USA2021100 minEnglishDrama
PART OF THE CENTREPIECE SPOTLIGHT ON HAWAI'I
On the pastoral North Shore of Oahu, Hawaii, the end is near for Masao, an ill and elderly man with regrets to spare. As he looks back, his family history, dreams, and mythology swirl around him as ghosts he carries with him in his final days. Meanwhile, I Was A Simple Man shifts in time through pre-WWII country landscapes of days past, statehood, and a concrete-bound, contemporary Honolulu, mirroring 20th-century Hawaiian history.
Following his atmospheric first feature, August at Akiko’s, and developed from his short film Obake (Ghosts), which showed at Reel Asian in 2012, with I Was A Simple Man, Christopher Makoto Yogi ambitiously continues to reach for the place between the seen and unseen, the feelings deeply felt but left unsaid, and to chart changes over time, all told with sublime imagery and sound, with a deep connection to the land, sea, and sky of his hometown in Hawaii.
- Aram Siu Wai Collier
Steve Iwamoto
Constance Wu
Tim Chiou
OFFICIAL SELECTION
Sundance Film Festival, 2021
BAMcinemaFest, 2021
Los Angeles Asian Pacific Film Festival, 2021
Christopher Makoto Yogi
Christopher Makoto Yogi is an artist and filmmaker from Honolulu, Hawaii. His debut feature film, the award-winning August at Akiko’s, had its world premiere at the International Film Festival Rotterdam in 2018 to critical acclaim. Yogi is a Berlinale Talents, Visual Communications armed with a Camera, Kyoto Filmmakers Lab, and New York Film Festival Artists Academy fellow.
After being met with the destabilizing news of her parents’ divorce, Angie, a teenage, mixed-race Asian girl, reckons with her multiracial identity and sexual awakening in this quirky coming-of-age story.
The shorts in this program include works screened two decades ago at Desh Pardesh, as well as films made last year by a cohort of South Asian and Indo Caribbean emerging filmmakers who participated in Inside Out Festival’s Short Film Lab.
Racialized filmmakers often wrestle with the narrative limits of identity politics when wanting to celebrate and push for complexity and abundance. Join us in conversation with filmmakers working in different mediums for various platforms on how they negotiate their relationships with storytelling and identity politics within Canadian filmmaking.