Pitch Project Title: CAREGIVER
Join us for the live So You Think You Can Pitch competition at the 29th Reel Asian Film Festival, where five emerging filmmaking teams will go head-to-head for a prize package to help bring their short films to life. Cheer the finalists on as they pitch their stories to a panel of distinguished jurors — and get a first look at the talented voices shaping the future of Asian Canadian cinema.
Pitch Winner Prize Package
Pitch Finalist Package
Rakhee Morzaria
Comedian, Actor, Writer
Rakhee Morzaria is a multi-award-nominated South-Asian actor, writer, and comedian. She was the lead on the hit Hulu/CBC comedy, Run the Burbs and her filmmaking has been showcased at the Atlantic Film Festival, Imagine This Film festival in New York, Kevin Hart’s Eat My Shorts Competition. Her CBC digital series, Note to Self, was nominated for a Canadian Screen and Canadian Comedy Award. As seen on What We Do in the Shadows (FX), Private Eyes (CTV) and My Spy (Netflix), and animated series Summer Memories (Roku), Rakhee also performs stand-up and sketch and performed at the Toronto and Montreal Sketchfest, Comedy is Art Festival, the Second City Stage and as part of inaugural Bob Curry Fellowship program.
Meelad Moaphi
Filmmaker
Meelad Moaphi is an Iranian Canadian filmmaker and Assistant Professor at Wilfrid Laurier University. His debut feature, His Father’s Son, won the Audience Choice and Best Director prizes at the 2024 Toronto Reel Asian International Film Festival and is now available on Apple TV+.
Eman Pathan
Producer
Eman Pathan produces work that focuses on diasporic narratives, with themes of identity, belonging and home. The Reelworld Producer Program alumni and DGC member produced Jersey Boy, a coming-of-age feature film about a Sikh boy struggling with his identity in the aftermath of 9/11.
Yung Chang
Filmmaker
Award-winning filmmaker Yung Chang (Up the Yangtze, Wuhan Wuhan) explores stories bridging East and West. He recently completed production of his short fiction The Highway (2025) and is developing his debut narrative fiction feature, Eggplant. Chang is a member of AMPAS, DGC and WGC.
Shasha Nakhai
Filmmaker
Shasha is a Toronto-based storyteller with over a decade of experience in scripted and unscripted. Her work has aired on the BBC, CBC, ZDF, and Arte; screened at the Museum of Modern Art (MoMA); been nominated for 16 Canadian Screen Awards; named TIFF’s Top 10; and shortlisted for an Oscar.
Alison Almeida
Producer
Alison Almeida is a South Asian producer based in Toronto.
Pitch Project Title: CAREGIVER
Jialan Lin
Writer & Director
Jialan Lin is a Toronto-based Chinese writer-director whose work delves into the cultural and societal systems that reinforce inequality, intending to spark dialogue and foster healing. A graduate of the USC Film School (MFA) and a participant of the Whistler Film Festival Screenwriters lab, she is currently developing her debut feature, Caregiver.
Pitch Project Title: DON’T RAISIN!
Katharine King So
Filmmaker
Katharine King So’s work often explores being a gay half-Asian woman: whether she’s playing one onscreen (Revival, The Voyeurs), developing dark-comedy scripts (TIFF’s Series Accelerator, Inside Out’s Finance Forum), or walking her dog in a Melissa Etheridge t-shirt. She is repped by PLAY Mgmt. www.katharinekingso.com @katharinekingso
Dylan Pun
Director
Dylan is a Chinese film director whose style revolves around strong talent direction, meticulously crafted frames, and an edit-conscious approach. He is drawn to character-driven stories that call for a unique visual language. His short film Shrimp Fried Rice won Best Screenplay at the Fantasia International Film Festival.
Pitch Project Title: JOINT CUSTODY
Lee Nisar
Filmmaker, Writer, & Photographer
Lee Nisar is a Pakistani-Canadian filmmaker, writer, and photographer based out of Toronto, Canada. Lee’s work explores issues relating to intergenerational curses, queerness, and the absurd. When not working on their next film, Lee enjoys karaoke, trying out new recipes, and annoying their cat.
Pitch Project Title: APPA
Lizzie Han
Filmmaker
Lizzie Han is a Korean-Canadian filmmaker based in Toronto. She is drawn to restrained studies of daily life that balance dry humour with quiet tragedy. Her work has screened at numerous international film festivals including NFFTY, TIFF Next Wave, and Phoenix Film Festival.
Pitch Project Title: KLEPTO, NO BOYFRIEND
Yvette Sin
Filmmaker
Yvette Sin is a queer Canadian-Hong Kongese artist based in Toronto. From found objects, intrusive thoughts, inside jokes and gossip, she makes: collages, poems, mistakes and moving pictures. Mostly she spends her days at a bookstore in the west end, slingin’ books, driving around the city and scheming.
15 Nov, 2025 7:00 pm
Annex Theatre–

Wheelchair spaces and step-free seating is available for this screening – click below to book accessible seats.
Join us at CSI Spadina for the Closing Night Reception following the SO YOU THINK YOU CAN PITCH? LIVE FINALE
9PM at CSI Spadina (192 Spadina Ave)



A calm & quiet zone will be available at this event. If you require accessibility accommodation for this event, please click the link below.
A discussion on artist labour conditions and funding challenges. The IMAA team will present on the Alliance’s resources including the Fee Schedule, the Resource Access Network and the Advocacy Toolkit, followed by a reception and mingling portion. Attendees will have the opportunity to connect with the Alliance team, industry leaders, artists, and peers. Free and open to the public!
Join us for an in-depth conversation about SPACE CADET, a moving animated film that speaks volumes without a single word of dialogue. Director Kid Koala will share how a memory of watching Charlie Chaplin films with his grandmother became the north star that guided this deeply personal story.
The discussion will explore how festivals can better support accessibility — from accommodating filmmakers with disabilities and reaching diverse audiences, to guiding creators on inclusive practices like budgeting for captioning.
Join us for an evening of quiet time records! Kid Koala hosts a "quiet time" event, playing hours of his favorite music to work, draw, code, write or knit to. Bring your creative projects.
Since 2009, Kid Koala has been hosting Music To Draw To sessions—a series of events focused on community and creativity. People come to draw, sculpt, write, paint, knit, and code in a cozy environment conducive to working. Kid Koala curates a 4-5 hour set of quiet time music to keep everyone in their creative zones. It has grown to become a very popular community event and continues to be invited to cities around the world. We are thrilled to host Kid Koala to play in our space while you enjoy some tunes, tea, and snacks while you draw or continue working on that creative project or hobby.
Kid Koala
Kid Koala is a Montreal-based scratch DJ, film composer, theatre producer and visual artist. He has released 5 solo albums, and contributed to several feature film soundtracks including The Great Gatsby, Looper, Baby Driver and Scott Pilgrim vs. the World. He has toured with the likes of Radiohead, Deltron 3030 and The Preservation Hall Jazz Band. He has written and illustrated the award-winning graphic novels Nufonia Must Fall and Space Cadet. He is known for his imaginative live productions such as Vinyl Vaudeville, Satellite Turntable Orchestra, and The Storyville Mosquito, each of which expresses his unique form of storytelling with music, animation, film and interactive entertainment.
20 Nov, 2024 7:00 pm
to 11:00 pm
Festival LoungeThe Festival Lounge is at 401 Richmond St W, Suite 440

The building is wheelchair and step-free accessible via a ramp & button operated door.
The event space, including the accessible washrooms, are on the 4th floor, accessible via an elevator.
Please click below to advise us of your access needs for this event.
So you have a great idea for a documentary—what’s next? Join our panel of Producers and Directors as they break down the journey of transforming a concept into a compelling finished project. From the early stages of research, fundraising, and story development, to navigating production challenges and securing distribution, this discussion will cover the essential steps and strategies for bringing a documentary idea to life. Gain insights on pitching to funders, the importance of crafting diverse and authentic narratives, and how to collaborate with key stakeholders in the industry. Whether you’re just starting out or looking to refine your approach, this session will provide valuable takeaways from experienced professionals who have successfully turned their ideas into reality.
It’s no secret that filmmaking requires grit, stamina, and a whole lot of determination. Reel Ideas celebrates the behind-the-scenes perseverance that drive creators to follow their instincts and shape their stories.
Fresh off its world premiere at TIFF, Amar Wala’s SHOOK serves as an ideal case study for filmmakers, particularly those transitioning from shorts to feature films. Set in Scarborough, Ont., the film captures the area's multicultural essence and reflects on identity, place, and personal growth through rich, site-specific details. This panel explores the craft of the film, the intricate score, and the writing process, capturing a slice of life that local audiences can resonate with. As a family story, SHOOK presents a narrative that showcases the beauty of everyday life, balancing complex personal narratives with broader cultural commentary. By examining Wala’s experience with Shook, we'll shed light on how an honest love letter to a city and its diverse communities can be crafted.
So you have a great idea for a documentary—what’s next? Join our panel of Producers and Directors as they break down the journey of transforming a concept into a compelling finished project. From the early stages of research, fundraising, and story development, to navigating production challenges and securing distribution, this discussion will cover the essential steps and strategies for bringing a documentary idea to life. Gain insights on pitching to funders, the importance of crafting diverse and authentic narratives, and how to collaborate with key stakeholders in the industry. Whether you’re just starting out or looking to refine your approach, this session will provide valuable takeaways from experienced professionals who have successfully turned their ideas into reality.
This panel discussion will be followed by a social mixer with free food and drink, offering a chance to network and connect with fellow filmmakers and industry professionals.
Lalita Krishna
Documentary Filmmaker
Lalita Krishna is a critically acclaimed documentary filmmaker whose films have screened on all major networks, and won awards at major film festivals around the world. Lalita is also the winner of the 2021 Hot Docs Don Haig award, the 2013 Crystal Award for mentorship given by WIFT(Women in Film and Television), the Trailblazer (2012) award given by the Reel World Film Festival and the Dream Catcher award from the Hope and Dreams Festival NJ, for using her craft to better humanity.
Yasmine Mathurin
Writer and Director
Yasmine Mathurin is a Haitian-Canadian award-winning writer & director. Her first feature documentary film ONE OF OURS premiered at Hot Docs in 2021 and won the Special Jury Prize and top 10 Audience choice and was nominated for 3 Canadian Screen Awards for best writing, best directing and best feature documentary. It is now available on CBC Gem and in the US through AMC+ and Sundance TV. She previously worked as an associate producer with CBC Original Podcast where her work has been awarded with a Webby people’s choice and a Canadian Digital Publishing Award.
She is an alumni of the Hot Docs Documentary Lab, RIDM lab, the Union Docs Feature documentary lab, the Berlinale Doc Toolbox program, DOC Breakthrough, TIFF CHANEL Women’s Writers Network, TIFF Writers Studio. Her work has been screened at several film festivals including, DocEdge, Hot Docs, RIDM and DOC NYC and Indie Memphis Film festival.
She recently produced and directed episodes in the CBC documentary series FOR THE CULTURE WITH AMANADA PARRIS. She is currently 1 of 8 directors selected in the 2023/2024 Women In the Director’s Chair Story & Leadership program. She is the recipient of the 2023 TIFF CBC Screenwriter Award for her upcoming fiction narrative feature film SORRY PARDON MADAME.
Shasha Nakhai
Filmmaker
Shasha Nakhai is a storyteller whose work has taken her to the Hawaiian coastline, the ski slopes of Davos, the Nevada desert, a Cold War bunker, the engine room of a decaying ship, Philippine sugar mills and the front lines of Nigeria’s energy crisis. Her work has aired on the BBC, CBC, ZDF, and Arte; screened at the Museum of Modern Art (MoMA); been nominated for 16 Canadian Screen Awards; named TIFF’s Top 10; and shortlisted for an Oscar.
With over a decade of experience in documentary, Shasha recently released her first drama feature with partner Rich Williamson – Scarborough, adapted from the award-winning novel by Catherine Hernandez. The film made its World Premiere at the 2021 Toronto International Film Festival, where it won the Shawn Mendes Foundation Changemaker Award, was 1st runner up for People’s Choice, and received an Honourable Mention for Best Canadian Feature.
Shasha is an alumna of TMU’s Journalism Program, Berlinale Toolbox, the DOC Institute’s Breakthrough Program, Hot Docs Doc Accelerator, WIFT’s Ubisoft Toronto Mentorship, the Reel Asian First Feature Lab, and TIFF’s Talent Accelerator.
Soko Negash
Producer
Soko Negash is a Toronto-based producer dabbling in doc, scripted, podcasts, and lots in between. Some things she’s proud of: working on all four seasons of Netflix’s Emmy-winning Hip-Hop Evolution (Banger Films), production managing two barrier-breaking CBC Gem web series (Next Stop & Lido TV), and producing a doc series about viral videos (Witness with Scarborough Pictures) which premiered at Hot Docs and Doc NYC. She is currently in post-production on two feature films due to surface in late 2024 – Reza Dahya’s highly-anticipated Talent To Watch film Boxcutter, and award-winning director Amar Wala’s Shook. Soko is also an alumni of the Netflix/Hot Docs’ Doc Accelerator program, Black Screen Office Producer’s Program, Black Women Film! Canada, and RealScreen’s Pathways Mentorship program. Soko is a graduate of TMU’s School of Media, and of the multi-city arts incubator, The Remix Project.
19 Nov, 2024 4:30 pm
Commons Lobby at 401 Richmond Street
The building is wheelchair and step-free accessible via a ramp & button operated door.
The event space, including the accessible washrooms, are on the 4th floor, accessible via an elevator.
Please click below to advise us of your access needs for this event.
Join us for an in-depth conversation about Ann Marie Fleming's CAN I GET A WITNESS?, Reel Asian's opening night film this year. This thought-provoking movie examines a near-future society grappling with climate change, mortality, and the value of life. Fleming draws inspiration from her personal experiences, including her time in Vancouver's West End and the environmental upheaval of Stanley Park.
Sit in on this exclusive screening and deep dive of LATE BLOOMER, the groundbreaking series from the creative mind of Jasmeet Raina (Jus Reign). Centred on Jasmeet Dutta's life, the show unpacks family expectations, intergenerational relationships, and racial identity in ways rarely seen on Canadian TV. We’ll screen Episode 1: "Nudes" and Episode 4: "The Turban," offering a glimpse into Jasmeet’s complex journey as he navigates personal desires that go against familial pressures. Stick around to hear from the creative team about how Late Bloomer has landed in the community, and how it will continue to shape these conversations in real life.
Closing out the 28th Toronto Reel Asian International Film Festival, join us for the live So You Think You Can Pitch competition.
Join us for an exclusive Work-In-Progress presentation of Space Cadet, a captivating animated film directed by Kid Koala. Work-In-Progress events at Reel Asian give audience members a chance to explore the development stages of a piece of work. In this session, we will hear insights from the creative team of Space Cadet, including director Kid Koala, head of story and production designer Lillian Chan, and artistic director Corinne Merrell, who will guide us through the artistic process and illustrate how animation brings this heartfelt narrative to life.
Space Cadet tells the story of Robot, a guardian programmed to protect Celeste, the sweetest astronaut on this (or any) planet. When Celeste embarks on a solo mission into the vast unknown, Robot is left behind, grappling with loneliness and the passage of time. As Celeste faces unforeseen challenges in space, memories of her childhood with Robot resurface, revealing the deep emotional bond they share.
This tomorrow-days lullaby is not just about outer space adventures. It also delves into themes of aging, destiny, and the significance of our memories.
Don’t miss this opportunity to travel the richly textured, imaginative world of Space Cadet and explore its journey.
Kid Koala
Director
Kid Koala is a Montreal-based scratch DJ, film composer, theatre producer and visual artist. He has released 5 solo albums, and contributed to several feature film soundtracks. He is known for his imaginative live productions, each of which expresses his unique form of storytelling with music, animation, film and interactive entertainment.
Lillian Chan
Head of Story and Production Designer
Lillian Chan is an experienced animation filmmaker known for her work on various projects, including the award-winning children’s film Jaime Lo, Small and Shy (NFB, 2007), an educational short for TEDed, and a VR prototype for the CFC Medialab. Her commercial clients include DisneyXD, Nelvana, Guru Studios, and Mozilla. Lillian serves as professor of animation at Seneca Polytechnic in Toronto.
Corinne Merrell
Artistic Director
Corinne Merrell creates work as an art director for film, stop-motion animation and theatre. Credits include stop-motion art director on the animated feature The Little Prince, as well as production designer on the National Film Board’s The Fruit Hunters. Ongoing works with Kid Koala includeThe Storyville Mosquito and Nufonia Must Fall. Space Cadet is her first CG animated project.
21 Nov, 2024 7:00 pm
Hot Docs Ted Rogers CinemaTickets are required for this presentation, but tickets are free. Limit of 2 tickets. This event will have open seating – if your ticket says SPCDT Free, you may sit anywhere on the Floor level not specifically reserved; if your ticket says SPCDT Balcony Free, you may sit anywhere in the Balcony levels not specifically reserved.
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Wheelchair spaces and step-free seating is available for this event – click below to book accessible seats.
Join us for an evening of quiet time records! Kid Koala hosts a "quiet time" event, playing hours of his favorite music to work, draw, code, write or knit to. Bring your creative projects.
CREATURA is a multimedia cross-programming stream at the 28th Reel Asian Film Festival, spotlighting the strange, wild, and untamed — concepts historically used to marginalize. This session will explore how these concepts manifest through stories of endangered traditions and reimagined realities. The documentary THE LAST OF THE SEA WOMEN provides a vivid portrayal of South Korean fisherwomen preserving an ancient practice amidst modern developments. Meanwhile, UNIVERSAL LANGUAGE, set in a reimagined Canada where Farsi and French are official languages, presents a surreal world where societal norms are upended and loneliness is a common experience. Both films vividly embody the spirit of CREATURA by pushing the boundaries of human experience and challenging conventional perspectives.
Fresh off its world premiere at TIFF, Amar Wala’s SHOOK serves as an ideal case study for filmmakers, particularly those transitioning from shorts to feature films. Set in Scarborough, Ont., the film captures the area's multicultural essence and reflects on identity, place, and personal growth through rich, site-specific details. This panel explores the craft of the film, the intricate score, and the writing process, capturing a slice of life that local audiences can resonate with. As a family story, SHOOK presents a narrative that showcases the beauty of everyday life, balancing complex personal narratives with broader cultural commentary. By examining Wala’s experience with Shook, we'll shed light on how an honest love letter to a city and its diverse communities can be crafted.
Available Online
CREATURA is a multimedia cross-programming stream at the 28th Reel Asian Film Festival, spotlighting the strange, wild, and untamed — concepts historically used to marginalize. This session will explore how these concepts manifest through stories of endangered traditions and reimagined realities. The documentary The Last of the Sea Women provides a vivid portrayal of South Korean fisherwomen preserving an ancient practice amidst modern developments. Meanwhile, Universal Language, set in a reimagined Canada where Farsi and French are official languages, presents a surreal world where societal norms are upended and loneliness is a common experience. Both films vividly embody the spirit of CREATURA by pushing the boundaries of human experience and challenging conventional perspectives.
Saffron Maeve
Critic, Curator
Saffron Maeve is a Toronto-based critic and curator. Her writing has appeared in Film Comment, The Globe & Mail, Sight and Sound, MUBI Notebook, Reverse Shot, Cinema Scope, Hyperallergic, Toronto Star, and Screen Slate. She is the curator of CONTOURS at Paradise Theatre, a monthly series of films which thematize visual art. Saffron is an active member of the Toronto Film Critics Association and GALECA: the Society of LGBTQ Entertainment Critics, as well as a past guest speaker and moderator for TIFF, International Film Festival of Ottawa, Dave Barber Cinematheque, Wavelengths, and Mark S. Bonham Centre for Sexual Diversity Studies.
Iris Ng
Cinematographer (THE LAST OF THE SEA WOMEN)
Iris is a cinematographer known for work that focuses on human rights, marginalised perspectives, and POV filmmaking. She has extensive experience in documentary films but has also been lensing films for contemporary artists, as well as shot scripted shorts, prime time TV, and digital series. Her most notable work includes Stories We Tell, Shirkers, and celebrated socially-critical feature documentaries such as Twice Colonized, One Of Ours, Subjects Of Desire, A Better Man, Migrant Dreams, and most recently Exclusion: Beyond The Silence, and The Last Of The Sea Women.
Ila Firouzabadi
Screenwriter (UNIVERSAL LANGUAGE)
Born in 1980 in Tehran and based in Montreal since 2012, Ila Firouzabadi is an interdisciplinary artist who focuses on ambiguous and sensitive forms through drawings and a combination sculpture and installation. Firouzabadi received a BA in graphic design in 2005 from Azad University of Art and Architecture in Tehran and graduated from École national des arts décoratifs de Strasbourg in 2009. She has exhibited her work around the world, notably at Keramikmuseum and the Artforum Kunstlerkreis Ortenau Gallery (Germany,2009), the Espace Apollonia (France, 2010), at the Theodore Deck museum (France, 2010), at OBORO (Quebec,2013), at MAI (Quebec,2015) and at Etemad gallery (Iran,2016). In Canada, Firouzabadi’s practice has expanded into moving images in two collaborative projects with director Matthew Rankin; an Esperanto-language docu-fiction project presently in production, Kongreso, and the fiction film of Universal Language (2024) which premiered at the 55th Directors Fortnight in Cannes.
20 Nov, 2024 4:30 pm
OnlineJoin us for an in-depth conversation about Ann Marie Fleming's CAN I GET A WITNESS?, Reel Asian's opening night film this year. This thought-provoking movie examines a near-future society grappling with climate change, mortality, and the value of life. Fleming draws inspiration from her personal experiences, including her time in Vancouver's West End and the environmental upheaval of Stanley Park.
Join us for an evening of quiet time records! Kid Koala hosts a "quiet time" event, playing hours of his favorite music to work, draw, code, write or knit to. Bring your creative projects.
It’s no secret that filmmaking requires grit, stamina, and a whole lot of determination. Reel Ideas celebrates the behind-the-scenes perseverance that drive creators to follow their instincts and shape their stories.
Join us for the live So You Think You Can Pitch competition at the 28th Reel Asian Film Festival! This is a fantastic opportunity to support emerging filmmakers as they showcase their projects to our distinguished jurors. Watch the five finalists compete for an incredible prize package to help launch or complete their films. Come cheer on the next generation of talent and get inspired by the future of Asian Canadian cinema!
Pitch Winner Prize Package
Pitch Finalist Package
Andrew Phung
Actor, Host, and Comedian
Andrew Phung is an award-winning actor, host, and comedian, known for the comedy series Kim’s Convenience. He won five Canadian Screen Awards as Best Supporting Actor in a Comedy Series for that role. He’s currently the co-creator and star of the comedy series Run the Burbs on Hulu/CBC.
Amanda De Souza
Director/Producer
Amanda de Souza is a Canadian Director/Producer with a career spanning over 15 years in the entertainment industry including Advertising in Toronto, PR for Broadway theatre and design for W Magazine in NYC, and film marketing/distribution in LA. Her contributions as an Assistant to Directors, Producers and Showrunners in Canada includes series and feature films with Netflix, Disney, Lionsgate and Universal with extensive experience in every step of filmmaking from the writers’ room to post-production. She is currently a Producer for Apartment 3C Productions in Los Angeles, under founder and Director/Actress Jennifer Morrison.
Meelad Moaphi
Filmmaker
Meelad Moaphi is a Toronto-based filmmaker. Born in Iran, Meelad spent most of his childhood in Japan and has also worked in Spain. In 2024, he completed his directorial feature debut, entitled His Father’s Son. Meelad was Associate Producer on Antoine Bourges’ feature Concrete Valley, which screened at the 2022 Toronto International Film Festival and the 2023 Berlinale. Meelad’s short film credits include Arrhythmia (2009), Republic of God (2010), A Scene (2018), and Worth (2019). He is also an Assistant Professor at Wilfrid-Laurier University’s Department of English and Film Studies.
Sami Khan
Filmmaker
Fateema Al-Hamaydeh Miller
Filmmaker
Fateema Al-Hamaydeh Miller is a mixed-race Palestinian filmmaker whose work explores fragmented identity, grief & post-traumatic growth through “oh no, should I laugh?” comedy. Fateema is a WIDC and CFC Directors’ Lab alumni and recently completed a fellowship for Middle Eastern writers at USC. She is a firm believer in resistance through laughter.
Priscilla Galvez
Filmmaker
Priscilla Galvez is a Toronto-based director, producer and co-founder of the production company Silent Tower. Her latest short film ‘A Fermenting Woman’ world premiered at REGARD Festival and was recently awarded Programmer’s Choice at Minikino Film Festival.
23 Nov, 2024 5:00 pm
Annex TheatreThis event will have open seating – sit anywhere in the venue that isn’t specifically reserved.
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Wheelchair spaces and step-free seating is available for this event – click below to book accessible seats.
Pitch Project Title: The Frontrunner
Oshini Wanigasekera
Director, Producer, & Animator
Oshini Wanigasekera is a Toronto based actor, animator, dancer, and filmmaker. She wrote and directed the award-winning film, What I Meant To Say, I Can’t Do This Anymore, and a solo stage show. Her television appearances include The Handmaid’s Tale (Hulu), Titans (HBO), Workin‘ Moms (CBC), and Good Sam (CBS). She has animated for Disney and Netflix series, video games, short films and feature films.
Pitch Project Title: Hiroshimas Per Second
Ella Saini
Director & Animator
Ella Saini (she/they) is a Filipino-Indian Canadian filmmaker based in Scarborough, ON. She captures the intricate connections between people and their environments, highlighting the often overlooked narratives within urban communities. Their current short unhome has been screened at F-O-R-M Festival of Recorded Movement and 2024 TIFF Next Wave.
Chen Sing Yap
Director & Editor
Chen Sing Yap (he/him) is a Singaporean-born GTA-based editor, director, and writer. His work often leans into stark juxtapositions and graphic matches to bring mental health issues to light. He is the director and editor of Feeling the Apocalypse, a climate anxiety documentary that has played over a hundred venues.
Pitch Project Title: Transparenthood
Weiye Su
Director, Producer, & Writer
Weiye Su is a Canadian-Chinese documentarian and photographic artist. Weiye’s dedication to storytelling and capturing personal narratives within cultural contexts shines through their films, including Jia (2020), A Passage Beyond Fortune (2022), offering nuanced insights into the ever-evolving values of our society.
Pitch Project Title: The Piano
Jenny 진희 Lee
Director & Writer
Jenny 진희 Lee is a Korean Canadian TV writer and filmmaker. She was most recently co-producer and writer on Murdock Mysteries (CBC). Jenny likes to create character-driven works that examine family, society, and mental well-being and madness – all from a perspective grounded in the experiences of women.
Pitch Project Title: Tears Burn To Ash
Natalie Murao
Director, Producer, & Writer
Natalie is a yonsei (fourth generation) Japanese Canadian filmmaker and educator based in “Vancouver”. She aims to expand the notion of Asian diasporic cinema by creating an in-betweenness of styles that embody the diaspora itself. Her films have played at Sundance, TIFF Next Wave, Palm Springs ShortFest and more. In tandem with filmmaking, she has facilitated educational programs for local institutes such as The Cinematheque and VIFF.
Join us at CSI Annex for the Festival Closing Party following the SO YOU THINK YOU CAN PITCH? LIVE FINALE
7–11PM at CSI Annex

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This space is wheelchair and step-free accessible via a staff-operated lift.
The rest of the venue, including the accessible washrooms, is all on one level.
This event may include loud music, flashing lights, and crowds. A calmer,
quieter respite room is available for those with environmental sensitivities.
Click below to advise us of your access needs.
CREATURA is a multimedia cross-programming stream at the 28th Reel Asian Film Festival, spotlighting the strange, wild, and untamed — concepts historically used to marginalize. This session will explore how these concepts manifest through stories of endangered traditions and reimagined realities. The documentary THE LAST OF THE SEA WOMEN provides a vivid portrayal of South Korean fisherwomen preserving an ancient practice amidst modern developments. Meanwhile, UNIVERSAL LANGUAGE, set in a reimagined Canada where Farsi and French are official languages, presents a surreal world where societal norms are upended and loneliness is a common experience. Both films vividly embody the spirit of CREATURA by pushing the boundaries of human experience and challenging conventional perspectives.
Join us for an exclusive Work-In-Progress presentation of SPACE CADET, a captivating animated film directed by Kid Koala. Work-In-Progress events at Reel Asian give audience members a chance to explore the development stages of a piece of work. In this session, we will hear insights from the creative team of SPACE CADET, including director Kid Koala, head of story and production designer Lillian Chan, and artistic director Corinne Merrell, who will guide us through the artistic process and illustrate how animation brings this heartfelt narrative to life.
So you have a great idea for a documentary—what’s next? Join our panel of Producers and Directors as they break down the journey of transforming a concept into a compelling finished project. From the early stages of research, fundraising, and story development, to navigating production challenges and securing distribution, this discussion will cover the essential steps and strategies for bringing a documentary idea to life. Gain insights on pitching to funders, the importance of crafting diverse and authentic narratives, and how to collaborate with key stakeholders in the industry. Whether you’re just starting out or looking to refine your approach, this session will provide valuable takeaways from experienced professionals who have successfully turned their ideas into reality.
Sit in on this exclusive screening and deep dive of Late Bloomer, the groundbreaking series from the creative mind of Jasmeet Raina (Jus Reign). Centred on Jasmeet Dutta's life, the show unpacks family expectations, intergenerational relationships, and racial identity in ways rarely seen on Canadian TV. We’ll screen Episode 1: "Nudes" and Episode 4: "The Turban," offering a glimpse into Jasmeet’s complex journey as he navigates personal desires that go against familial pressures. Stick around to hear from the creative team about how Late Bloomer has landed in the community, and how it will continue to shape these conversations in real life.
Ashley Ganger
Actor
Ashley Ganger is a Canadian actor who made her onscreen debut as a series regular in the Netflix Original series Grand Army. She has since gone on to work as a series regular on the new Canadian hit show Late Bloomer, which was released this year and is set to return for a season 2. Additionally, Ashley is set to star whilst also receiving her first Executive Producer credit on upcoming American Indie film, The Trucker. It is set to shoot in 2025 in Bakersfield California and it will be directed by Ben Rekhi. Having recently relocated to New York, she hopes to take advantage of the city’s storied arts culture and is exploring theatre as one of many avenues to grow as an actress. Ashley is represented by Zero Gravity Management, Greene Talent in the U.S, and Susan J Talent Agency in Toronto. Thank you for taking the time to read about my work, it’s been an honour to get to share this with you.
Gayle Ye
DOP
Gayle Ye is an Emmy award-winning director of photography whose work has screened at Cannes Court Metrage and the Tribeca Film Festival. Gayle has received praise from the New York Times and Roger Ebert for their stunning cinematography. They recently lensed season one of Jasmeet Raina’s “Late Bloomer” and Sook-Yin Lee’s hotly anticipated feature film, “Paying For It.”
Lakna Edirisinghe
Writer
Lakna Edirisinghe is a Sri Lankan-Canadian writer and producer based out of Toronto. Originally from Windsor, Ontario, Lakna moved to Toronto to study Film at the University of Toronto. She then went on to do a post-graduate program in Television Writing and Producing at Humber. Since breaking into the industry, she has written for a wide variety of television shows, including hour-long law dramas like Diggstown (CBC), animated shows like Pinecone and Pony (Apple+), and educational kid’s comedies like Odd Squad (PBS), for which she was nominated for an Emmy. In 2022, she won a Writer’s Guild of Canada Award, and in 2023, she won a Canadian Screen Award for her writing. Her work can be seen on networks like Netflix, Universal, Family Channel, Hulu, CBC, PBS, Apple, Bell and more. She’s currently returning as a writer and co-executive producer on Season 2 of Late Bloomer with Bell/Crave.
17 Nov, 2024 10:00 am
TIFF Lightbox C5Due to a quirk in our ticketing system, you will be prompted to select seats for this event; however this event will have open seating. You may sit in any available seat without a reserved sign or hood on it, except the front row which is reserved for people with disabilities.
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Wheelchair spaces and step-free seating is available for this event – click below to book accessible seats.
Join us for an evening of quiet time records! Kid Koala hosts a "quiet time" event, playing hours of his favorite music to work, draw, code, write or knit to. Bring your creative projects.
So you have a great idea for a documentary—what’s next? Join our panel of Producers and Directors as they break down the journey of transforming a concept into a compelling finished project. From the early stages of research, fundraising, and story development, to navigating production challenges and securing distribution, this discussion will cover the essential steps and strategies for bringing a documentary idea to life. Gain insights on pitching to funders, the importance of crafting diverse and authentic narratives, and how to collaborate with key stakeholders in the industry. Whether you’re just starting out or looking to refine your approach, this session will provide valuable takeaways from experienced professionals who have successfully turned their ideas into reality.
Closing out the 28th Toronto Reel Asian International Film Festival, join us for the live So You Think You Can Pitch competition.
Join us for an in-depth conversation about Ann Marie Fleming's Can I Get A Witness?, Reel Asian's opening night film this year. This thought-provoking movie examines a near-future society grappling with climate change, mortality, and the value of life. Fleming draws inspiration from her personal experiences, including her time in Vancouver's West End and the environmental upheaval of Stanley Park.
What began as an absurdist satire has transformed into a poignant exploration of intergenerational responsibility and community resilience. In this talk, Fleming will share insights into her creative process, the film's evolution from satire to heartfelt comedy, and the collaborative journey with a talented cast and crew, including Sandra Oh. Discover how Can I Get A Witness? invites us to reflect on what we’re willing to sacrifice for a sustainable future and the beauty of life itself.
Ann Marie Fleming
Filmmaker
Ann Marie Fleming was born in Okinawa and is now based in Vancouver. Her body of work as a filmmaker includes fiction, documentary, and animation. She’s directed short films including You Take Care Now (1990) and Blue Skies (2002), and features such as The Magical Life of Long Tack Sam (2003) and Window Horses (2016). Can I Get a Witness? (2024) is her latest film.
14 Nov, 2024 2:30 pm
Festival Lounge
The building is wheelchair and step-free accessible via a ramp & button operated door.
The event space, including the accessible washrooms, are on the 4th floor, accessible via an elevator.
Please click below to advise us of your access needs for this event.
So you have a great idea for a documentary—what’s next? Join our panel of Producers and Directors as they break down the journey of transforming a concept into a compelling finished project. From the early stages of research, fundraising, and story development, to navigating production challenges and securing distribution, this discussion will cover the essential steps and strategies for bringing a documentary idea to life. Gain insights on pitching to funders, the importance of crafting diverse and authentic narratives, and how to collaborate with key stakeholders in the industry. Whether you’re just starting out or looking to refine your approach, this session will provide valuable takeaways from experienced professionals who have successfully turned their ideas into reality.
It’s no secret that filmmaking requires grit, stamina, and a whole lot of determination. Reel Ideas celebrates the behind-the-scenes perseverance that drive creators to follow their instincts and shape their stories.
Sit in on this exclusive screening and deep dive of LATE BLOOMER, the groundbreaking series from the creative mind of Jasmeet Raina (Jus Reign). Centred on Jasmeet Dutta's life, the show unpacks family expectations, intergenerational relationships, and racial identity in ways rarely seen on Canadian TV. We’ll screen Episode 1: "Nudes" and Episode 4: "The Turban," offering a glimpse into Jasmeet’s complex journey as he navigates personal desires that go against familial pressures. Stick around to hear from the creative team about how Late Bloomer has landed in the community, and how it will continue to shape these conversations in real life.
Fresh off its world premiere at TIFF, Amar Wala’s Shook serves as an ideal case study for filmmakers, particularly those transitioning from shorts to feature films. Set in Scarborough, Ont., the film captures the area's multicultural essence and reflects on identity, place, and personal growth through rich, site-specific details. This panel explores the craft of the film, the intricate score, and the writing process, capturing a slice of life that local audiences can resonate with. As a family story, Shook presents a narrative that showcases the beauty of everyday life, balancing complex personal narratives with broader cultural commentary. By examining Wala’s experience with Shook, we'll shed light on how an honest love letter to a city and its diverse communities can be crafted.
Winnie Wang
Writer, Film Programmer
Winnie Wang is a writer and film programmer. Their work can be found in Cinema Scope, Documentary Magazine, POV and Toronto Star.
Amar Wala
Filmmaker
Amar is a Mumbai born, Toronto based filmmaker whose works include his first feature documentary The Secret Trial 5, which received a Jury Prize at Hot Docs and was named one the Best Docs of the Decade by Real Screen Magazine, and Shook, his scripted feature debut which premiered at TIFF in 2024. His body of deeply human and richly visual work has led to a CSA nomination, and the prestigious Vanguard Award from the DOC Institute. Amar has also produced and directed numerous acclaimed series for CBC, Vice, and Bell Media among others, his latest being the CBC doc series Witness (Hot Docs, Doc NYC ‘23), which he also created. Amar is also the founder of Scarborough Pictures, an award-winning production company based in Toronto.
Kalaisan Kalaichelvan
Composer
Named as one Playback’s 10 to Watch, Kalaisan’s compositional practice spans multiple disciplines, drawing from film, dance, theatre, installation and deals with themes of translation and transference. He was a 2021 Fellow of the prestigious Sundance Composers lab and an alumna of the Canadian Film Centre as one of the 2021 Slaight Music residents. Kalaisan has scored films that have premiered at the Cannes Film Festival, TIFF and AFI FIlm Festival. He is currently working on various commissions and scoring a new Netflix series directed by Simon Barry.
Adnan Khan
Co-Screenwriter
Adnan Khan is a screenwriter, novelist, and journalist. His debut novel, There Has to Be a Knife, was named a best Canadian novel of 2019 by the CBC. His second, The Hypebeast, will be published spring 2025. He was the recipient of the 2022 National Magazine Award for best profile, and has taught screenwriting at the University of Guelph. His first feature film, Shook, premiered at the 2024 Toronto International Film Festival.
14 Nov, 2024 5:30 pm
TIFF Lightbox C5Due to a quirk in our ticketing system, you will be prompted to select seats for this event; however this event will have open seating. You may sit in any available seat without a reserved sign or hood on it, except the front row which is reserved for people with disabilities.
–

Wheelchair spaces and step-free seating is available for this event – click below to book accessible seats.
Closing out the 28th Toronto Reel Asian International Film Festival, join us for the live So You Think You Can Pitch competition.
Join us for an evening of quiet time records! Kid Koala hosts a "quiet time" event, playing hours of his favorite music to work, draw, code, write or knit to. Bring your creative projects.
Join us for an exclusive Work-In-Progress presentation of SPACE CADET, a captivating animated film directed by Kid Koala. Work-In-Progress events at Reel Asian give audience members a chance to explore the development stages of a piece of work. In this session, we will hear insights from the creative team of SPACE CADET, including director Kid Koala, head of story and production designer Lillian Chan, and artistic director Corinne Merrell, who will guide us through the artistic process and illustrate how animation brings this heartfelt narrative to life.
It’s no secret that filmmaking requires grit, stamina, and a whole lot of determination. Reel Ideas celebrates the behind-the-scenes perseverance that drive creators to follow their instincts and shape their stories.
Through presentations, works-in-progress, and panels, this year’s Reel Ideas will explore the creative choices Amar Wala made in transforming Shook from a short film to a full-length feature, Kid Koala’s years of collaboration in crafting a detailed animation like Space Cadet, as well as novel ways that artists have been doing justice to important subjects and traditions, in works such as Late Bloomer, The Last of the Sea Women, and Universal Language.
Featuring a range of industry professionals, from cinematographers to performers, this year’s programme highlights the various roles integral to following the north star in one’s artistic vision. Amidst the chaos of creation, where things never quite go as planned, we hope you can find what it is you want to persevere towards, and trust that your story will eventually find its audience and community.
Join us for an in-depth conversation about Ann Marie Fleming's CAN I GET A WITNESS?, Reel Asian's opening night film this year. This thought-provoking movie examines a near-future society grappling with climate change, mortality, and the value of life. Fleming draws inspiration from her personal experiences, including her time in Vancouver's West End and the environmental upheaval of Stanley Park.
THURS NOV 14 AT 2:30PM


Fresh off its world premiere at TIFF, Amar Wala’s Shook serves as an ideal case study for filmmakers, particularly those transitioning from shorts to feature films. This panel explores the craft of the film, the intricate score, and the writing process, capturing a slice of life that local audiences can resonate with.
THURS NOV 14 AT 5:30PM
Sit in on this exclusive screening and deep dive of LATE BLOOMER, the groundbreaking series from the creative mind of Jasmeet Raina (Jus Reign). Centred on Jasmeet Singh’s life, the show unpacks family expectations, intergenerational relationships, and racial identity in ways rarely seen on Canadian TV.
SUN NOV 17 AT 10AM


Join our panel of Producers and Directors as they break down the journey of transforming a concept into a compelling finished project. From the early stages of research, fundraising, and story development, to navigating production challenges and securing distribution, this discussion will cover the essential steps and strategies for bringing a documentary idea to life.
TUES NOV 19 AT 4:30PM
CREATURA is a multimedia cross-programming stream at the 28th Reel Asian Film Festival, spotlighting the strange, wild, and untamed — concepts historically used to marginalize. This session will explore how these concepts manifest through stories of endangered traditions and reimagined realities in THE LAST OF THE SEA WOMEN and UNIVERSAL LANGUAGE.
WED NOV 20 AT 4:30PM


Join us for the live So You Think You Can Pitch competition at the 28th Reel Asian Film Festival! Watch the five finalists compete for an incredible prize package to help launch or complete their films. Come cheer on the next generation of talent and get inspired by the future of Asian Canadian cinema!
SAT NOV 23 AT 5PM
So you have a great idea for a documentary—what’s next? Join our panel of Producers and Directors as they break down the journey of transforming a concept into a compelling finished project. From the early stages of research, fundraising, and story development, to navigating production challenges and securing distribution, this discussion will cover the essential steps and strategies for bringing a documentary idea to life. Gain insights on pitching to funders, the importance of crafting diverse and authentic narratives, and how to collaborate with key stakeholders in the industry. Whether you’re just starting out or looking to refine your approach, this session will provide valuable takeaways from experienced professionals who have successfully turned their ideas into reality.
Join us for an exclusive Work-In-Progress presentation of SPACE CADET, a captivating animated film directed by Kid Koala. Work-In-Progress events at Reel Asian give audience members a chance to explore the development stages of a piece of work. In this session, we will hear insights from the creative team of SPACE CADET, including director Kid Koala, head of story and production designer Lillian Chan, and artistic director Corinne Merrell, who will guide us through the artistic process and illustrate how animation brings this heartfelt narrative to life.
Fresh off its world premiere at TIFF, Amar Wala’s SHOOK serves as an ideal case study for filmmakers, particularly those transitioning from shorts to feature films. Set in Scarborough, Ont., the film captures the area's multicultural essence and reflects on identity, place, and personal growth through rich, site-specific details. This panel explores the craft of the film, the intricate score, and the writing process, capturing a slice of life that local audiences can resonate with. As a family story, SHOOK presents a narrative that showcases the beauty of everyday life, balancing complex personal narratives with broader cultural commentary. By examining Wala’s experience with Shook, we'll shed light on how an honest love letter to a city and its diverse communities can be crafted.