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This presentation has on-screen ASL interpretation.
USA
Since the advent of cinema and the forced colonization of the islands, Hawai’i stories on film have too often been told by outsiders. Reel Asian is bringing a spotlight onto two acclaimed Hawai’i-made dramatic feature films. Christopher Kahunahana’s award winning WAIKIKI is the first dramatic feature film written and directed by a Kanaka Maoli (Native Hawaiian). Christopher Makoto Yogi’s I WAS A SIMPLE MAN had its World Premiere at the Sundance Film Festival in 2021. Unique films and filmmakers, both Kahunahana and Yogi share a genuine reverence for their home and seek to provide images and sounds of the Hawaii they know.
In this moderated filmmaker to filmmaker conversation Kahunahana and Yogi will discuss each others films and the groundbreaking context that surrounds them.
15 Nov, 2021 7:00 pm

This presentation has on-screen ASL interpretation.
If it had to be summed up, Code Name: Nagasaki is a documentary shot by Fredrik S. Hana, following his close friend and film protagonist Marius Lunde on his journey to connect with his estranged mother, who cut ties with the family when Lunde was a child, and relocated to Japan. The experience of watching the film, however, far exceeds this tidy storyline.
Mi-yeon seems to be living the perfect life as a choirmaster and the wife of a successful man. In comparison, her sisters Hee-sook and Mi-ok seem to be miserable, making Mi-yeon frustrated. But in the shadow behind her perfect smile, Mi-yeon’s also suffering from the three sisters’ shared childhood trauma that they’ve yet to come to terms with.
Aman, a young aspiring writer, moved to Kuala Lumpur to follow his dreams, but all he has is his late father’s old car and nowhere to live. To make ends meet, he uses his room on wheels to illegally earn money through a driving-service app. This is how he meets Bella, a student from Penang.