This film is part of the Shorts Presentation: UNDER THE INFLUENCE shorts programme.
Canada20229 minEnglishComedy, Documentary, Experimental
Pixels of the Orient appropriates Western media depictions of East Asia for a psychedelic and comedic exploration of ahistorical East Asian aesthetics and identity.

*Warren Chan
Warren Chan is a video artist and curator with a focus on experimental works that analyze digital and new media technologies.
This film is part of the Shorts Presentation: UNDER THE INFLUENCE shorts programme.
Jude Chehab, a Lebanese American cinematographer and filmmaker, has always known her mother and grandmother to be women devoted to their Muslim faith. During a trip to Lebanon, Chehab is propelled by a curiosity to understand the quest for love, acceptance, and meaning that brought three generations of women in her family to pledge loyalty to a secretive matriarchal religious order operating clandestinely in the country.
Discover the comedically honest and heartwarming story of the CBC Gem original short-form series How to Fail as a Popstar in our screening of the first three episodes followed by a panel discussion, "The Clumsy Art of Finding Yourself."
Some family stories are so epic they demand telling. Some moments in history require the intimate and inside knowledge of community storytellers. The venerated Chinese Canadian filmmaker Keith Lock narrates the story of how his mother married his father in Australia, who was training with other Chinese Canadian veteran volunteers for the top secret suicide mission, Operation Oblivion.
New Zealand202313 minEnglish, Hindi, Māori with English subtitlesDrama, Family-friendly, Immigrant stories
When Anu, a recent widow, moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

Pulkit Arora
Pulkit Arora is a writer-director based in India and New Zealand. His directorial work focuses on identity, faith and belonging.
This film is part of the Shorts Presentation: UNDER THE INFLUENCE shorts programme.
Six fearless emerging filmmakers embarked on a summer-long filmmaking journey online. We’re proud to present their world premiere here in the 12th edition of Reel Asian’s filmmaking program.
Visit the PIGEONHOLE, nest and rest from the festival chaos, listen to collaborative pigeon music, watch raw footage, compose your own ditties, and collage a flock of desired futures together with other attendees. Check the festival website or rarara.ca for a full program schedule including artist talks and facilitated collage sessions.
Delve into the profound connections filmmakers Fawzia Mirza (The Queen of My Dreams) and Zarrar Kahn (In Flames) forge when revisiting their roots in Pakistan, through a cinematic lens. This in-depth conversation explores how filmmakers turn place into its own dynamic character, and unpacks the emotive pull of returning, despite its tensions and contradictions. Join us as they showcase how "home" can transcend geographical boundaries, ignite stories with new interpretations of place, and animate narratives with the rich tapestry of personal heritage.
Canada202314 minEnglish, Farsi with English subtitles2slgbtq+, Comedy, Directed By Women, Drama
An Iranian Canadian girl reluctantly makes a new friend when the new student from Iran offers to help fix her ruined unibrow — for her, a symbol of the Iranian heritage she tries desperately to hide from the world.

*Nedda Sarshar
Nedda Sarshar is an emerging filmmaker and writer who loves to tell stories that centre queer women of colour and their immigrant families. Sarshar won Reel Asian’s Pitch Competition in 2021 with this work.
This film is part of the Shorts Presentation: UNDER THE INFLUENCE shorts programme.
Six fearless emerging filmmakers embarked on a summer-long filmmaking journey online. We’re proud to present their world premiere here in the 12th edition of Reel Asian’s filmmaking program.
You rarely couple poop and romance together, but Okiku and the World does it effortlessly in the most genuine and adorable way.
For our Closing Night Event, come celebrate the live So You Think You Can Pitch competition at the 27th Toronto Reel Asian International Film Festival. Reception to follow.
Singapore202211 minEnglish Animation, Comedy, Directed By Women, Experimental
In the strange, polarized world of Hands and Butts, a single act of violence toward an oppressed Butt sets the mediaverse ablaze.

Calleen Koh
Calleen Koh finds joy in turning serious societal issues into wacky stories using her crazy sexy characters, like anthropomorphic sushis, phallic Crayola-coloured children or walking butts in her manic animated films.
This film is part of the Shorts Presentation: UNDER THE INFLUENCE shorts programme.
At the heart of Baby Queen is a tender and joyful relationship between Singaporean drag queen Opera Tang and her 90-year-old grandmother, who makes many of her performance costumes.
When Azra, a queer Muslim grad student, hears of her father’s sudden death, she flies back to her ancestral home in Karachi, Pakistan for the funeral, where she is received by her conservative mother, Mariam, perpetually disappointed by Azra’s choices. As a self-assured Azra wrestles with Karachi’s customs and norms, we time travel back to Mariam’s own life in the city 30 years ago, a remarkably different era in Pakistan’s political and cultural history.
A job interview, a children’s clothing store, a government registry office. These are just some of the everyday sites for which the characters of Terrestrial Verses must navigate cultural, religious, and institutional constraints imposed on them.
Indonesia202318 minIndonesian with English subtitlesDrama
Working as a fisherman to support his small family, Ucup is used to consuming his catch from the sea until one day something strange happens that makes him realize something about his daily meal.

Muhammad Heri Fadli
Muhammad Heri Fadli is from Central Lombok, Indonesia, and just finished his master’s degree at the University Technology Mara in visual communication and new media.
This film is part of the Shorts Presentation: UNDER THE INFLUENCE shorts programme.
Delve into the profound connections filmmakers Fawzia Mirza (The Queen of My Dreams) and Zarrar Kahn (In Flames) forge when revisiting their roots in Pakistan, through a cinematic lens. This in-depth conversation explores how filmmakers turn place into its own dynamic character, and unpacks the emotive pull of returning, despite its tensions and contradictions. Join us as they showcase how "home" can transcend geographical boundaries, ignite stories with new interpretations of place, and animate narratives with the rich tapestry of personal heritage.
You rarely couple poop and romance together, but Okiku and the World does it effortlessly in the most genuine and adorable way.
Explore this app for mobile devices that shares the journey of a child refugee, activated by the steps you take.
South Korea202224 minKorean with English subtitlesDirected By Women, Mystery
Kyu-ho, an ordinary office worker, receives an interview request from a famous writer and agrees to talk to her.

*ROH Do-hyeon
Do-hyeon Roh has held various jobs in the field, such as a lighting technician for a commercial film and a web novelist after signing a contract with a publisher.
This film is part of the Shorts Presentation: UNDER THE INFLUENCE shorts programme.
Hang out with us for Festival Happy Hour, open to the public! Grab a drink and join in on the casual activities each day.
Be warmed by friendship and held by the depth of feelings in this collection of wholesome shorts for all ages in a relaxed screening environment. Stick around to participate in fun and simple art activities post-screening.
Free-spirited 12-year-old Zaffan is the first of her friends to get her period and experience the body-changing horrors that come with puberty and menstruation.
Canada, Indonesia202321 minIndonesian, Mandarin, Dutch with English subtitlesDirected By Women, Drama, Science Fiction
In a post-New Order Jakarta, native Indonesians (Pribumi) are legalized to perform the black magic ritual babi ngepet to balance their economy against Chinese Indonesians.

*Andrea Nirmala Widjajanto
Andrea Nirmala Widjajanto is an Indonesian writer and director currently residing in Toronto. Her works explore genre films as a medium to depict current political, social, and cultural issues.
This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
More to the situation than what it seems, these shorts choose to examine, tease, and redefine the forces that pull us to make a decision.
A job interview, a children’s clothing store, a government registry office. These are just some of the everyday sites for which the characters of Terrestrial Verses must navigate cultural, religious, and institutional constraints imposed on them.
These shorts look at the soft to even slightly off-kilter bonds we find in one another, the realms we exist in, and ultimately, ourselves, despite ongoing change—no friendship bracelets required.
Iran, New Zealand20224 minFarsi with English subtitlesAnimation, Directed By Women, Experimental
Back-and-forth movement blends discrete pictures into each other, contrasting the memory of innocent childhood life in a remote, peaceful environment against the surrounding political affairs of post-revolutionary Iran.

Zahra Salarnia
Zahra Salarnia is an Iranian artist based in New Zealand. She seeks to explore alternative and unconventional methods for making and presenting animation.
This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
Societal, political, and magical forces at play beyond our control, this programme brings together a variety of filmmaking approaches to reflect on what can remain in troubling times, and along with it, agency to construct the narrative.
Chloe Abrahams’ debut feature, is an enveloping, hypnotic, urgently personal meditation on family, memory, identity, violence, and love.
Canada, India, Sri Lanka202318 minTamil with English subtitlesDrama, History
In a small village in northern Sri Lanka, a young girl is forced to confront the consequences of a deadly civil war as a wounded freedom fighter is brought into their home.

*Kalainithan Kalaichelvan
Kalainithan Kalaichelvan is a Tamil Canadian writer, director, and producer whose films have screened at festivals such as the Santa Barbara International Film Festival, Rhode Island International Film Festival, and Reel Asian.
This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
The Good Guise is an artist collective in Toronto formed to spark conversations around healthy masculinity.
Last fall, the DOC Institute invited creative producers to reimagine a documentary ecosystem that recognizes the needs of BIPOC producers with critically acclaimed projects, and published their thoughts in the “Creative Producer Think Tank Report.” A key point highlighted was producer/director relationships—listen as panelists delve into the critical and vital collaboration that underpins any successful film.
Some family stories are so epic they demand telling. Some moments in history require the intimate and inside knowledge of community storytellers. The venerated Chinese Canadian filmmaker Keith Lock narrates the story of how his mother married his father in Australia, who was training with other Chinese Canadian veteran volunteers for the top secret suicide mission, Operation Oblivion.
Myanmar202218 minBurmese with English subtitles2slgbtq+, Drama, Romance
Out of work and forced to marry a man she dislikes, young San Kyi plans to run away with her best friend, but complications unfold.

Aung Phyoe
Aung Phyoe is a writer, director, and film editor. He’s currently working on his first feature length film Fruit Gathering.
Content Warning: Depictions of blood and self-harm
This film is part of the Shorts Presentation: HERE WE ARE shorts programme.
Starring Jerry as Himself shakes up notions of traditional storytelling in a genre-bending mystery that centres on Jerry Hsu. Jerry is a loving father of three, a recent divorcé, and has been keeping a secret.
Directed by Meredith Hama-Brown. Judith, a Japanese Canadian woman, and her reluctant white husband attend a week-long couple’s retreat on a coastal British Columbia island, their two daughters in tow. With Judith grieving the recent loss of her mother, and her connection to her Japanese Canadian identity, the couple’s disconnect grows as she finds herself infatuated with another, seemingly perfect, interracial couple at the retreat.
Following our Building Forces: The Director Producer Relationship panel, stay for a reception with Canadian Media Producers Association, a chance to network, ask questions, and enjoy snacks and refreshments. Especially good for Producers!