This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
Iran, New Zealand20224 minFarsi with English subtitlesAnimation, Directed By Women, Experimental
Back-and-forth movement blends discrete pictures into each other, contrasting the memory of innocent childhood life in a remote, peaceful environment against the surrounding political affairs of post-revolutionary Iran.

Zahra Salarnia
Zahra Salarnia is an Iranian artist based in New Zealand. She seeks to explore alternative and unconventional methods for making and presenting animation.
This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
Explore this app for mobile devices that shares the journey of a child refugee, activated by the steps you take.
Discover the comedically honest and heartwarming story of the CBC Gem original short-form series How to Fail as a Popstar in our screening of the first three episodes followed by a panel discussion, "The Clumsy Art of Finding Yourself."
Six fearless emerging filmmakers embarked on a summer-long filmmaking journey online. We’re proud to present their world premiere here in the 12th edition of Reel Asian’s filmmaking program.
Canada, India, Sri Lanka202318 minTamil with English subtitlesDrama, History
In a small village in northern Sri Lanka, a young girl is forced to confront the consequences of a deadly civil war as a wounded freedom fighter is brought into their home.

*Kalainithan Kalaichelvan
Kalainithan Kalaichelvan is a Tamil Canadian writer, director, and producer whose films have screened at festivals such as the Santa Barbara International Film Festival, Rhode Island International Film Festival, and Reel Asian.
This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
Some family stories are so epic they demand telling. Some moments in history require the intimate and inside knowledge of community storytellers. The venerated Chinese Canadian filmmaker Keith Lock narrates the story of how his mother married his father in Australia, who was training with other Chinese Canadian veteran volunteers for the top secret suicide mission, Operation Oblivion.
You rarely couple poop and romance together, but Okiku and the World does it effortlessly in the most genuine and adorable way.
In our inaugural First Films event, award-winning Asian Canadian filmmakers show the first films they’ve ever made. They will reveal their origin stories—that time they caught the movie bug; the place their creative voices first started cracking.
Myanmar202218 minBurmese with English subtitles2slgbtq+, Drama, Romance
Out of work and forced to marry a man she dislikes, young San Kyi plans to run away with her best friend, but complications unfold.

Aung Phyoe
Aung Phyoe is a writer, director, and film editor. He’s currently working on his first feature length film Fruit Gathering.
Content Warning: Depictions of blood and self-harm
This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
Some family stories are so epic they demand telling. Some moments in history require the intimate and inside knowledge of community storytellers. The venerated Chinese Canadian filmmaker Keith Lock narrates the story of how his mother married his father in Australia, who was training with other Chinese Canadian veteran volunteers for the top secret suicide mission, Operation Oblivion.
Discover the comedically honest and heartwarming story of the CBC Gem original short-form series How to Fail as a Popstar in our screening of the first three episodes followed by a panel discussion, "The Clumsy Art of Finding Yourself."
Chloe Abrahams’ debut feature, is an enveloping, hypnotic, urgently personal meditation on family, memory, identity, violence, and love.
USA202314 minFarsi with English subtitlesDirected By Women, Drama, History
In the height of the Iran–Iraq war, Caroline takes the final car ride with her father through the Iranian countryside.

Julia Elihu
Julia Elihu is an Iranian American writer, director, and producer.
This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
The Sari-Sari Xchange is a project that seeks to amplify Asian representation in the creative emerging media industries in Canada, particularly through a community-building residency program that engages artists with digital and extended reality (XR) technologies such as virtual and augmented reality, 360 cinema, game-engine animation, and 3D scanning.
From the team behind Beyond the Infinite Two Minutes (Reel Asian Official Selection, 2021) comes Junta Yamaguchi’s latest time loop comedy, River. Set in a quaint inn along the Kibune river near Kyoto—a one-street village wedged between a riverbed on one side and mountains on the other—staff and guests find themselves stuck in a continuous two-minute time loop.
These shorts look at the soft to even slightly off-kilter bonds we find in one another, the realms we exist in, and ultimately, ourselves, despite ongoing change—no friendship bracelets required.
Philippines202322 minEnglish, Cebuano, and Tagalog with English subtitlesDark Comedy, Fiction, Monster, Science Fiction
Between nuclear reactors and military curfews, 14-year-old Jani lives in a dystopian world oppressively devoid of empathy. Together, she and her slippery new friend Kiefer the talking catfish gear up to strike a surreal blow for freedom.

Stephen Lopez
Stephen Lopez graduated from the University of Santo Tomas in 2012 with a degree in nursing. But due to the glut of underpaid health-care professionals in his country, he decided to be broke on his own terms and become a filmmaker instead.
CONTENT WARNING: Depictions of bullying, blood and violence
This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
When 13-year-old Ilyas’s parents yank him out of his comfortable Islamic private school and force him to adjust to life in public school, he develops a plan to change their minds. After a staged fondness for non-halal food and explicit music fails to sufficiently scandalize his parents, Ilyas asks his whip-smart former classmate, Yasmeen, to help devise a more foolproof plan.
In our inaugural First Films event, award-winning Asian Canadian filmmakers show the first films they’ve ever made. They will reveal their origin stories—that time they caught the movie bug; the place their creative voices first started cracking.
Philippines, Singapore202315 minTagalog with English subtitlesComedy, Drama
The audition process for an exploitative game show becomes the latest test of a long-suffering mother’s fortitude and tenacity.

Sonny Calvento
Sonny Calvento is a director, writer, and producer based in Manila. At the age of 19, he worked as a drama writer for ABS-CBN, the largest broadcasting network in the Philippines.
This film is part of the Shorts Presentation: THE STRANGE, THE ODD, AND THE FAMILIAR shorts programme.
Chloe Abrahams’ debut feature, is an enveloping, hypnotic, urgently personal meditation on family, memory, identity, violence, and love.
In our inaugural First Films event, award-winning Asian Canadian filmmakers show the first films they’ve ever made. They will reveal their origin stories—that time they caught the movie bug; the place their creative voices first started cracking.
There’s no need to be certain about what’s next as this collection of shorts places us in a position to face specific pivotal moments of reckoning. Whether we’re feeling stuck or turbulent in the chaos of transition, can we remain gentle to ourselves?
Singapore, USA20238 minNo dialogue2slgbtq+, Animation, Experimental, Romance
One night, a person brushes the teeth of a dog and turns into a bus.

This film has no dialogue and is presented without captions.
Elizabeth Xu Yuan Li (EXYL)
EXYL is a filmmaker and animator born and raised in Singapore. They were trained in painting and drawing, but moved slowly but surely into time-based mediums like live action and animation.
This film is part of the Shorts Presentation: THE STRANGE, THE ODD, AND THE FAMILIAR shorts programme.
These shorts look at the soft to even slightly off-kilter bonds we find in one another, the realms we exist in, and ultimately, ourselves, despite ongoing change—no friendship bracelets required.
When 13-year-old Ilyas’s parents yank him out of his comfortable Islamic private school and force him to adjust to life in public school, he develops a plan to change their minds. After a staged fondness for non-halal food and explicit music fails to sufficiently scandalize his parents, Ilyas asks his whip-smart former classmate, Yasmeen, to help devise a more foolproof plan.
The Good Guise is an artist collective in Toronto formed to spark conversations around healthy masculinity.
South Korea202227 minKorean with English subtitlesDirected By Women, Drama, Horror, Science Fiction
Sujin, who was recently fired and is planning to go to Canada on a working holiday, lives with her family after her parents’ return.

Eun-uk Jeong
Eun-uk Jeong is studying film at Myongji University.
This film is part of the Shorts Presentation: THE STRANGE, THE ODD, AND THE FAMILIAR shorts programme.
Jude Chehab, a Lebanese American cinematographer and filmmaker, has always known her mother and grandmother to be women devoted to their Muslim faith. During a trip to Lebanon, Chehab is propelled by a curiosity to understand the quest for love, acceptance, and meaning that brought three generations of women in her family to pledge loyalty to a secretive matriarchal religious order operating clandestinely in the country.
In our inaugural First Films event, award-winning Asian Canadian filmmakers show the first films they’ve ever made. They will reveal their origin stories—that time they caught the movie bug; the place their creative voices first started cracking.
A job interview, a children’s clothing store, a government registry office. These are just some of the everyday sites for which the characters of Terrestrial Verses must navigate cultural, religious, and institutional constraints imposed on them.
UK20223 minEnglishAnimation, Experimental, Science Fiction
A mad clock takes the viewer on a time trip to a random planet where the concept of time is experienced differently from the one we know...

*Shunny Kim & Taewan Kim
Shunny Kim and Taewan Kim are animators based in London. Co-directing their BA graduation film, their interests aligned through experimental animation, character design and collaboration.
CONTENT WARNING: Flashing lights
This film is part of the Shorts Presentation: THE STRANGE, THE ODD, AND THE FAMILIAR shorts programme.
A job interview, a children’s clothing store, a government registry office. These are just some of the everyday sites for which the characters of Terrestrial Verses must navigate cultural, religious, and institutional constraints imposed on them.
The Good Guise is an artist collective in Toronto formed to spark conversations around healthy masculinity.
The Sari-Sari Xchange is a project that seeks to amplify Asian representation in the creative emerging media industries in Canada, particularly through a community-building residency program that engages artists with digital and extended reality (XR) technologies such as virtual and augmented reality, 360 cinema, game-engine animation, and 3D scanning.
Canada202315 minEnglish and Tagalog with English subtitlesDirected By Women, Drama
In this complex family thriller, Gian has been plotting revenge since the day Janine, his mother, was sent away.

Nushi Sharma
Nushi Sharma is a Filipino Indian undergraduate student at the University of British Columbia.
This film is part of the Shorts Presentation: THE STRANGE, THE ODD, AND THE FAMILIAR shorts programme.
We are kicking off the 27th edition Toronto Reel Asian International Film Festival with a night to remember! Celebrate with us at our Festival Launch Party, co-hosted by New Ho Queen!
Delve into the profound connections filmmakers Fawzia Mirza (The Queen of My Dreams) and Zarrar Kahn (In Flames) forge when revisiting their roots in Pakistan, through a cinematic lens. This in-depth conversation explores how filmmakers turn place into its own dynamic character, and unpacks the emotive pull of returning, despite its tensions and contradictions. Join us as they showcase how "home" can transcend geographical boundaries, ignite stories with new interpretations of place, and animate narratives with the rich tapestry of personal heritage.
When 13-year-old Ilyas’s parents yank him out of his comfortable Islamic private school and force him to adjust to life in public school, he develops a plan to change their minds. After a staged fondness for non-halal food and explicit music fails to sufficiently scandalize his parents, Ilyas asks his whip-smart former classmate, Yasmeen, to help devise a more foolproof plan.