USA202184 minEnglishCanadian PremiereDocumentary, Women Filmmakers
About four hours from Los Angeles, on the dusty valley floor beneath the snow-capped Sierra mountains, lies a single white obelisk gravestone, one of the iconic remains of the notorious Manzanar camp for Japanese Americans during World War II. But the valley wasn’t always so. Payahuunadü, or “the land of flowing water,” Owens Valley is the home of the Nüümü (Paiute) and Newe (Shoshone) people who, years earlier, were forced from their land after ranchers and farmers claimed it, while the Los Angeles water department later drained the valley dry, diverting its water to the thirsty city.
Ann Kaneko’s Manzanar, Diverted invokes this history to tell the story of generations of women: Native American, Japanese American WWII incarcerees, and environmentalists, fighting for the future of the valley. Through a mix of testimonials, archival, and aerial photography, Kaneko weaves intersectional histories with the urgency of the present.
- Aram Siu Wai Collier
OFFICIAL SELECTION
Big Sky Documentary Film Festival, 2021
DOXA Documentary Film Festival, 2021
CAAMFest, 2021
Ann Kaneko
Ann Kaneko is known for her personal films that weave her intimate aesthetic with the complex intricacies of political reality. Her work has screened internationally and been broadcast on PBS Independent Lens and NewsHour. Her wig-shop musical 100% Human Hair played Reel Asian in 2002.
10 Nov, 2021
to 19 Nov, 2021
Community Supporter
This presentation has closed captions.
Damascus Dreams is a reflexive documentary essay presented in a series of sections framed by voiceovers of Serri and her father. The film explores and interrogates the fraught notions of dreams, and memories of “home,” moving loosely through old video footage of the family home in Syria, interviews with Syrians who had to leave or flee because of the civil war, conversations between Serri and her father, and poetic, dreamlike sequences.
The shorts in this program include works screened two decades ago at Desh Pardesh, as well as films made last year by a cohort of South Asian and Indo Caribbean emerging filmmakers who participated in Inside Out Festival’s Short Film Lab.
A mysterious tiger walks through the forest, barely revealing itself, save for a few rare and magical glimpses. This allegorical fiction begins Pallavi Paul’s description of systemic police violence in Delhi, India, based on events suppressed from official history.