-Kadhi is a writer, performer, and filmmaker. Al-Kadhi has written episodes for Little America (Apple TV), The Watch (BBC America), Hollyoaks (Channel 4), and has several TV shows and feature films in development. Al-Kadhi’s drag show, GLAMROU, recently had a sell-out run at the Soho Theatre. It received rave reviews and will continue to tour next year.
15 Nov, 2024 8:00 pm
TIFF Lightbox C3AA
CONTENT ADVISORY
Nudity, coarse language; depictions of sex
–


This film is scheduled to be presented fully captioned (all dialogue subtitled + sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
At the heart of this captivating coming-of-age sports film is Ashley Chea, a Cambodian American basketball marvel whose high school career we follow. Hailing from a lower-class immigrant family that sought safety in the U.S. after the Khmer Rouge came to power, Chea is given the opportunity to attend a private school and thus pursue a coveted college basketball career. While her parents work vigorously at their doughnut store and can’t attend her games, Chea bonds with her Japanese American coach, who helps her with doctor's appointments and even attaining her driver’s licence.
Seemingly stagnant on the surface, in motion underneath. These five short films trace and retrace what movements and stories might exist within us and beyond, pulling us in unexpected directions.
While picking juicy lychees on an endless summer day, Ting is uneasy. She’s on the verge of marriage in her hometown in mainland China. Before she ties the knot, Ting ventures to Hong Kong to find the father she’s never known. While on her journey, she finds she has other loose ends to tie up, too.
Indonesia202484 minEnglishHorror, Science Fiction
Five oblivious youths, a video camera, a remote rundown villa, and a creepy caretaker. Doesn’t it sound like the perfect recipe for a horror film? A mysterious death that soon follows takes the story on a route beyond the fourth wall. The group find out that they’re characters of The Draft! of a screenplay, and that their smarts will dictate their survival.
Indonesia is a strong player in the horror genre, and The Draft! is no exception, but a mild warning is due. Some may reference The Cabin in the Woods (2011), One Cut of the Dead (2017), or even Stranger than Fiction (2006), but The Draft! is a monster of its own. The element of familiarity is used to its advantage in satirically witty demeanour. Although some work is required from the audience to fully enjoy its jokes, the payoff is more than rewarding.
– June Kim
Winner Wijaya
Adhin Abdul Hakim
Ibrahim Alhami
Anggi Waluyo
OFFICIAL SELECTION
Fantastic Fest 2024
Jogja-NETPAC Asian Film Festival 2024
AWARDS
Best Film, Best Storytelling, and Best Editing, Jogja-NETPAC Asian Film Festival, 2024
Yusron Fuadi
Yusron Fuadi lectures in the Diploma IV Program at Gadjah Mada University. He directed Tengkorak (2018), Setan Alas (2024), and Darah Nyai (2024). He is currently working on Judgement and planning the following two films of the Tengkorak trilogy. He is also directing the 3D FPS game, Ganyang Setan Alas.
16 Nov, 2024 7:30 pm
TIFF Lightbox C4AA
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This film is scheduled to be presented with subtitles for all spoken dialogue (no sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a Q&A immediately after the screening with director Yusron Fuadi and actor Winner Wijaya.

So you have a great idea for a documentary—what’s next? Join our panel of Producers and Directors as they break down the journey of transforming a concept into a compelling finished project. From the early stages of research, fundraising, and story development, to navigating production challenges and securing distribution, this discussion will cover the essential steps and strategies for bringing a documentary idea to life. Gain insights on pitching to funders, the importance of crafting diverse and authentic narratives, and how to collaborate with key stakeholders in the industry. Whether you’re just starting out or looking to refine your approach, this session will provide valuable takeaways from experienced professionals who have successfully turned their ideas into reality.
Layla is a struggling Palestinian drag queen who often finds creative ways to make ends meet, surrounded by a small, supportive group of close friends within the North London queer scene. A stuffy corporate event performance goes terribly wrong, making Layla and their outrageous antics go viral, and they meet the seemingly-dull-in-comparison marketing executive Max. Despite their very different worlds, a transformative love affair ensues, much to the annoyance of their close friends, who are highly skeptical of how healthy or affirming this relationship could possibly be.
Family dynamics are complicated. No matter how intimately familiar kin can feel, there's room for surprise to the point where we wonder if we even knew them at all. Which stories and emotions do we hold inside, and which are we ready to share?
USA202498 minEnglish, KhmerToronto PremiereAvailable Online, Directed By Women, Documentary, Family-friendly, First Feature, Sports
At the heart of this captivating coming-of-age sports film is Ashley Chea, a Cambodian American basketball marvel whose high school career we follow. Hailing from a lower-class immigrant family that sought safety in the U.S. after the Khmer Rouge came to power, Chea is given the opportunity to attend a private school and thus pursue a coveted college basketball career. While her parents work vigorously at their doughnut store and can’t attend her games, Chea bonds with her Japanese American coach, who helps her with doctor's appointments and even attaining her driver’s licence.
Chea must now overcome a serious knee injury and rebuild her sense of self-worth, all in time to impress recruiting college coaches at her upcoming major tournaments. Being highly competitive, she struggles to lead her team to victory and overcome obvious class and racial differences, all while also being a super moody teenager and growing apart from her parents.
– Arisa Chirawu
OFFICIAL SELECTION
Los Angeles Asian Pacific Film Festival, 2024 CAAMFest San Francisco, 2024 Shanghai International Film Festival, 2024
AWARDS
Best Documentary Feature, Austin Asian American Film Festival, 2024
Erica Tanamachi
Erica Tanamachi has an MFA in cinema from San Francisco State University. Her most recent film Winn (2022) won a Reel South Shorts Award and received a distribution deal with PBS. Home Court is her first feature-length film.
17 Nov, 2024 10:00 am
TIFF Lightbox C4PG
CONTENT ADVISORY
Racist language and situations; depictions of guns and gunfire, war and conflict
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This film is scheduled to be presented fully captioned (all dialogue subtitled + sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
–

This film is scheduled to be presented fully captioned (all dialogue subtitled + sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Family dynamics are complicated. No matter how intimately familiar kin can feel, there's room for surprise to the point where we wonder if we even knew them at all. Which stories and emotions do we hold inside, and which are we ready to share?
Join us for an in-depth conversation about Ann Marie Fleming's CAN I GET A WITNESS?, Reel Asian's opening night film this year. This thought-provoking movie examines a near-future society grappling with climate change, mortality, and the value of life. Fleming draws inspiration from her personal experiences, including her time in Vancouver's West End and the environmental upheaval of Stanley Park.
Sit in on this exclusive screening and deep dive of LATE BLOOMER, the groundbreaking series from the creative mind of Jasmeet Raina (Jus Reign). Centred on Jasmeet Dutta's life, the show unpacks family expectations, intergenerational relationships, and racial identity in ways rarely seen on Canadian TV. We’ll screen Episode 1: "Nudes" and Episode 4: "The Turban," offering a glimpse into Jasmeet’s complex journey as he navigates personal desires that go against familial pressures. Stick around to hear from the creative team about how Late Bloomer has landed in the community, and how it will continue to shape these conversations in real life.
Pakistan202498 minUrduToronto PremiereAnimation, Family-friendly
A young, gifted Vincent and his father Tomas run the finest glass workshop in the country, creating delicate, magnificent pieces of art. Their close bond is soon put to the test with the arrival of an army colonel and his young, aspiring violinist daughter Alliz, to their hometown. Amidst the rumblings of an impending war, Vincent and Alliz eventually fall in love, a relationship that is continually opposed and challenged by their fathers.
Using precise and absorbing hand-drawn animation, bursting with rich detail and colours, The Glassworker is a groundbreaking production, pieced together over a decade by Mano Animation Studios, Pakistan’s first hand-drawn animation studio. Much in the vein of a Studio Ghibli feature, which director Usman Riaz credits as inspiration, The Glassworker uses each frame with deep intention to tell a heart-tugging story about the fragility of life, particularly one lived through conflict.
– Mariam Zaidi
Art Malik
Sacha Dhawan
Anjli Mohindra
OFFICIAL SELECTION
Annecy International Animation Film Festival, 2024
Usman Riaz
Usman Riaz is a film director, animator, and composer born and raised in Pakistan. At 22, he was chosen as a TED senior fellow, speaking at conferences across the globe. Riaz studied graphic design at the Indus Valley School of Art and Architecture in Karachi and later founded Mano Animation Studios, Pakistan’s first ever hand-drawn animation studio.
17 Nov, 2024 1:00 pm
TIFF Lightbox C3PG
CONTENT ADVISORY
Depictions of war and conflict, blood and gore
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This film is scheduled to be presented with subtitles for all spoken dialogue (no sound cues indicated). Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Information on available captions will be added soon, thank you for your patience.
Through the lens of directors Tadashi Nakamura and Quyên Nguyen-Le, this compelling documentary captures the bold journey of visionary artist-activist Nobuko Miyamoto. From her upbringing in a Japanese American internment camp to her breakthrough as a performer in films and on Broadway, Miyamoto reflects on how her personal encounters with racial injustice inspired her blending of artistic endeavours with Asian American advocacy. Her thoughtfully created music, dances, and theatre productions carry on to bridge cultural divides and facilitate mutual support among BIPOC communities.
Join us for an evening of quiet time records! Kid Koala hosts a "quiet time" event, playing hours of his favorite music to work, draw, code, write or knit to. Bring your creative projects.
We’re excited to be presenting “Bestiary” at this year’s festival, featuring a troupe of fantastical creatures in mid-flight, dreamed up by artist Wenting Li. Come experience them in transit, full of whimsy and uncanny energy at The Commons, at 401 Richmond during festival hours.
USA202386 minEnglish, JapaneseAvailable Online, Documentary, Family-friendly, First Feature, Sports
What does greatness look like? What does it take to be great? In the documentary Ashima, greatness looks like Ashima Shiraishi, a modest but determined 13-year old Japanese American rock-climbing prodigy. For her demanding father, Hisatoshi, a former Butoh dancer and Ashima’s coach, greatness requires discipline and intense focus. Together, they’ve embarked to South Africa to climb Golden Shadow, a famous V14 boulder, for Ashima to become the youngest woman to ever climb it.
Director Kenji Tsukamoto’s portrait of the Shiraishis was years in the making and captures significant moments in the family’s life. With uncommon access gained from living with the family, Tsukamoto masterfully blends the minute details of the Shirashis' home lives, Ashima’s numerous public appearances, and her dogged attempts at solving Golden Shadow. Raw and unharnessed, like bouldering itself, Tsukamoto crafts a familiar Asian American family story set against sport and celebrity.
– Aram Siu Wai Collier
OFFICIAL SELECTION
Doc NYC, 2023
Visions Du Reel, 2024
Hawaii International Film Festival, 2024
AWARDS
Best Documentary Feature, VC Film Festival, 2024
Audience Award, Asian Film Festival of Dallas, 2024
Audience Award, Asian American International Film Festival, 2024
Kenji Tsukamoto
Born in Fukushima, Japan, Kenji Tsukamoto moved to America as a child, and his family relocated frequently across the country. As a third-culture kid, Kenji found a kindred spirit in the world-renowned climber Ashima Shiraishi, who became the subject of his first feature film.
17 Nov, 2024 4:00 pm
TIFF Lightbox C3GA
The in-cinema screening for Ashima will be at TIFF Lightbox Cinema 3.
This feature film will also be available as a digital screening from Nov 18 – Nov 24.
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This film is being presented with English subtitles for non-English dialogue both online and in person. Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us for a Q&A immediately after the screening with director Kenji Tsukamoto.

The notion of love transcends you and me. It resides in the personal, the familial, the imaginary, and a nation.
It’s no secret that filmmaking requires grit, stamina, and a whole lot of determination. Reel Ideas celebrates the behind-the-scenes perseverance that drive creators to follow their instincts and shape their stories.
Trivial or not, these short films push and push ... and push. Is it provocation, retaliation, or sheer determination? Regardless of the answer, how far might you be willing to go?