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This presentation has on-screen ASL interpretation.
USA
Since the advent of cinema and the forced colonization of the islands, Hawai’i stories on film have too often been told by outsiders. Reel Asian is bringing a spotlight onto two acclaimed Hawai’i-made dramatic feature films. Christopher Kahunahana’s award winning WAIKIKI is the first dramatic feature film written and directed by a Kanaka Maoli (Native Hawaiian). Christopher Makoto Yogi’s I WAS A SIMPLE MAN had its World Premiere at the Sundance Film Festival in 2021. Unique films and filmmakers, both Kahunahana and Yogi share a genuine reverence for their home and seek to provide images and sounds of the Hawaii they know.
In this moderated filmmaker to filmmaker conversation Kahunahana and Yogi will discuss each others films and the groundbreaking context that surrounds them.
15 Nov, 2021 7:00 pm

This presentation has on-screen ASL interpretation.
Shy, sheltered, middle-aged Joshua lives with his elderly parents and is desperately lonely as he longs for a wife. When he’s suddenly forced into a caretaking role for his family, Joshua goes further adrift into isolation, and his Scarborough bungalow feels like a prison. Help arrives unexpectedly when his cousin Marisol flies in from overseas to help—except now, Joshua finds himself confronted with emotions and experiences he’s never had before.
If it had to be summed up, Code Name: Nagasaki is a documentary shot by Fredrik S. Hana, following his close friend and film protagonist Marius Lunde on his journey to connect with his estranged mother, who cut ties with the family when Lunde was a child, and relocated to Japan. The experience of watching the film, however, far exceeds this tidy storyline.
Ann Kaneko’s Manzanar, Diverted invokes this history to tell the story of generations of women: Native American, Japanese American WWII incarcerees, and environmentalists, fighting for the future of the valley. Through a mix of testimonials, archival, and aerial photography, Kaneko weaves intersectional histories with the urgency of the present.