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Celebrating 30 Years of Women in Leadership

For three decades, Reel Asian has been shaped by an extraordinary lineage of women leaders. From the organization’s founding to today, every Executive Director has been a woman, each building on the work of those who came before to support Asian artists, stories, and audiences.

To mark this milestone, we’ve created a limited edition 30th anniversary tote bag featuring the names of every Reel Asian Executive Director over the past 30 years. Each name represents a chapter in the organization’s history and a reminder of the collective leadership that helped grow Reel Asian into what it is today.

All proceeds from the tote support Reel Asian’s 30th anniversary initiatives, helping us celebrate the past while investing in the future of Asian Canadian storytelling.

Tote bags are $40 CAD.

To purchase click here and please email online@reelasian.com to arrange pickup from Reel Asian (Suite 448 at 401 Richmond St W, Toronto). Alternatively, purchase at the TIFF Shop (350 King Street W, Toronto).

This tote is more than a bag—it’s a tribute to the women who helped build this community.

Stay tuned for more stories about the women behind the names.

Ali’s extensive body of work delves into themes of race, history, migration, and memory. His films offer a unique perspective on the past, providing fresh lenses through which we can view history. Whether exploring the historical injustices faced by Indigenous peoples in Canada, the racism endured by early South Asian immigrants on the Komagata Maru, or the challenges faced by Muslims in the face of prejudice as he does in the 3D short video Hazardous. Ali’s approach remains resolute and insightful. The unique relationships Ali has built with his subjects and communities over extended and ongoing periods of time and space are evident in his exceptional storytelling. Through his groundbreaking research with a sharp and deep understanding and appreciation of the craft of filmmaking, Ali fills critical gaps in the history of immigration in North America, offering narratives that are often overlooked. He meticulously unearths the core of these stories, peeling back layers to reveal the complexities at the heart of each issue.

Ali has influenced and helped shape the careers of his students but on the Canadian media landscape. In addition to his filmmaking, Ali was deeply engaged with the Documentary Organization of Canada (formerly the Canadian Film Caucus), serving on the executive board of the Toronto chapter in the mid-1990s and eventually as its chair (19961997). As a teacher, mentor, and guide, he has profoundly influenced the careers and artistic visions of numerous emerging filmmakers. One of his students expresses her gratitude, saying, “Ali Kazimi’s mentorship was foundational—not only to my film but to who I became as a filmmaker.”

For decades, Ali has been deeply engaged in the critical, intricate work of deconstructing colonialism and promoting cross-cultural dialogue, all while constantly challenging the limits of form and innovation in documentary storytelling. Ali connects us globally through his complex engagements with Indigenous peoples  and communities across Canada, the South Asian communities in India and Canada, and Chinese Americans in the USA. 

Ali Kazimi embodies the very best traits of a Fire Horse: passion, creativity, transformation, boldness and ambition. He is truly a unique Asian-Canadian documentary filmmaker, an immigrant who lives, works, thrives amongst us and who has contributed so much to the media art scene as a social justice activist, media arts advocate and university educator.  Congratulations and best wishes to Ali! 

The nomination for the 2025 Fire Horse Award was submitted by writer and curator Kerri Sakamoto and Karen Tisch, executive director of Toronto’s Why Not Theatre.

“Ali Kazimi is one of our most celebrated artists whose contribution to Canadian cinema and video art is remarkable,” said Sakamoto and Tisch in their nomination. “Spanning documentary, experimental film, photographic montage, and 3D media art installation, his work explores race, social justice, migration, history and memory. A master storyteller, Ali demonstrates deep empathy for his subjects, ethical engagement, and a beautiful cinematic eye, while exposing difficult truths. As both creator and educator, Ali has inspired and uplifted younger generations of media makers in true Fire Horse fashion.”

“I am deeply honoured to receive the 2025 Fire Horse Award. This recognition is not only a celebration of my journey, but of the many communities, collaborators, students, and storytellers who have shared their truths and trusted me with their voices. I have always believed that film is not merely about telling stories—it is about listening, witnessing, and amplifying those whose histories have been overlooked, erased, or misunderstood. My hope is that this award serves as a reminder that the stories we tell—and how we tell them—matter. Thank you to Reel Asian for this profound honour, and for continuing to create space for bold, necessary and authentic storytelling.”

“Recognizing Ali Kazimi with this award has been a long time coming,” said Deanna Wong, Executive Director of Reel Asian. “We first screened his work Rex VS Singh—co-directed with Richard Fung and John Greyson—back in 2009, and have proudly showcased his films over the years. Honouring him as our 2021 Canadian Spotlight Artist was a meaningful milestone in our ongoing appreciation of his work. He truly embodies the spirit of the Fire Horse, and we’re so proud to celebrate his legacy with this award.”

Ali Kazimi is a once-in-a-generation artist whose award-winning documentaries—including Shooting Indians: A Journey with Jeffrey Thomas (1997), Continuous Journey (2004), and Beyond Extinction: Sinixt Resurgence (2022)—have been widely screened, garnering over 30 awards, and taught across Canada and internationally. His groundbreaking film Continuous Journey exposed Canada’s role in the 1914 Komagata Maru incident and contributed to a national reckoning with anti-Asian racism and colonial policies. Beyond filmmaking, Kazimi has played a pivotal role in shaping the Canadian media landscape through his work with organizations like the Documentary Organization of Canada and as a professor at York University, where he has mentored a generation of filmmakers.

The Fire Horse Award recognizes one Asian Canadian member of the film and media-arts community whose work and leadership embody the qualities of the Chinese zodiac Fire Horse—changemakers, creative thinkers, and visionary leaders with lasting impact. The award was created on the occasion of Reel Asian’s 25th Anniversary in 2021 in honour of Anita Lee, founder of Reel Asian and a trailblazing figure in Canada’s media arts landscape.

The 2025 recipient will receive a $25,000 cash prize, generously supported by contributions from Golden Globe-winning actor Sandra Oh, Lap Chan & Ha-kyung Helen Song, and Pan Asia Food Co., Ltd., as well as continued support from the Reel Asian community. The recipient will also receive the Fire Horse Award sculpture designed by Toronto-based artist and curator Myung-Sun Kim.
The award design, a floating, malleable form, evokes the relationship between body and memory; our familial and cultural inheritances across the diaspora.

“I’m thrilled to join Reel Asian in wholeheartedly supporting the Fire Horse Award,” said Sandra Oh. “By honouring trailblazers of the Asian Canadian media arts community, we are recognizing ourselves. It deeply matters who makes our images, and to these pioneers we owe a debt—and our promise to keep striving to tell our stories to the world.”

Join us in celebrating the incredible legacy and ongoing work of Ali Kazimi—a Fire Horse in every sense of the word. Tickets and tables for the 4th Annual Fire Horse Award Ceremony and Fundraiser are on sale now.

2025 Fire Horse Jury

Paul Wong

A trailblazing visual and media artist, curator, and cultural activist, Wong has shaped experimental media for over five decades. He was the 2024 Fire Horse Award recipient for his groundbreaking contributions to the arts.

Lalita Krishna

An award-winning documentary filmmaker and creative consultant, Krishna has produced impactful international documentaries for over 25 years and mentors emerging storytellers.

Albert Shin

A Korean-Canadian filmmaker and producer, Shin’s acclaimed films have screened at TIFF, Berlinale, and more. As co-founder of Timelapse Pictures, he continues to champion bold and innovative storytelling.

2025 Call for Animators: Festival Creative Artist

20 Mar, 2025

The Toronto Reel Asian International Film Festival (Reel Asian) is seeking their next Festival Creative Artist to create a 15 to 20-second animation as the foundation for the creative campaign for its 29th edition, taking place in November 2025.

As Canada’s largest pan-Asian film festival, Reel Asian continues to provide a platform for Asian media artists worldwide, showcasing contemporary works from Canada, the U.S., Asia, and beyond.

This call for animators expands the search for a lead artist to shape the festival’s visual identity. Pitches are not required at this stage.

🔹 Deadline to apply: April 7, 2025, at 11:59 PM EDT
🔹 Learn about the 2024 Festival Creative Artist and their artwork here

Due to the high volume of applications, only selected candidates will be contacted.

Reel Asian is Nominated for a Canadian Screen Award

2022 Reel Asian Awards is nominated for Best Web Program or Series, Non-Fiction at the Canadian Screen Awards which will be televised in May. The 2022 Reel Asian Awards program serves as both a preservation and embodiment of our mission. It encapsulates the essence of what we stand for—providing a stage for Asian creatives to shine and ensuring their contributions are appropriately acknowledged.

We are grateful for this nomination. The Canadian Academy’s support means a great deal to us, and we look forward to the Canadian Screen Awards where we will be alongside our esteemed fellow nominees.

About the 2022 Reel Asian Awards:

The weeks leading up to our annual festival are undeniably the most hectic. Amidst finalizing details with speakers, venues, and worrying about ticket sales, we seized the opportunity to enhance our digital Awards show, something we were thrown into doing during the onset of the pandemic. Although we were thrilled to return with our first fully in-person festival, we recognized the significance of an online Awards show–each award sponsor and winner had their moment to speak, and we were able to incorporate live musical performances from an ever-growing network of Asian talent.

The decision to host a digital Awards show brought its own set of challenges, including assembling a crew, securing a studio, arranging camera equipment, and scripting the event—all amidst an already lengthy pre-festival to-do list. Despite the tight timeline, our community rallied behind us. Through calls for assistance, we were fortunate to have generous members step up willingly, contributing their time and expertise without hesitation and the show came together in about two weeks.

During the peak of our planning schedule, we set aside our day-to-day responsibilities to contribute to the Awards show. For the day, our director of creative marketing and communications assumed the role of director, our shorts programmer became our Covid-19 compliance supervisor, our artistic director took on the role of GAFF and lighting grip, and I took on driving duties and lunch orders. It was a testament to the collaborative spirit within our organization, and it was undeniably rewarding to step into the other side of things and see everyone come together in a new way.

Despite our diverse roles, our shared objective remained constant: to provide a platform for Asian creatives and to duly recognize their outstanding work and achievements.

For Reel Asian, Asian Heritage Month provides an opportunity to reflect on our community’s cinematic history and to revisit past favourites that have made historic contributions to the Asian Canadian experience.

Think of past trips you’ve taken across Canada, around the world, or even during a walk through your home city  — chances are, you’ve come across a Chinese restaurant. Surely you’ve wondered about the stories behind the people and the food.

In the early 2000s, filmmaker Cheuk Kwan travelled the globe over the course of four years and documented stories for his beloved Chinese Restaurants series, which takes us from Turkey to Mauritius, India to Norway, Trinidad to South Africa, and many points in between. Throughout the 15 episodes, Kwan weaves together profiles of these small businesses to tell the story of migration, adventure, and an enduring spirit of the Chinese diaspora.  

Reel Asian is proud to present the complete Chinese Restaurants documentary series for the first time since its initial release nearly 20 years ago. Grouped into five programmes of three episodes each, all 15 episodes are available exclusively online throughout the month of May. Enjoy the films, and please join us for a conversation between author and filmmaker Cheuk Kwan and Toronto Star food reporter Karon Liu on May 2nd!

Enjoy this free VOD pass to Cheuk Kwan’s entire Chinese Restaurants Collection. Your pass automatically enters you for a raffle to win Cheuk Kwan’s book Have You Eaten Yet? 

Your VOD pass also includes a live-stream of the Director’s Talk with Cheuk Kwan in conversation with Karon Liu. This live 2-hr event will stream starting at 7PM ET on Monday, May 2, 2022. You can join in the chat and even ask questions remotely!

CHEUK KWAN'S CHINESE RESTAURANTS COLLECTION

Song of the Exile

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Song of the Exile tells the story of the Chinese diaspora told through its most recognizable and enduring icon – the family-run Chinese restaurant. Filmmaker Cheuk Kwan brings us into the lives of extraordinary families in Israel, South Africa and Turkey, as they share moving stories of displacement and belonging.

Kien is a Vietnamese refugee and a devout Christian who evangelizes Chinese migrant workers while running a restaurant in Haifa.  His children, meanwhile, variously negotiate their complex identities as Christian Chinese Israelis in a Jewish homeland surrounded by Arab states.

Ying started Cape Town’s first Chinese restaurant in 1947.  Today his widow Onkuen and his daughter continue his legacy.  Through them, we glimpse a South Africa struggling to address the bitter injustices and betrayals of its apartheid past.

Wang, a Chinese Muslim who established Istanbul’s oldest Chinese restaurant, fled Chinese Communists in 1949 with his family in a dramatic trek over the Himalayas, thereby earning a place in urban legend as the man who ‘walked from China’.

Together these family histories illustrate the wider story of Chinese migration, settlement and integration, and celebrate the resilience and complexity of the Chinese diaspora.  Set against events that have sparked some of the past century’s most dramatic global migrations, these stories illustrate communities whose culture and identity are held together by a kinship that is stronger than nationalism and politics.

On The Islands

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On The Islands tells story of the Chinese diaspora told through its most recognizable and enduring icon – the family-run Chinese restaurant.  Filmmaker Cheuk Kwan takes us on a tour of restaurants in Mauritius, Trinidad, and Cuba, showing us Chinese communities that have become an integral part of these sensual and seductive islands in the sun.

In the middle of the Indian Ocean, Colette, an innovative self-taught chef, serves up inventive new dishes combining Chinese, Creole and Indian flavors in her Mauritian restaurant. Colette, together with other members of the Hakka Chinese community, gives us insights into the Hakka Chinese and their conservative traditions and values.

In San Fernando, we find a rags-to-riches story of restaurant owner Maurice whose passion for quality and service has won him widespread affection and respect while members of his family dance to the infectious beat of Trinidad’s annual Carnival.

In Havana, Alejandro runs a home for Chinese elderly and supports it by operating a restaurant on the side.  Meanwhile, we go beyond the ‘Chinese Fantasy’ the Cuban government has created in Chinatown to discover a community that has now become truly Cuban.

Together, these community and personal histories illustrate the wider story of Chinese migration, settlement and integration and celebrate the resilience and complexity of the Chinese diaspora today in these interracial and multicultural island melting pots.

Three Continents

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Three Continents tells the story of the Chinese diaspora through its most recognizable and enduring icon – the family-run Chinese restaurant. Filmmaker Cheuk Kwan journeys to the ‘Big Island’ of Madagascar, inside the Arctic Circle in Norway, and the Canadian Prairies, exploring the long history of Chinese migration and settlement in three continents.

Did the Chinese come to Madagascar in the 15th century, years before the Europeans? This question is answered as we visit a restaurant run by a third-generation Chinese Malagasy and the oldest Chinese immigrant on the fourth largest island of the world.

Michael has opened one of very few Chinese restaurants inside the Arctic Circle. As he promotes his Hong Kong-style efficiency, his Chinese kitchen staff openly discusses how they came to Europe illegally to the restaurant trade.

Chinese workers came to Canada in the 19th century to build the trans-continental railroad, but by 1923, the country passed the Chinese Exclusion Act. Against these odds, Jim came to Outlook, Saskatchewan as a “paper son” using a dead child’s identity.

Together, these community and personal histories illustrate the wider story of Chinese migration, settlement and integration and celebrate the resilience and complexity of the Chinese diaspora. They highlight the fluidity and highly personal nature of identity, and the human impulse to connect both with the past and with those amongst whom we find ourselves.

Latin Passions

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Latin Passions tells the story of the Chinese diaspora through its most recognizable and enduring icon – the family-run Chinese restaurant. Filmmaker Cheuk Kwan visits Latin American cities of Lima, Sao Paulo and Buenos Aires encountering restaurant owners enthralled in their passion for cooking, soccer and tango.

Lima-born Luis is a medical doctor who took over a rundown restaurant in the city’s Chinatown.  The charming and outgoing doctor hosts Chinese cooking shows on TV and promotes the marriage of his ancestors’ holistic medicine and health-conscious cuisine.

Lee and his future wife swam from China to Macau, and freedom, during China’s Cultural Revolution in the 1960’s. On the eve of the 2002 World Cup final, their son, Luis, recounts his passion for football and what it means to grow up Chinese-Brazilian.

77-year old Chiang came to Buenos Aires in the 1960’s and became the “Spring Roll King” of Argentina. While his family lives elsewhere in this planet, he lives his remaining years amidst the melancholy music of the seductive tango.

Together, these stories illustrate the wider story of Chinese migration, settlement and integration and celebrate the resilience and complexity of the Chinese diaspora. They highlight the fluidity and highly personal nature of identity, and the human impulse to find passions in life.

Beyond Frontiers

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Beyond Frontiers tells the story of the Chinese diaspora through its most recognizable and enduring icon – the family-run Chinese restaurant.  Filmmaker Cheuk Kwan travels to the cities of India and into the jungles of Brazilian Amazon and come face to face with Chinese communities who have transcended geographical, political, and social frontiers.

The Yeh brothers were born in Calcutta and suffered from the aftermath the 1962 Sino-Indian border conflict.  Today, the four brothers reminisce what it was like to grow up Chinese in India as emigration decimated the once vibrant and prosperous community.

Taiwan immigrant Jack first established his restaurant thirty years ago in the Amazon city of Manaus.  While contemplating retirement, his business-savvy US-educated son, Eddy, navigates his own unique identity – Chinese in heart but Brazilian in spirit.

The brothers Nini and Baba Ling grew up in a Chinese-Indian family. As Nini contemplates his retirement from the restaurant business, Baba is forging ahead with Nanking, the re-incarnated name of a landmark restaurant his father established in 1947.

Together, these community and personal histories illustrate the wider story of Chinese migration and settlement and celebrate the resilience and complexity of the Chinese diaspora.  They highlight the fluidity and highly personal nature of identity, and the struggle of ethnic minorities to break through cultural and racial boundaries.

A film from Daniels and starring Michelle Yeoh, Ke Huy Quan, Stephanie Hsu, Jenny Slate, Harry Shum Jr., with James Hong and Jamie Lee Curtis. EVERYTHING EVERYWHERE ALL AT ONCE – In Theaters April 1.

Enter the Everything Everywhere All At Once Giveaway

Reel Asian is hosting a private in-person community screening of Everything Everywhere All At Once on March 30 at a downtown Toronto theatre. We’ve partnered with 4 local Asian-owned businesses in an I-spy style contest to increase your chance of winning a prize pack that includes tickets to the screening and top-secret swag from the movie.

Ways to enter:
1. Visit one of the 4 community partners (listed below) and snap a picture of the hidden googly eyes. Post the picture on Facebook, Twitter, or Instagram (stories or post) and tag the applicable business, @reelasian, and @elevation_pics.

  • Ruru Baked (659 Lansdowne Ave)
  • LA LA Bakeshop Annex (346 A Bloor St W)
  • Cuchara (1102 College St)
  • Shred (1265 Bloor St W)

2. Repost the giveaway post from @reelasian.

3. Comment and tag a friend on any of the Everything Everywhere All At Once Giveaway posts featuring artwork by jayymadethis on @reelasian or the community partners’ Instagram accounts.

Unlimited entries. Contest runs March 24 to March 27, 2022. All entrants will be entered in a raffle and winners will be notified by March 28, 2022 with event details.

Presenting Partner

 

Community Partners

      

Introducing Anniversary Animations Artists for Reel Asian 25

10 Nov, 2021

In celebration of Reel Asian’s 25th Anniversary, the festival commissioned three short works to be shown before each film during the festival. Made with their own interpretation of this year’s theme, “Here for the Bigger Picture,” we are proud to introduce the artists selected and invite you to read their artist statement below. The full animations can be seen at the festival in the opening sequences and will also be revealed on Reel Asian’s Instagram as the festival days progress.

To Bloom Like The Universe Does
by Sab Meynert

Artist statement: A short animation to follow the flow of the ever-intertwining rhythm of life, between vast transformations of the natural world, the inflections of our human emotions, and the seemingly-static elements of our atomic structures on earth.

Artist Bio: Sab Meynert is an artist based in ON, Canada. Her work spins poetic imagery & text to weave maps of visceral emotions and the multiformity of life’s infinitely unfolding nature. Between published artist multiples, national & international gallery shows, grant-funded bodies of work, collaborative initiatives with musicians & artists both local and international, her world-distributed book work, and animation work that ties all these in, Meynert is an embodiment of the artist working in dynamic multiplicity.

Cinema in Motion
by Leslie Supnet

Artist Statement: For Reel Asian’s 25th Anniversary commission, I wanted to integrate the history of cinema and celebrate Reel Asian’s milestone achievement while looking ahead towards the future of the festival. I re-animated one of Eadweard Muybridge’s The Horse in Motion (1878) cabinet cards, that illustrate locomotion in a sequential series of images that were a technical and conceptual breakthrough for filmmaking. By using various video and film textures, countdown leader and digital animation techniques, I wanted to celebrate the materials of film making as well as the passage of time with Reel Asian there for the bigger picture.

Artist Bio: Leslie Supnet is a Filipino Canadian contemporary experimental animator and filmmaker who creates media works that explore themes of loss and change. Using animation, live-action, found footage and material exploration, Supnet’s process is guided by lyricism and personal archeology. Leslie completed her MFA in Film at York University in 2016. She has taught animation in the community at various artist-run centres in Canada and through TIFF’s Reel Comfort program. Leslie is currently a Sessional Instructor at OCAD University.

Their portal
by Kevin Pham

Artist Statement: This piece is a homage to the unsung Asian films and TV that were a staple in immigrant households and places of work. Their presence was a constant, whether it was the focus of attention or white noise in the background. They offered comfort and a sense of home to diasporic Asians who were navigating the challenges of a foreign culture, language, and land. That alone speaks to the significance of these works, independent of critical acclaim.

Artist Bio: Kevin Pham is a motion designer based in Toronto, ON. He is a first generation Canadian and of Vietnamese descent. The nuances of reconciling these two disparate parts of his identity are often at the root of his work. His preferred modes of expression are animation, photography and illustration.

Announcing the 2021 Unsung Voices Participants

23 Jul, 2021

The Toronto Reel Asian International Film Festival is excited to announce this year’s Unsung Voices participants! The Unsung Voices Summer Youth Video Production Workshop will provide young Asian Canadians who have a keen interest in film and media art the chance to express themselves as artists, learn from professionals in the field, and to produce a distinctly Asian Canadian story on screen. The films made will receive a world premiere at the 25th Toronto Reel Asian International Film Festival in November 2021. Read more about the selected participants below!

Ganesh Thava

Ganesh Thava is a Tamil-Canadian writer, director and gardening enthusiast. He especially seeks to explore the intersectionalities within these lived experiences through the lenses of ethnicity, status and sexuality. Above all, as a creator, his goal is always to create rich, exciting, challenging spaces for diverse voices to express their most profound, most complex truths.

@ganesh.thava

James Legaspi

Living and working in Brampton, Ontario, James Legaspi is an emerging Filipino-Canadian artist who received an HBA from the University of Toronto in 2021. Through video and text, Legaspi explores experiences of race, gender, class, and their intersections with the artist’s familial history.

@jacapatil

Harman

Weeda Azim

Weeda Azim is an emerging Afghan-Canadian writer and filmmaker based in Toronto. Her ultimate goal is to embrace chaos and failure in her work, to create in order to understand herself, and to meet like-minded individuals along the way.

@wozymo

Reel Asian welcomes new board members

23 Jul, 2021

The Toronto Reel Asian International Film Festival is pleased to announce the recent appointment of four new members to the current board of directors (above, from L to R: Kristle Bautista, Michael Fukushima, Aron Levitz, Sydney Wong):

Kristle Bautista is an award-winning author, course director at York University’s Faculty of Liberal Arts and Professional Studies, and HR advisory within the Canadian Aerospace industry. Kristle’s published book, The Pivotal Moment, was celebrated as a #1 new release and bestseller within weeks of release in both Canada and the US, and is in the process of becoming a feature film. Her global HR advisory, mentorship and training experience spans across the aerospace, business consulting, not-for-profit, and food and consumer packaged goods industries over nearly 20 years. She has successfully delved into different industries, fascinated with what makes employees tick, and the common thread between HR professionals — the thing that makes us all human.

In his 36-year career, Michael Fukushima has been an animator, a filmmaker, a producer, and more recently, executive producer of the NFB’s English Animation Studio. He’s a member of the AMPAS® Academy, with over 200 films (and some nice awards) under his belt. His last films, by Oscar®-winners Alison Snowden and David Fine, and Torill Kove, were each Academy Award® nominees. His final NFB film is Joanna Quinn’s AFFAIRS OF THE ART. Freshly retired from the NFB, Fukushima is enjoying the freedom to ski all winter and cycle the rest of the time, cherry-picking the film work that most interests him. As a longtime member of Reel Asian’s advisory committee, Michael has already contributed to the organization as a years-long jury member for our Pitch! competition, a contributor to our AnimAsian award, and general all-around supporter.

Aron Levitz is President of Wattpad WEBTOON Studios, where he leads a visionary team of global entertainment and publishing experts to create data-backed, fan-driven hit TV shows, films, and books from WEBTOON and Wattpad. Levitz pioneered Wattpad’s adaptation business, launching Wattpad Studios in 2016 and serving as the company’s global studio head until the creation of Wattpad WEBTOON Studios. In just a few short years, Levitz grew Wattpad Studios from a concept to global leader in creating can’t-miss entertainment. 

 Prior to his role as Head of Wattpad Studios, Levitz was Head of Business Development at Wattpad, building the company’s monetization strategy and native advertising solution. He was also instrumental in launching the Wattpad Stars program that gives top influencers access to a variety of opportunities.

Sydney Wong is a Business Development Strategist at Corus Entertainment with the digital team. Her focus is on the Global News website and video licensing partnerships.

Her background in media and project management, has propelled her to work in television programming, producing live-action and animated shows, and short film distribution. Sydney has served on juries and panels at the Toronto Youth Shorts and Hamilton Film Festival. She is passionate about sharing the Asian experience through various forms of media in order to drive significant change in our community.

We very much look forward to working with these outstanding individuals as we move toward our special 25th-anniversary festival this fall, and beyond! WELCOME!

#UntilTomorrow campaign celebrates Reel Asian’s history during Asian Heritage Month

1 May, 2021

Last year we launched the #UntilTomorrow campaign, which took us through Reel Asian’s history as we revisited films from our past programming by launching the official Reel Asian online archive. What was initially a response to uncertain and unprecedented times has become a new tradition of taking the time to pause, reflect, and press play on old favourites. Scroll through old programme guides and revisit notes and details of the festival that has grown from a weekend-long event to a 10-day international attraction. Watch the films that inspire every aspect of our mission of championing diverse storytelling, and revisit the filmmakers whose stories lit up the big screen and ignited a passion for years to come.

These films touch on everything — family, friendships, identity, romance, race, politics, religion, unanswered questions, and endless “what-ifs.” Standing the test of time or as a clear capsule of the times, these cinematic gems from Asia and the Asian diaspora are yours to explore this Asian Heritage month.

Thank you to our special sponsor

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