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The 2021 So You Think You Can Pitch Finalists Share Their Insight

20 Jul, 2022

Nedda Sarshar
So You Think You Can Pitch Winner

IG: nedsjan

“I did not know what to expect going into the finalist process of Reel Asian’s “So You Think You Can Pitch?” process. But even if I had known to anticipate the incredible mentorship, support, guidance and community that came with it — I would have still never guessed the extent that Reel Asian is prepared to foster emerging talent and Asian stories.

Although this is a pitch competition, the coordinators were quick to help us all connect with each other — a cohort member and I regularly met up beforehand and practiced with each other in preparation for the pitch, another person even gave me their coffee at one point! The conversation amongst the cohort was stellar — we discussed how representation is sometimes not enough, there also needs to be a commitment to telling authentic storytelling. And our pitch mentors helped us find our voice, and also figure out how to tell our story to a predominantly non-white audience.

The application and pitch itself allowed me to think about my film in a producer’s light — take into account filming days, budget, etc — and this helped me enormously in securing Canada Arts Council funding as well.

When the pitch competition itself was over the first thought I had was that I would do whatever I could to help make sure that the other stories in my cohort were made and told. It has been an honour being part of this process, and I am beyond grateful for every step of it.”

Anubhav Singh
Finalist

IG: anubhav.mov

“Ask any film industry veteran and they will tell you one of the key skills required to bring your ideas to fruition is the ability to pitch them effectively. Reel Asian’s Pitch competition has been a quintessential learning experience for an emerging filmmaker like myself to get familiarized with this important process.

From the very beginning to the end of the competition I felt so much supported by the Reel Asian Team since I was offered a safe space to practice my pitch, given wonderful notes by experienced mentors, learned tremendously from the fellow pitch finalists and experienced all of this while having fun at the same time!”

Alice Wang
Finalist

IG: isitalicewang

“I had a wonderful time being part of So You Think You Can Pitch last year! Pitching is always a stressful experience for me but something I knew I needed to practice and get better at. The pitch competition was a great opportunity for me to do so. We were given a safe space to practice, share ideas, and connect with each other. The pitch event itself also had such a supportive environment, which really helped mitigate my anxieties around public speaking and pitching.

Having access to the festival was also a great experience, and I learned a lot from the Bootcamps and clinics. Especially during covid, I really appreciated the community aspect of Reel Asian, and being able to meet and chat with my cohort members. I’m very grateful to have been part of the pitch and to have learned from our mentors and my cohort!”

Helmann Wilhelm
Finalist

IG: cantedpictures

“The Reel Asian Pitch Competition helped give me the necessary tools to prepare my pitch and connect with industry professionals. It also provided me the opportunity to meet other creatives, share experiences, and learn from others on what it takes to give a successful pitch that is authentic to your voice. From what I’ve come to learn, you will always be pitching something, whether it’s your next project or an idea in the writers’ room, and I cannot think of a better place to start your career than at the Reel Asian Film Festival.”

Announcing the 2022 Unsung Voices Participants

28 Jun, 2022

The Toronto Reel Asian International Film Festival is excited to announce this year’s Unsung Voices participants! The Unsung Voices Summer Youth Video Production Workshop will provide young Asian Canadians who have a keen interest in film and media art the chance to express themselves as artists, learn from professionals in the field, and to produce a distinctly Asian Canadian story on screen. The films made will receive a world premiere at the 26th Toronto Reel Asian International Film Festival in November 2022.

We asked this year’s cohort to answer the following questions: What about Unsung Voices are you most excited for? Why do you want to get into filmmaking? Read their responses below!

Meet the 2022 Cohort

Roda Medhat

Roda Medhat is a Kurdish-Canadian multi-disciplinary artist based out of Toronto, Ontario. Roda is a graduate of OCAD University’s Integrated Media program and a student of FAMU Film and Television School of Prague.

IG: reallyroda

What about Unsung Voices are you most excited for? Why do you want to get into filmmaking?

“Unsung Voices gives me the opportunity to share my voice and create work from the perspective of a Kurdish artist, a voice we don’t often see in the media. Unsung Voices allows me to create work from a west asian perspective that doesn’t focus solely on war and conflict and highlights actual experiences and the culture of western Asia.”

Hannah Polinski

Hannah Polinski is a writer, photographer, and filmmaker from Southern Ontario. With an interest in the passage of time, her work explores familial memory, shifting landscapes, and the surreal.

IG: wallcreeping

What about Unsung Voices are you most excited for? Why do you want to get into filmmaking?

“I started writing my film two years ago. I didn’t think I’d ever feel ready to make it, so finally being in the process of bringing it to life feels surreal. I’m excited that I get to work with one of my close friends on the project, as we’ve collaborated together in the past and always inspire each other in unexpected ways.”

Samyuktha Movva

Samyuktha Movva is an emerging Indo-Canadian writer-director based in Toronto, working on turning her childhood dreams into reality. She seeks to explore our complex experience of time, memory, beauty, love, and loss through intimate character studies that traverse language and culture.

IG: @samyukthamovva

What about Unsung Voices are you most excited for? Why do you want to get into filmmaking?

“I am especially looking forward to challenging and exploring my identity as a filmmaker in the structured space that Unsung Voices provides, with the support of a talented community of peers from across the country and the invaluable guidance of industry mentors. I’m drawn to filmmaking because for me, it represents the perfect medium that can best allow me to amalgamate the myriad of interests and curiosities that keep me up at night. Filmmaking is the collaborative, tangible application of storytelling that I crave after spending so much time in my mind during the writing process, which can often feel quite lonely. Film never ceases to feel like a form of magic to me – and I really want to be able to create that magic myself!”

Vivian (Xiao Wen) Li

Vivian Li is a writer, editor, and musician who enjoys exploring various artistic disciplines. Her works are published in The Fiddlehead, CV2, and Vallum, among others. A MFA candidate at UBC, she is currently an editor for PRISM international, and can be reached on Twitter @eliktherain.

IG: elik_rain
Twitter: eliktherain

What about Unsung Voices are you most excited for? Why do you want to get into filmmaking?

“I’m excited to spend a summer exploring and expanding on an idea I’m passionate about, as well as engaging with musical elements in a short film! I’m interested in filmmaking as I would love to translate my inner cinematic vision to a tangible experience for others to share. As well, the collaborative aspect of film feels precious to me.”

Dédé Chen

Born in Nanchang, China in 1995, Dédé Chen/陈新华 is a Sino-Canadian adoptee living in Tiohtià:ke/Montreal. As an anthropologist, she is interested in autoethnography as a source of creative writing. Her Master’s thesis at Peking University focuses on the return of adoptees to their birth country. Her texts have been published by Moebius, Le Crachoir de Flaubert, Le Devoir, the Huffington PostNüVoices, and Inkstone. Dédé lectures on anti-Asian racism and the rights of international adoptees. She is involved with L’Hybridé (an organization for adoptees in Quebec province), the Asian Coalition for a Relève Émancipatrice (CARÉ), and the Directory of Asian artists in Quebec at the invitation of the artist and curator Claudia Chan Tak. She recently co-founded Soft Gong, the first francophone organization by and for Chinese adoptees.

IG: dedechen_
Twitter: dedepicote
Website: https://linktr.ee/dedechen_

What about Unsung Voices are you most excited for? Why do you want to get into filmmaking?

“Unsung Voices is a platform to express hidden narratives, those of international adoptees, who are also part of the Asian diaspora. Filmmaking has always been part of my practice in anthropology and literature, but I was scared to fully dive in. It is a way to access unconscious memory, trust the image, let it evoke, without words, and create a new language. Thanks to Reel Asian, I am excited to explore new forms of documentaries by mixing performance and archiveology.”

Yi Shi

Born and raised in Hangzhou, China, Yi is a 27 year old queer multidisciplinary artist, tattooer, photographer, craft lover, dedicated lifelong learner, currently based in Tkaronto, aka Toronto, Canada.

IG: postyism

What about Unsung Voices are you most excited for? Why do you want to get into filmmaking?

“Through the Unsung Voices program, I am ready to learn more about filmmaking professionally. The resources and mentorship we are given access to are unparalleled. Too used to being a one-person crew, this will be my first time writing and directing a film on a bigger scale. I’m also excited to jump out of my comfort zone and bring my vision to life along with this year’s cohort – healing broken hearts, one story at a time. There will never be too many queer diaspora stories.”

Announcing the 2022 Fire Horse Award Recipient

Keith Lock

In true celebration of Asian Heritage Month, we’re excited to announce that filmmaker Keith Lock will be the first recipient of the Fire Horse Award! The $25,000 cash award is being presented annually to an Asian Canadian individual who has made an extraordinary contribution to the film and media-arts community.

Lock has been making experimental, documentary, and dramatic films since 1969 and is considered one of Canada’s first Chinese Canadian filmmakers. Lock’s experimental feature EVERYTHING EVERYWHERE AGAIN ALIVE (1975) was selected in 2020 by AGO Film Curator Jim Shedden as one of the “100 Best Canadian Films of All Time”. Lock collaborated as cinematographer on several Michael Snow films including TWO SIDES TO EVERY STORY (1974), which was selected as one of TIFF’s 150 Essential Works of Canadian Cinema.

As a leader and pioneer Lock was the founding Chair of the country’s first film co-op, the Toronto Filmmaker’s Co-op, which became LIFT (Liaison of Independent Filmmakers of Toronto). LIFT continues to operate as the largest artist-run media arts co-op in the country and just last year celebrated its 40th anniversary. Lock also founded “New Films”, the first regular screenings of independent and experimental films in Toronto, which led to the establishment of storied underground film film production and exhibition centre The Funnel in 1977.

Keith Lock will be presented with his award at a ceremony on May 31st hosted by Reel Asian.

Award-winning actor Sandra Oh pledges $50k to establish annual $25k award

“I’m thrilled to join Reel Asian in wholeheartedly supporting the Fire Horse Award,” said Sandra Oh. “By honouring trailblazers of the Asian Canadian media arts community, we are recognizing ourselves. It deeply matters who makes our images, and to these pioneers we owe a debt—and our promise to keep striving to tell our stories to the world. Let’s pause to celebrate those who blazed those trails—it’s beautiful and necessary. And I can’t wait for the next 25 years.”

Canadian film and television star Sandra Oh has committed $10,000 per year to the prize for the next five years. This contribution matches a generous lead donation from an anonymous donor. Ongoing contributions from the Reel Asian community will ensure the sustainability of the award for years to come.

Fire Horse Award Nominators

Elaine Chang
Professor at University of Guelph

Elaine Chang is a media, cinema, and cultural studies professor at the University of Guelph and a practicing screenwriter and poet. Her most recent work includes an essay on teaching Asian North American mystery literature and cinema forthcoming from the Modern Language Association, feature screenplays for a comedy and a political thriller, and a scholarly monograph on literary adaptation for the screen.

Richard Fung
Professor at OCAD University

Richard Fung is a video artist, writer and Professor Emeritus in the Faculty of Art at OCAD University.

The Fire Horse Award recognizes one Asian Canadian member of the film and media-arts community. This member demonstrates qualities of the Chinese zodiac symbol in their work: Fire Horses are changemakers, creative thinkers, and visionary leaders who significantly impact the larger community. The award was created on the occasion of Reel Asian’s 25th Anniversary in 2021 to honour Reel Asian founder Anita Lee whose groundbreaking work and determination has made Reel Asian a staple in Canada’s festival landscape.

The Toronto Reel Asian International Film Festival is celebrating its 25th festival in 2021. Started in 1997, Reel Asian is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. Works include films and videos by Asian-identifying artists in Canada, the U.S., Asia and all over the world.

Here For The Bigger Picture

Reel Asian is commissioning three original short animated videos to celebrate the landmark 25th festival based on our theme “Here For the Bigger Picture” which exemplifies the spirit of cinema and our endeavours for the future. The videos will be featured in the festival’s marketing and festival screenings in November 2021. 

We’re looking for original short videos that will:

  • Engage with and be based on the theme “Here For The Bigger Picture” 
  • Be between 15-60 seconds
  • Use sound and/or music
  • Be used for promotions on social and pre-roll before festival screenings
  • Completed by Oct 13, 2021

Honorarium provided to selected artists. 

Deadline to apply is August 20, 2021. 

We are no longer accepting applications.

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