Canada20201:00EnglishCanadian Premiere
Wondering if your system can handle our digital viewing portal? Unsure of how our ticketing system works? We recognize that the switch to new technology can make you feel uneasy with the unfamiliarity. That's why we've made this quick-and-easy test screening exercise for you to see how our ticketing (powered by Elevent) works and how you can access the viewing portal (powered by CineSend).
When you finish checking out of your shopping cart, Elevent will take you to this screen:
Because this screening is available right now, there is a blue “View” button. This is what will happen when you buy tickets to a screening after the festival has begun. → SKIP TO STEP 5
If you are buying in advance, you will see an indication of when the screening will be available instead of a “View” button. → GO TO STEP 3
Okay, so let’s imagine you bought a ticket in advance. You’ve checked out and gotten Elevent’s “Order Complete” screen with no view button, but an indication of when your screening will become available. For most titles, screenings become available at 10:00 AM on Thursday, November 12, 2020. (The exception is the opening night film, Down A Dark Stairwell, which only becomes available at 7:00 PM on November 12).
At 9:00 AM on Thursday, November 12, 2020 – an hour before the films become available, you will receive a “Virtual Access” email from Elevent in your inbox. Look for the words “Virtual Access” in the subject header:
You will receive a separate email for every film you buy access to. Since they all become available at the same time, you will get multiple emails at the same time.
Germany, Poland201984 minPolish, Vietnamese with English subtitlesDrama, Family, Family-friendly, Open Captions, Women Filmmakers
What does a hot bowl of lovingly prepared soup remind you of? The taste of home? The warm embrace of a loved one? For Long, a widower and cook at a Vietnamese restaurant in Warsaw, his famous pho is his pride, and his grade-school daughter Mia is his joy. But their world changes when the restaurant is sold, forcing Long to learn to make sushi. Meanwhile, Mia is frustrated by her father's caring but old-fashioned ways, while fearing he is moving on from the memory of her late mother.
Japan-born, Polish-educated director Mariko Bobrik’s first feature tells a tender and bittersweet look at an intergenerational immigrant family with a confidently light touch from (perhaps) an unexpected Eastern European source. While Poland is their home, Long and Mia both must navigate what the idea of home means for them when dealing with change, while finding a better understanding of each other.
– Aram Siu Wai Collier
Thang Long Do
Lena Nguyen
Aleksandra Domanska
OFFICIAL SELECTION
San Sebastián Film Festival, 2019
Osaka Asian Film Festival, 2020
FIN Atlantic International Film Festival, 2020
Mariko Bobrik
Mariko Bobrik was born in Japan in 1983. She graduated from the directing course of the Lodz Film School. She participated in Cinéfondation: Résidence du Festival de Cannes and Berlinale Talents. The Taste of Pho is her first feature. She currently lives in Warsaw.
ASL interpretation will be made available thanks to Toronto Sign Language Interpreter Services. Ticket holders can watch on the CineSend Reel Asian portal.
November 15, 2020 at 4PM
Cambodian-born Sokly “Don Bonus” Ny takes a Hi8 camcorder into his final year of high school in the San Francisco Bay Area, documenting intersecting events happening at school, at home, and amongst friends and family.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
Down a Dark Stairwell takes a nuanced and careful look at the events following the 2014 case where Akai Gurley was shot and killed in the stairwell of an apartment building by Chinese-American NYPD officer Peter Liang. This opening night presentation is followed by a panel discussion with ASL support and accompanied by an active listening service. Available only in Ontario for a limited time. Winner of The Truth to Power Award, Reel Asian 2020.
12 Nov. 7:00 pm - 13 Nov. 7:00 pm
This conversation invites emerging thinkers, artists and community cultural workers to consider digital futures for those without access to the city arts landscape, and by extension, digital opportunities. This event is part of the Reel Ideas Symposium.
19 Nov. 4:00 pm - 5:30 pm
UK202090 minEnglish, Urdu with English SubtitlesToronto PremiereDrama, Family
On the brink of his first international tour, Zed, a British Pakistani rapper, decides to fly home to the U.K. to reconnect with his family, only to find out his first big international break could be jeopardized by an unexpected and quickly debilitating autoimmune disease. As his condition worsens and his medical treatments intensify, Zed descends into a physical and emotional crisis. His days are marked by vivid hallucinations and long-buried childhood memories of his parents fleeing India during the Partition, forcing him to face resurfaced trauma.
A film co-written, produced by and starring Emmy Award-winning actor Riz Ahmed, Mogul Mowgli is a disquieting and electrifying exploration of identity, self-expression and intergenerational trauma. Bassam Tariq’s directorial lead and Ahmed’s transfixing performance create a gutsy, beat-packed drama authored by bi-cultural artists powerfully expressing their right to thrive in all spaces, especially those that have been built to reject them.
– Mariam Zaidi
Riz Ahmed
Alyy Khan
Sudha Bhuchar
Nabhaan Rizwan
Anjana Vasan
Aiysha Hart
Hussain Manawer
Kiran
Sonia Sawar
Jeff Mirza
OFFICIAL SELECTION
Berlin International Film Festival, 2020
Bassam Tariq
Bassam Tariq is a writer and director currently based between Texas and London. His previous film, Ghosts of Sugar Land (2019) won the Short Film Jury Award at Sundance Film Festival and was shortlisted for a Short Documentary Oscar.
Broke and evicted from their basement apartment in Seoul, teenager Okju, her little brother Dongju, and their divorced father must move in with their ailing grandfather at the city’s outskirts. Soon joined by an aunt reeling from her own failed marriage, they spend the summer getting reacquainted with each other as an ad hoc multigenerational family unit, which was the norm just a generation ago. Recently awarded winner of the Osler Best Feature Film Award, Reel Asian 2020.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
Catch Oliver Husain's Lenticular Lencture this year at the festival, featuring a digital installation of "French Exit" and an artist talk.
1 Nov. 12:00 am - 19 Nov. 11:59 pm
This panel reflects on the necessity and challenges of archives and archival work, inviting members of community archive initiatives to discuss their work and process. This event is part of the Reel Ideas Symposium.
15 Nov. 1:00 pm - 2:30 pm
Japan, Kazakhstan201984 minKazakh with English SubtitlesCanadian PremiereDrama, Open Captions, Women Filmmakers
A cowardly horse robbery ends in murder, leaving a boy fatherless and his family in disarray. When the boy’s mother is forced to move the family out of their village, a mysterious man arrives who might be able to help restore order. What may appear to us as a “Western,” with its familiar framing of vast vistas and sublime steppes, is really a story about fractured families and survival in the wake of violence.
Inspired by true events, co-directors Yerlan Nurmukhambetov and Lisa Takeba join forces for a landmark Kazakhstan/Japan co-production, starring decorated actors Samal Yeslyamova and Mirai Moriyama. These disparate yet collaborative elements are able to make something familiar but fresh, an Asian “Western”, an art film that builds to a satisfying genre conclusion and culminates with an epilogue of renowned Kazakh artist Gali Myrzashev paintings. The Horse Thieves is an atmospheric treat. Watch it full-screen, volume up.
- Aram Siu Wai Collier
Samal Yeslyamova
Madi Minaidarov
Mirai Moriyama
Dulyga Akmolda
OFFICIAL SELECTION
Busan International Film Festival, 2019
Tokyo International Film Festival, 2019
Hong Kong International Film Festival, 2020
Yerlan Nurmukhambetov, Lisa Takeba
Lisa Takeba is a Japanese film director and screenwriter known for Haruko’s Paranormal Laboratory (2015) and The Pinkie (2014). Yerlan Nurmukhambetov is a director and writer known for Walnut Tree (2015) and The First Rains of Spring (2011).
12 Nov, 2020 10:00 am
to 19 Nov, 2020 11:59 pm
14A
Ticket holders can watch Reel Asian Programmer June Kim's conversation with directors Yerlan Nurmukhambetov and Lisa Takeba on the CineSend Reel Asian portal.
Students at the Afghanistan National Institute of Music gather for the start of the school day. They laugh, practice, and take tests while preparing for a concert celebrating 100 years of Afghanistan's independence. Ranging from five-year-olds to young adults, some are middle-class kids and others are orphans, and they come from Afghanistan's many ethnic groups.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
Cambodian-born Sokly “Don Bonus” Ny takes a Hi8 camcorder into his final year of high school in the San Francisco Bay Area, documenting intersecting events happening at school, at home, and amongst friends and family.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
On the brink of his first international tour, Zed, a British Pakistani rapper, decides to fly home to the U.K. to reconnect with his family, only to find out his first big international break could be jeopardized by an unexpected and quickly debilitating autoimmune disease.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
USA199565 minEnglishArchive PresentationDocumentary
Cambodian-born Sokly “Don Bonus” Ny takes a Hi8 camcorder into his final year of high school in the San Francisco Bay Area, documenting intersecting events happening at school, at home, and amongst friends and family. Filmed and released in 1995, the film can be seen as a forerunner of the now-popular diary or vlog documentary format, featuring raw footage and voiceover from Don Bonus.
Although made in the 1990s, the beats of the film are familiar and still relevant, moving through issues of low-income housing, gang violence, academic struggle, and family fractures, while also featuring communal celebration, youthful camaraderie and intimate family life. These scenes are simultaneously casual and intentional, recontextualized and given resonance through Don Bonus’ frank, teenage monologic reflections.
A.K.A Don Bonus highlights how the stories that came before us, although constructed from their time and space, can continue to speak powerfully into our present.
– Jasmine Gui
Sokly Ny
OFFICIAL SELECTION
Berlin International Film Festival, 1996
San Francisco Film Festival, 1995
AWARDS
National Emmy Award, 1996
Golden Gate Award, San Francisco Film Festival, 1995
Spencer Nakasako
Spencer Nakasako has over three decades of experience as an independent filmmaker and is the founder of the groundbreaking Media Lab at the Vietnamese Youth Development Center in San Francisco’s Tenderloin District. Nakasako is a member of the Writers Guild of America, and the Academy of Motion Picture Arts and Sciences.
12 Nov, 2020 10:00 am
to 19 Nov, 2020 11:59 pm
Abundant with hope, desire, and resiliency, all six of these films make a statement to queer histories, presents, and futures—in front of and behind the screen. Includes National Film Board of Canada Best Canadian Short Film Award, Reel Asian 2020 winner SAFE AMONG STARS and winner of Change Connect Award, Reel Asian 2020 GOD'S DAUGHTER DANCES.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
Join co-hosts Lainey Lui and Angela Sun as they reveal the award winners for the 24th Toronto Reel Asian International Film Festival.
13 Nov. 4:00 pm
Catch Sahar Te's KHAAREJ No. 3 this year at the festival, featuring a mixed media sound and text digital installation, and an artist talk.
1 Nov. 12:00 am - 19 Nov. 11:59 pm
Japan2019179 minJapanese with English subtitlesClosed Captions, Drama, Fantasy
Rated 18A
CW: war, sex, physical violence (beatings, executions), sexual violence (rape), attempted suicide
In the port town of Onomichi, Japan, the only movie theatre is bidding goodbye to its local audiences. The owners organize a nightlong screening devoted to historical Japanese war films. Noriko, a teenager who regularly helps in the theatre, walks toward the stage and astonishes the audience as suddenly, she mystically projects herself into an old musical. Film buff Mario, film-history nerd Hosuke, and aspiring yakuza Shigeru are also warped into the cinema screen in sequences that represent the second Sino-Japanese War, Boshin War and Hiroshima bombing. The four embark on an immersive, surreal and vicious cycle of damnation and salvation in the face of war's savagery.
Nobuhiko Obayashi's swan song Labyrinth of Cinema dives into the senselessness of wars, wrapped in cinematic oddities. His abstracted reconstruction of Japan’s darkest events points out that movies, though a fabrication of reality, epitomize suffering as universal truth.
– Rolando Basmayor
Rei Yoshida
Yoshihiko Hosoda
Hirona Yamazaki
Riko Narumi
OFFICIAL SELECTION
Tokyo International Film Festival, 2019
International Film Festival Rotterdam, 2020
Fantasia International Film Festival, 2020
Nobuhiko Obayashi 大林 宣彦
Nobuhiko Obayashi (9 January 1938 – 10 April 2020) was a Japanese director, screenwriter, and editor of films and television advertisements. He began his filmmaking career as a pioneer of Japanese experimental films before transitioning to directing more mainstream media, and his resulting filmography as a director spanned almost 60 years
12 Nov, 2020 10:00 am
to 19 Nov, 2020 11:59 pm
Unpack the layers of this film with our special guests Rob Buscher of Philly Asian American Film Festival and Daisuke Miyao of University of California San Diego. ASL interpretation will be made available thanks to Toronto Sign Language Interpreter Services. Ticket holders can watch on the CineSend Reel Asian portal.
November 18, 2020 at 6:30PM
Rob Buscher
Board Chair of the Philadelphia Asian American Film Festival
Rob Buscher is a film and media specialist, educator, arts administrator, and published author who has worked in non profit arts organizations for over a decade. Buscherʼs expertise is Japanese and Asian American & Pacific Islander Cinema although he has worked as a professional film programmer, critic, and lecturer across a variety of fields. He currently lectures at University of Pennsylvania, and is a contributing writer at Pacific Citizen and Broad Street Review. Buscher also serves as President of the Philadelphia Chapter of civil rights group Japanese American Citizens League and chairs the editorial board of Pacific Citizen, the organization’s national newspaper.
Daisuke Miyao
Professor in Department of Literature, University of California at San Diego
Considering cinema to be a transnational cultural form from the beginning of its history and simultaneously to be a national entity, formed by specific discourses on nationalism and modernization, Daisuke Miyao has been conducting research on film history. His interdisciplinary training in cinema studies, East Asian studies, and American studies, combined with his bicultural background, living and studying both in Japanese and North American academia, made it possible for him to recognize that the study of film could benefit from cross-cultural and interdisciplinary perspectives.
Catch Sahar Te's KHAAREJ No. 3 this year at the festival, featuring a mixed media sound and text digital installation, and an artist talk.
1 Nov. 12:00 am - 19 Nov. 11:59 pm
A retired hitman, telephone counselor, Ronggeng dancer, and pug take the lead in these four cult-worthy shorts that are bound to make you question everything you thought you knew. Includes winners of Air Canada Short Film or Video Award, Reel Asian 2020 RECEIVER and RONG.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
This panel considers how digital tools have been mobilized through varying methods to adapt, respond and address changing socio-cultural contexts, and engage with communities. This event is part of the Reel Ideas Symposium.
17 Nov. 4:00 pm - 5:30 pm
Vietnam2019105 minVietnamese with English subtitlesCanadian PremiereDrama, Family, LQBTQ+ Filmmakers, Open Captions
Son of a prominent family in Vietnam, Van returns from America for the first time in nine years with his partner, Ian. Coming back to a community with expectations of patriarchy and legacy, Van tries to find the right moment to tell his mother, Mrs. Hanh, about his love for Ian. With the heir unable to bear children, the family fights over their inheritance, surmounting to a violent reveal of truths. Everybody has a secret. An intricately assembled ensemble, Goodbye Mother is a queer story and more.
Director Trinh Dinh Le Minh portrays characters with dignity in this uplifting story, providing positive resolution to otherwise challenging conversations within the Asian family dynamic. Paired with colour palettes that lends itself to the beautiful scenery of Vietnam, the portrayal of queer lovers making plans for the future provides an enriched leading story that normalizes queer Asian narratives in cinema.
– Bertha Lee
Hong Dao
Lanh Thanh
Vo Dien Gia Huy
OFFICIAL SELECTIONS
Busan International Film Festival, 2019
Hawai’i International Film Festival, 2019
&PROUD Yangon LGBT Film Festival, 2020
Trinh Dinh Le Minh
Trinh Dinh Le Minh is an emerging director from Vietnam. His narrative short The Scent of Fish Sauce has travelled to film festivals including Palm Springs International Film Festival, the BFI London Film Festival and the Bucheon International Fantastic Film Festival. He is also an alumni of Berlinale Talents and Talents Tokyo.
12 Nov, 2020 10:00 am
to 19 Nov, 2020 11:59 pm
14A
CW: Mild violence against queer person, Gay slur
ASL interpretation will be made available thanks to Toronto Sign Language Interpreter Services. Ticket holders can watch on the CineSend Reel Asian portal.
November 15, 2020 at 8PM
In the port town of Onomichi, Japan, the only movie theatre is bidding goodbye to its local audiences. The owners organize a nightlong screening devoted to historical Japanese war films. Noriko, a teenager who regularly helps in the theatre, walks toward the stage and astonishes the audience as suddenly, she mystically projects herself into an old musical.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
This fireside chat gathers together filmmaker mentors from Reel Asian’s 2020 Unsung Voices incubator to discuss what the building blocks of a good narrative are. This event is part of the Reel Ideas Symposium.
14 Nov. 1:00 pm - 2:30 pm
On the brink of his first international tour, Zed, a British Pakistani rapper, decides to fly home to the U.K. to reconnect with his family, only to find out his first big international break could be jeopardized by an unexpected and quickly debilitating autoimmune disease.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
India, Italy, Qatar, Romania202089 minGondiya, Madiya, Hindi with English subtitlesNorth American PremiereDocumentary, Family, Open Captions, Women Filmmakers
Somi and her husband met and fell in love while fighting alongside fellow Naxalites, a communist rebel group fighting for the rights of tribal communities in India for the past 50 years. Although the group represents a quarter of the population and lives in extreme poverty, Naxalites are seen as the biggest threat to national security for the State of India.
After a decade of armed struggle, Somi and her husband choose to surrender under the government’s Surrender Policy and begin the draining bureaucratic process of integrating into a hostile and unwelcoming Indian society. Through thoughtfully executed vignettes and with intimate access to Somi and her family, directors Arya Rothe, Cristina Hanes, and Isabella Rinaldi of the NoCut Film Collective construct a moving verité portrait of an ex-Naxalite family seeking a future for their children while being held hostage to the whims of a rigid and unforgiving contemporary Indian State.
– Mariam Zaidi
OFFICIAL SELECTION
International Film Festival of Rotterdam, 2020
Visions du Réel, 2020
Thessaloniki Documentary Festival, 2020
One World Romania, 2020
Durban International Film Festival, 2020
AWARDS
Special Jury Mention, International Film Festival of Rotterdam, 2020
Cristina Hanes, Arya Rothe, & Isabella Rinaldi
NoCut Film Collective was co-founded in 2016 by independent filmmakers Cristina Hanes (Romania), Arya Rothe (India), and Isabella Rinaldi (Italy) after studying together at DocNomads’ Master Course in Documentary Directing. NoCut Film’s first production is the creative documentary, A Rifle and A Bag (2020), directed and produced by the three co-founders.
12 Nov, 2020 10:00 am
to 19 Nov, 2020 11:59 pm
14A
ASL interpretation will be made available thanks to Toronto Sign Language Interpreter Services. Ticket holders can watch on the CineSend Reel Asian portal.
November 16, 2020 AT 11:00AM
A right-wing government controls Quebec, closing its borders and pushing immigrants to leave. Widower Hiên lives a meager life running a dépanneur. Enticed by his daughter Phuong’s move to Vietnam, Hiên makes arrangements to leave everything behind. But when a neighbourhood boy is left under the temporary care of Phuong’s aimless Quebecois boyfriend, Hiên is driven to solve the mystery of the boy’s missing mother.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
Join co-hosts Lainey Lui and Angela Sun as they reveal the award winners for the 24th Toronto Reel Asian International Film Festival.
13 Nov. 4:00 pm
The 2020 Canadian Spotlight features not one but three Canadian media artists who work at the intersections of experiential, experimental moving image and narrative.
1 Nov. - 19 Nov.
–
South Korea201978 minKorean with English SubtitlesNorth American PremiereDrama, Open Captions, Reel Asian Award Winner, Thriller
Unfolding over a tumultuous three days, Dust And Ashes is a quiet thriller following a grieving Hae-su, forced to learn and navigate the system in order to collect insurance after the death of her mother. Overworked, underpaid, and facing eviction, Hae-su takes desperate measures in order to escape impoverishment.
In his enigmatic directorial debut, Park Hee-kwon confronts the aftermath of death just as he does the act of living: with method and process. He steeps the bureaucracy of dying in intensity, slowly burning away the mystery surrounding Hae-su and the social injustices faced by the underclass in contemporary South Korea. Actress Ahn So-yo (seen in Albert Shin’s 2014 In Her Place) carries the grief as if it is her own—delivering a performance of few words but nonetheless affecting and steadfast in its resolve.
– Roxanne Fernandes
Ahn So-yo
Lee Kang-ji
Kim Na-young
Kim Jae-rok
OFFICIAL SELECTION
Jeonju International Film Festival 2020
Tallinn Black Nights Film Festival 2019
Hong Kong International Film Festival 2020
AWARDS
Cinesend Best First Feature Award, Reel Asian 2020
Park Hee-kwon
Park Hee-kwon has been a screenwriter for various comedy and disaster genre works such as Manners In Battle and The Flu. In 2011, his short film Neighbors criticized the high suicide rate in South Korea. Dust and Ashes is his feature-film debut.
12 Nov, 2020 10:00 am
to 19 Nov, 2020 11:59 pm
The first 100 tickets to this screening are FREE thanks to the generous support of the Consulate General of the Republic of Korea in Toronto. Limited quantities, get yours today!
14A
CW: Death or dying, Suicide
Ticket holders can watch Reel Asian Programmer June Kim's conversation with director Park Hee-kwon and actor Ahn So Yo on the CineSend Reel Asian portal.
We're kicking off ReelAsian24 with a bang!
6 Nov. 9:00 pm - 7 Nov. 12:10 am
This conversation invites emerging thinkers, artists and community cultural workers to consider digital futures for those without access to the city arts landscape, and by extension, digital opportunities. This event is part of the Reel Ideas Symposium.
19 Nov. 4:00 pm - 5:30 pm
In the port town of Onomichi, Japan, the only movie theatre is bidding goodbye to its local audiences. The owners organize a nightlong screening devoted to historical Japanese war films. Noriko, a teenager who regularly helps in the theatre, walks toward the stage and astonishes the audience as suddenly, she mystically projects herself into an old musical.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
South Korea2019105 minKorean with English SubtitlesOntario PremiereDrama, Family, Open Captions, Reel Asian Award Winner, Women Filmmakers
Broke and evicted from their basement apartment in Seoul, teenager Okju, her little brother Dongju, and their divorced father must move in with their ailing grandfather at the city’s outskirts. Soon joined by an aunt reeling from her own failed marriage, they spend the summer getting reacquainted with each other as an ad hoc multigenerational family unit, which was the norm just a generation ago.
Told through beautifully sun-soaked summertime moments, Moving On is a wistful, nostalgic, and sometimes painful look at growing up and growing old through the adolescent eyes of Okju. These nuanced observations about family will call to mind the films of Ozu or Yang (and is the utmost compliment). However, first-time feature director Yoon Dan-bi assuredly tells a semi autobiographical story with a sincere flair that will resonate with the trials of life that every family must face.
– Aram Siu Wai Collier
Choi Jung-un
Yang Heung-joo
Park Seung-joon
OFFICIAL SELECTION
Busan International Film Festival, 2019
International Film Festival Rotterdam, 2020
Vancouver International Film Festival, 2020
AWARDS
Busan International Film Festival NETPAC Award, 2019
Directors Guild of Korea, 2019
Bright Future Award, IFFR 2020
Osler Best Feature Film Award, Reel Asian 2020
Yoon Dan-bi 윤단비
Yoon Dan-bi’s short film Fireworks hit domestic festivals such as Daegu Independent Short Film Festival and Seoul Youth Film Festival in 2015. After entering Dankook University’s Graduate School of Cinematic Contents in 2017, she directed her feature film debut Moving On.
12 Nov, 2020 10:00 am
to 19 Nov, 2020 11:59 pm
The first 100 tickets to this screening were given out for FREE thanks to the generous support of the Consulate General of the Republic of Korea in Toronto.
PG
Ticket holders can watch Reel Asian Programmer June Kim's conversation with director Yoon Dan-bi on the CineSend Reel Asian portal.
From the mundane to the spectacular, our characters in these five films pave their own paths as some take matters into their own hands, while others come across new points of understanding and acceptance. Includes winner of WIFT-T Film Award, Reel Asian 2020 LOLA'S WAKE.
12 Nov. 10:00 am - 19 Nov. 11:59 pm
This masterclass explores the narrative construction of A.K.A Don Bonus, contextualizing the film in its era but also situating it in contemporary conversation. This event is part of the Reel Ideas Symposium.
17 Nov. 6:30 pm - 8:30 pm
Free programming dedicated to sparking joy, creativity, and fun for little ones and families to enjoy together. Includes winner of Air Canada Short Film or Video Award, Reel Asian 2020 ISLE OF CHAIR.
12 Nov. 10:00 am - 19 Nov. 11:59 pm